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Articles 31 - 43 of 43
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Egypt's Police State In The Work Of Idris And Mahfouz, David F. Dimeo
Egypt's Police State In The Work Of Idris And Mahfouz, David F. Dimeo
CLCWeb: Comparative Literature and Culture
In his article "Egypt's Police State in the Work of Idris and Mahfouz" David F. DiMeo examines how two leading twentieth-century authors of politically committed fiction addressed an angry generation's confrontations with former members of the oppressive state police apparatus. Yusuf Idris's The Black Policeman (1962) and Najib Mahfouz's al-Karnak (1974) remain particularly relevant as today's Egyptian activists confront the vestiges of the former regime's security forces. Using Mikhail Bakhtin's theory of the carnival as a paradigm for analysis, DiMeo examines how both texts present sharp contrasts between hollow quests for public revenge through purges and a genuine overturning of …
Victims Of The City In Novels Of Zola And Dostoevsky, Marta L. Wilkinson
Victims Of The City In Novels Of Zola And Dostoevsky, Marta L. Wilkinson
CLCWeb: Comparative Literature and Culture
In her article "Victims of the City in Novels of Zola and Dostoevsky" Marta Wilkinson argues that urbanity in its nineteenth-century setting functioned as the culpable agent in criminal behavior found in Dostoevsky's Crime and Punishment and in several of Zola's Rougon-Macquart novels. Wilkinson an analysis of the novels based on Merlin Coverly's concept of psychogeography which supports the extension of the cityscape as an integral part of the novels' characters. Further, Wilkinson illustrates how in Zola's and Dostoevsky's novels the city reigns triumphant as characters fall victim to disease, drink, or are left with desperate choices: in Dostoevsky's novel …
Intercultural Approaches To Cities And Spaces In Literature, Film, And New Media: A Review Of New Work By Manzanas And Benito And López-Varela And Neţ, Ana María Martín Castillejos
Intercultural Approaches To Cities And Spaces In Literature, Film, And New Media: A Review Of New Work By Manzanas And Benito And López-Varela And Neţ, Ana María Martín Castillejos
CLCWeb: Comparative Literature and Culture
No abstract provided.
Contemporary Us-American Satire And Consumerism (Crews, Coupland, Palahniuk), J.C. Lee
Contemporary Us-American Satire And Consumerism (Crews, Coupland, Palahniuk), J.C. Lee
CLCWeb: Comparative Literature and Culture
In her article "Contemporary US-American Satire and Consumerism (Crews, Coupland, Palahniuk)" J.C. Lee focuses on contemporary satire's potential (or lack thereof) for change, reform, or rebellion through an investigation of works by Harry Crews, Douglas Coupland, and Chuck Palahniuk, all of which target consumerism. The said writers employ satire not to initiate rebellion or cultural change, but to reflect the problematic role of institutions in modern life and, in turn, the potential, even hope, for personal growth. Lee's analysis of texts by Crews, Coupland, and Palahniuk is intended to question satire's potential as a form of cultural critique and institutional …
Barthelme's "Paraguay," The Postmodern, And Neocolonialism, Daniel Chaskes
Barthelme's "Paraguay," The Postmodern, And Neocolonialism, Daniel Chaskes
CLCWeb: Comparative Literature and Culture
In his article "Barthelme's 'Paraguay,' the Postmodern, and Neocolonialism," Daniel Chaskes explores the analytic opportunities afforded by conjoining globalizing critical approaches with a story by an author who has often been circumscribed by the postmodern rubric. Donald Barthelme's "Paraguay," written the summer after Nelson Rockefeller's fact-finding mission to South America in 1969, provides a chance to consider modes of anti-colonial critique in Barthelme's work. It also offers examples of a more self-reflective criticism aimed at the U.S. counterculture and the indeterminacies of postmodernism. Chaskes reads "Paraguay" with the aim of understanding Barthelme's hemispheric interest and he investigates the multiple cultural …
Artl@S: A Spatial And Trans-National Art History Origins And Positions Of A Research Program, Béatrice Joyeux-Prunel
Artl@S: A Spatial And Trans-National Art History Origins And Positions Of A Research Program, Béatrice Joyeux-Prunel
Artl@s Bulletin
ARTL@S is a project on the spatial and trans-national history of the arts and humanities, based on the collaboration of quantitative methods and cartographic visualization. These two strategies fit into a perspective nourished by critical and sociological theory that, in short, aims to highlight not only the link between a work of art and its space, but also its underlying political, social, aesthetic or economic issues. From this standpoint, we have chosen to take advantage of what a digi-tal approach can offer: the constitution of da-tabases, quantitative analysis, graphic and geographic representations of data, as well as the Internet. In …
Jenck's "Enigmatic Signifier" And Cathartic Narrative, Emmanuel Rubio
Jenck's "Enigmatic Signifier" And Cathartic Narrative, Emmanuel Rubio
CLCWeb: Comparative Literature and Culture
