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Money Painting And The Duplicitous Multiple: The Interdependence Of American Copyright Legislation And Artistic Production, Jaclyn N. Siemers Aug 2012

Money Painting And The Duplicitous Multiple: The Interdependence Of American Copyright Legislation And Artistic Production, Jaclyn N. Siemers

School of Art, Art History, and Design: Theses and Student Creative Work

In this thesis I investigate the interworking and influences of the United States’ federal copyright legislation, specifically its relationship to the history of artistic production from the late nineteenth-century to the present. A detailed analysis of the evolving copyright statute, the social and legal impact of the multiple (including the counterfeit copy), and the progressive recurrence of representational money paintings will reveal the mutually dependent relationship of copyright legislation and artistic production. The progression of styles in America art—nineteenth-century trompe l’oeil illusionism, mid-century Abstract Expressionism, Pop art, and contemporary appropriation art—provides an illustrated roadmap of the complex relationship between the …


English King And German Commoner: An Exploration Of Sixteenth Century Clothing And Identity, Bradley Dale Moore Aug 2012

English King And German Commoner: An Exploration Of Sixteenth Century Clothing And Identity, Bradley Dale Moore

Graduate Theses and Dissertations

This paper will explore the connections of clothing and identity in the sixteenth century. The fit and construction of clothing can be directly related to how a person is perceived, or indeed, how one perceives one's self. Henry VIII (1491-1547) of England will be compared and contrasted with Matthäus Schwarz (1496-1574), a commoner from Augsburg, Germany. Tudor will represent how identity can be created for others, particularly through legislation and courtly life; while Schwarz' own words will assist in the exploration of the identity of the individual.


The Dorothy And Herbert Vogel Collection: Fifty Works For Rhode Island, Alison W. Chang Jul 2012

The Dorothy And Herbert Vogel Collection: Fifty Works For Rhode Island, Alison W. Chang

Journals

Exhibition Notes, Number 41, Summer 2012. RISD Museum was the recipient of fifty contemporary works from the celebrated collectors Dorothy and Herb Vogel. Both worked as civil servants throughout their lives so they never had extraordinary means with which to build a collection, but acquired more than 4000 works since their marriage in 1962. Their commitment to minimal and conceptual art is well-known, but their taste was much broader and included work rooted in Abstract Expressionism as well as figurative compositions. Most of the collection was given to the National Gallery of Art. The gift to Rhode Island is part …


Blanket Statements, Issue 108, Summer 2012 Jul 2012

Blanket Statements, Issue 108, Summer 2012

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 108, Summer 2012


Framing Cultural Capitalism: William Wilson Corcoran And Alice Walton As Patrons Of The American Art Museum, Kelsey E. Tyler Jun 2012

Framing Cultural Capitalism: William Wilson Corcoran And Alice Walton As Patrons Of The American Art Museum, Kelsey E. Tyler

School of Art, Art History, and Design: Theses and Student Creative Work

In 2011, Alice Walton opened what is now considered to be among the most important American art collections in the country, in a museum called Crystal Bridges, in Bentonville, Arkansas. What is remarkable is not only the exorbitant amount of money spent to open the museum - over $800 million dollars - but also that she was the primary financier. William Wilson Corcoran, a mid-nineteenth-century banker, in many ways is a better comparison than Morgan or Gardner, as like Walton he intended to found a museum dedicated specifically to American art. His museum, which he hoped would become a national …


The Culturator: Film Noir Meets Bike Culture, Daniel Dean Jun 2012

The Culturator: Film Noir Meets Bike Culture, Daniel Dean

Art & Design Faculty Research

Part of this weekend’s nuit blanche Northern Spark festival, project Mobile Experiential Cinema invites goers to embark on a rambling, bicycle-mounted, multi-location cinematic experience that blends bike culture with locally-bred film. Created by artists Daniel Dean and Ben Moren, the project launched alongside the inaugural Northern Spark fest last year as an interactive projected film-focused group ride featuring live performance elements and urban exploration embodying all plot twists and theatrical curve balls we’ve come to expect from the mystery genre. We caught up with Mobile Experiential Cinema collaborators Dean and Moren to chat about the project’s creation, its noir influences …


Chaosocial - A Social Media Platform For Social Movements, Nathanael Hughes Jun 2012

Chaosocial - A Social Media Platform For Social Movements, Nathanael Hughes

Liberal Arts and Engineering Studies

Recent Social Movements have increasingly used social media as a driving component in recruiting, developing the cause, and mobilizing people to action. Chaosocial is a web application that provides a layer of organization over social media, allowing organizations traditionally limited in ability to leverage social media to use it to strengthen their social movements.