In his article "Jenck's 'Enigmatic Signifier' and Cathartic Narrative" Emmanuel Rubio takes Charles Jencks's definition of the "enigmatic signifier" as a point of departure. For Jencks, the post-modern "iconic building" should present a "redundancy of popular signs and metaphors" that allows for multiple interpretations. But these numerous metaphorical references could also be inserted in a less simultaneous network to construct a narrative sequence. As one of these sequences, the "cathartic narrative," which is particularly adapted to the troubled era of post-modernity, is defined as a narrative that brings back, in a symbolic way, memories and experiences of past suffering, before …
History And Politics In Parthasarathy's Play Aurangzeb, Shubh Brat Sarkar
History And Politics In Parthasarathy's Play Aurangzeb, Shubh Brat Sarkar
CLCWeb: Comparative Literature and Culture
In his article "History and Politics in Parthasarathy's Play Aurangzeb" Shubh Brat Sarkar analyzes the use of history in a dramatic text, the underlying politics and ideology of a literary product, and the modes by which the materials are shaped through dramaturgy. The name Aurangzeb, the title of the play, has a strong presence in history textbooks and has perhaps become an integral part of a grand historical, "Indian" nationalist discourse. In the play multiple contradictions co-exist and find new projections in translations and theater adaptations in different historical contexts. Indira Parthasarthy's 1974 play is based on events leading …
Shakespeare Reception In India And The Netherlands Until The Early Twentieth Century, Vikram Singh Thakur
Shakespeare Reception In India And The Netherlands Until The Early Twentieth Century, Vikram Singh Thakur
CLCWeb: Comparative Literature and Culture
In his article "Shakespeare Reception in India and The Netherlands until the Early Twentieth Century" Vikram Singh Thakur locates Shakespeare in two different cultural contexts by looking at its reception in The Netherlands and India. His analysis is based on the fact that Shakespeare was a foreign playwright to both cultures yet both have gradually assimilated his works into their respective cultures and made him, probably, the most performed foreign playwright since the 1870s. Thakur aims at understanding how the reception of a work in different cultures is mediated by various social, cultural, historical, and ideological sieves through which the …
National Trauma And The 'Uncanny' In Hage's Novel De Niro's Game, Hany Ali Abdelfattah
National Trauma And The 'Uncanny' In Hage's Novel De Niro's Game, Hany Ali Abdelfattah
CLCWeb: Comparative Literature and Culture
In his article "National Trauma and the 'Uncanny' in Hage's Novel De Niro's Game" Hany Ali Abdelfattah attempts to decipher the "uncanny" in the character of George who has been haunted by the memories of Bassam, a Lebanese survivor of trauma. Rawi Hage's De Niro's Game crystallizes the national trauma of Lebanon and the massacre of Sabra and Shatila as it unfolds in the story of the friendship between George and Bassam. Abdelfattah employs the psychoanalytic method of analysis with a focus on Freudian concepts such as "repression," "belatedness," "effacement," "displacement," and "non-abreaction of experience" in order to trace …
Queer Love In Woolf's Orlando And Chu's Notes Of A Desolate Man, Pei-Wen Clio Kao
Queer Love In Woolf's Orlando And Chu's Notes Of A Desolate Man, Pei-Wen Clio Kao
CLCWeb: Comparative Literature and Culture
In her article "Queer Love in Woolf's Orlando and Chu's Notes of a Desolate Man" Pei-Wen Clio Kao analyses Virginia Woolf and T'ien-Wen Chu's novels in the context of gender studies. Kao's reading of Orlando and Notes of a Desolate Man is an elaboration on homosexual sensibilities of both men and women based on the concept of écriture féminine in the context of patriarchy and the former's power of subversion and change. Kao's analysis results in the finding that while Woolf's Orlando is more attuned to the feminist discourse based on an extended Western project in its period and …
Trauma, Apocalypse, And Ethics In Israeli Theater, Zahava Caspi
Trauma, Apocalypse, And Ethics In Israeli Theater, Zahava Caspi
CLCWeb: Comparative Literature and Culture
In her article "Trauma, Apocalypse, and Ethics in Israeli Theater" Zahava Caspi traces the traumatic experience as a point of departure in apocalyptic plays in Israeli literature. Caspi argues that in Israeli apocalyptic plays a critical gap opens up between the fictional narrative that ends with destruction and the theatrical apparatus that creates a sense of continuity. The theatrical text delivers a message to the audience inviting them to increase their engagement with and accountability for continuity not merely during the theatrical event, but more significantly, once the performance is over. The play's moral imperative to provide a "positive" ending …
Davis's Poetic Dialogue With Leiris's Autobiography, Jonathan Evans
Davis's Poetic Dialogue With Leiris's Autobiography, Jonathan Evans
CLCWeb: Comparative Literature and Culture
In his article "Davis's Poetic Dialogue with Leiris's Autobiography" Jonathan Evans analyzes Lydia Davis's translation of the first two parts of Michel Leiris's autobiography, which shows an encounter between two writers. Davis has also written stories which reference Leiris and thus position him as a precursor. Evans proposes that Leiris is not only a source of influence for Davis, but that their texts can be read as a dialogue. Using a methodology that draws on Lacanian psychoanalysis, Evans shows how Leiris focuses on sound and graphological patterns in order to understand his own conscious and unconscious relationship with words. Davis, …