Combat To Campus, Margaret Bellafiore Jun 2012

Combat To Campus, Margaret Bellafiore

Bridgewater Review

No abstract provided.


Typographic Trends In American Sports Brands, Alan Jacobson Jun 2012

Typographic Trends In American Sports Brands, Alan Jacobson

Graphic Communication

No abstract provided.


Office Of Multicultural Affairs (Oma) / Office Of Intercultural Student Engagement (Ise) Annual Report 2011-2012, Intercultural Student Engagement Office, Anthony Johnson Jun 2012

Office Of Multicultural Affairs (Oma) / Office Of Intercultural Student Engagement (Ise) Annual Report 2011-2012, Intercultural Student Engagement Office, Anthony Johnson

Intercultural Student Engagement (ISE) Annual Reports

This Annual Report 2011-2012 marks the transition and renaming of the Office of Multicultural Affairs (OMA) to the expanded Office of Intercultural Student Engagement (ISE). This expansion brought to ISE the Office of International Student Services (OISS) and a diversity coordinator- a new position focusing on underserved student communities including LGBTQ, religious/spiritual, and first generation to college. These important shifts and incredible staff members have poised the office and RISD to respond more broadly and deeply to the needs, hopes, and development of our collective student body. The ISE 2011-2012 Annual Report is a year in review containing a message …


Born-Again Artist: Lessons, Prophets, And Visions On Developing An Identity As An Artist, Alison Palmucci May 2012

Born-Again Artist: Lessons, Prophets, And Visions On Developing An Identity As An Artist, Alison Palmucci

Critical and Creative Thinking Capstones Collection

Being an artist involves the creation and maintenance of an artistic identity. Because there are no specific prerequisites for becoming an artist, like academic degrees or professional licenses, anyone can call him- or herself an artist. Working as an artist differs from working in more typical careers. This paper seeks to examine the ways artists build and maintain artistic identities, and the various actions or modes of thinking needed in order to do so. The author reflects on her own life as an artist, which includes considering how she lost sight of her artistic self, and the steps she is …


Everyday Discoveries In Helsinki And Dublin: How Pivot Dublin And The Institute Of Designers In Ireland Engaged In An Open And Participative Competition As Part Of World Design Capital 2012, Barry Sheehan May 2012

Everyday Discoveries In Helsinki And Dublin: How Pivot Dublin And The Institute Of Designers In Ireland Engaged In An Open And Participative Competition As Part Of World Design Capital 2012, Barry Sheehan

Conference Papers

Design Forum Finland invited the Institute of Designers in Ireland (IDI) to take part in the International Design House Exhibition as part of World Design Capital Helsinki 2012. The IDI was asked to work with Design Forum Finland and Imu Design in the event that takes place during Helsinki Design Week 2012.

In 2010 Dublin City Council formed a group called PIVOT Dublin to bid for World Design Capital 2014. Dublin has been investigating different ways of utilizing design to make changes and drive innovation in the City. PIVOT Dublin provides an ongoing flexible mechanism for design projects, actions and …


Candy Unicorn Horn Chandelier, Kari Breitigam May 2012

Candy Unicorn Horn Chandelier, Kari Breitigam

Symposium 2012

No abstract provided.


Perceptions Of The Ordinary, Natalie J. Tobacyk May 2012

Perceptions Of The Ordinary, Natalie J. Tobacyk

LSU New Orleans Theses and Dissertations

ABSTRACT

This thesis explores the progression of my work through my graduate studies at the University of New Orleans. I examine the central psychological themes of the human experience. Through painting, drawing, printmaking, and sculpture, I investigate various ways of translating personal and universal experiences into open-ended visual allegories. These psychological narratives are intended to function ambiguously- allowing the viewer to develop their own ideas and responses to the work. Using the figure paired with symbols and also using mass-produced common objects to function as the figure; placing them in ambiguous environments, I juxtapose physical and psychological spaces that evoke …


The Persistence Of Vengeance From Early Modern England To Postmodern New York, Dominic M. Sevieri May 2012

The Persistence Of Vengeance From Early Modern England To Postmodern New York, Dominic M. Sevieri

LSU New Orleans Theses and Dissertations

As a passing glance at the popular texts of any given period reveals, the subject of vengeance is nearly inescapable; on billboards, websites, and year end lists, revenge represents a curious constant even amid disparate media. This study explores the cultural commonalities that align revenge texts of the English Renaissance and exploitation films of late 20th century America. As in-depth inquiry reveals, numerous ideas and narrative tropes popularized during the Early Modern period are pushed to their logical extremes in these films. The central factor that aligns London during the Renaissance and New York at the cusp of the 1990s …


Nebraska Art Today: A Centennial Invitational Exhibition, James B. Schaeffer May 2012

Nebraska Art Today: A Centennial Invitational Exhibition, James B. Schaeffer

Sheldon Museum of Art: Catalogs and Publications

Anniversaries make suitable opportunities for summing up - appraising past progress and looking forward to a better future. Hence, in Nebraska's 100th year as one of the United States of America, it is appropriate that we trace activity in the arts during pioneer days and the period of expansion, pausing perhaps to offer congratulations for past accomplishments or to wish that achievement had been higher.

Middle Western culture is a transplant and a product of the times. The newly-opened territory offered opportunities for material advancement, and settlers either brought with them an acquaintance with genteel living or a desire for …


Bikeurious: A Transportation Reorientation, Aerienne Russell May 2012

Bikeurious: A Transportation Reorientation, Aerienne Russell

Pomona Senior Theses

Since a young age, I have been interested in bicycling as a form of fun and fanciful recreation, but it wasn’t until the summer of 2011 that a serious shift occurred in my understanding of the bike as more than a mere machine. A spontaneous 700-mile journey redefined my relationship with travel, transcended my notions of transportation, and enabled me to better mediate myself within my environment. In writing about these experiences, I hope to offer some insight into how American culture currently frames transportation and how I hope the construction of a bike positive culture can instill social, environmental, …


Women And Video Games: Pigeonholing The Past, Allison Perry May 2012

Women And Video Games: Pigeonholing The Past, Allison Perry

Scripps Senior Theses

Academic work dealing with the overlap between video games and female representation is limited in both volume and proper research. Most texts agree on three supposed flaws with video games: they alienate female participants, there are no games for female players, and female players cannot relate to female characters. This thesis sheds light on these points, not only citing specific counter-examples, but also showing how many of these issues reflect on a larger societal problems.


A Scenographic Transposition From The Stage To The Screen: An Excavation Of Tennessee Williams’ A Streetcar Named Desire, Jordan Randall May 2012

A Scenographic Transposition From The Stage To The Screen: An Excavation Of Tennessee Williams’ A Streetcar Named Desire, Jordan Randall

Honors Theses

This thesis explores the distinction between the scenic design of A Streetcar Named Desire’s original Broadway production and 1951 film. Using Streetcar as a case study, I evaluated the differences in the choices made in the scenography of the two mediums as a way to evaluate whether there are inherent differences between theatre and film. I examined the scripts of both mediums and analyzed how the story was transposed and how that transposition affected the choices made by the director and designer in the making of the film.


I Am Who Am, Ali M. Scattergood May 2012

I Am Who Am, Ali M. Scattergood

Lawrence University Honors Projects

This body of work includes both black and white photographs and a film. In each work, I put my collaborators in an environment consisting of a simple black curtain, to neutralize the space, and a 2 foot by 2 foot glowing orb of light. I asked my subjects to interact with the glowing orb in any way they felt most comfortable. I adjusted my collaborators only to keep them from leaving the frame of my camera. The positions and movements these people produced are both intimate and authentic to themselves. As such, each experience with the orb, captured on film, …


Five Children's Book Covers Employing Illustrative Type, Rochelle Lynn Baross May 2012

Five Children's Book Covers Employing Illustrative Type, Rochelle Lynn Baross

Honors Scholar Theses

A colelction of five children's books created digitially and employing illustrative type.


All State Art Symposium 2012, Diana Gregory, Shane Mcdonald May 2012

All State Art Symposium 2012, Diana Gregory, Shane Mcdonald

Art and Design Creative Works

Now in its fourth year, the All State Art Symposium (ASAS), sponsored by the Georgia Art Education Association, continued the tradition of tremendous statewide participation with just under 800 students submitting over 1,100 works this year. Of these works the district jurors selected 512 works as district winners. Mark Mason Karelson, director of Mason Murer Fine Art in Atlanta, served as state juror and selected over 130 works for the ASAS Exhibition from which the ASAS Award winners were chosen. ASAS is open to all public and private high school students and promotes the visual arts as a vital part …


Evocation Of Memory And Place, Colleen Pendry May 2012

Evocation Of Memory And Place, Colleen Pendry

Masters Theses, 2010-2019

My work investigates the inseparability of memory and emotion. Guided by what remain of my mother’s tattered memoirs, I have investigated a place from her past that suggests an intense search which filters through her writings and in tandem with my own visual remembrance. Through the manipulation of materials, technique and space, my work reveals a simple yet complex connectedness to memory and place.


Art From The Outpost, Field Notes, New Territory, And The Invisible Hamster, Dymphna De Wild May 2012

Art From The Outpost, Field Notes, New Territory, And The Invisible Hamster, Dymphna De Wild

Masters Theses, 2010-2019

The outpost installations I create reveal my choice to be inventive with mostly found materials that I discover on my walks. Calling myself an artist-archeologist, I write down field notes as I collect my art-bound specimens and make a descriptive inventory for each of the works. I often surprise my viewers (and myself) by creating something fabulously strange and compelling with things that were cast aside. I hope to increase my viewers’ abilities to find beauty in these forgotten and trashed items and to generate an innovative dialogue and an outside-of-the-box way of thinking.


Domestic Bliss, Carrie D. Spencer May 2012

Domestic Bliss, Carrie D. Spencer

Masters Theses, 2010-2019

Domestic Bliss is my ceramic sculpture and mixed media MFA thesis exhibition with supporting written monograph. Through the combination of these works I investigate influences in my life, which ultimately affect the choices I make regarding my role in domestic space. I critically examine illusions of domestic bliss, specifically myths about female domestic roles, emphasizing the impact my grandmother and her hand-made dollhouse have had on my life.


A Photographic Journey Along El Camino Real De Los Tejas, Christopher K. Talbot May 2012

A Photographic Journey Along El Camino Real De Los Tejas, Christopher K. Talbot

Faculty Publications

This is a photographic traveling exhibit in conjunction with the National Park Service. The exhibit was made possible through the Challenge Cost Share Program in cooperation with Stephen F. Austin State University. This matching fund program allows the National Park Service and partners to work together to preserve and improve resources on national trails. To view selected images from the project visit El Camino Real de los Tejas National Historic Trail.


Designing An "Information-Experience" Using Creativity Science Theory And Tools, Stephanie Belhomme May 2012

Designing An "Information-Experience" Using Creativity Science Theory And Tools, Stephanie Belhomme

Creativity and Change Leadership Graduate Student Master's Projects

An “information-experience” encapsulated by a technological/digital audio-visual tool presents data and potentially meaningful information to prompt actionable knowledge concerning: “unspoken creative process elements;” their profound impacts on both how well our “physiology of creativity” functions; but also on how well foundational creative thinking and behavioral prerequisites (energy, motivation, imagination, and ownership) are leveraged.

The product: 1) introduces the user to one component of the CPS (Creative Problem Solving) Facilitation Process - Exploring the Challenge; 2) features a content specific component which prompts exploration of the many correlations between societal, organizational / community, human physiological / behavioral data, and the direct …


Precious Objects: Manufactured Stories, Strata Serving Set, Evan Alton Hutker May 2012

Precious Objects: Manufactured Stories, Strata Serving Set, Evan Alton Hutker

Renée Crown University Honors Thesis Projects - All

My Capstone work explores the way an object can capture the essences of the people and events that it experiences, thereby creating sentimental value for the user. The project is composed of a research phase and a design phase; these two phases cumulated in a research document and a product design. My research phase began by exploring the value created in the relationship between users and their precious objects. At the core of this relationship is the importance of an object’s provenance. Substances can be duplicated but history cannot. We will always value and desire to be in contact with …


Mouth's Cradle Presents: Wisdom Teeth, Kevin Hegedus May 2012

Mouth's Cradle Presents: Wisdom Teeth, Kevin Hegedus

Renée Crown University Honors Thesis Projects - All

[See attached document for abstract]


Whisper Out Loud: Forbidden Topics In China, Meng Shui May 2012

Whisper Out Loud: Forbidden Topics In China, Meng Shui

Renée Crown University Honors Thesis Projects - All

Whisper Out Loud, Forbidden Topics in China, is an exhibit of art works based on forbidden topics in China mostly around 2010 and 2011. The exhibited collection consisted of two paintings, three sculptures and two installations. The reflective essay talks about the creation of each piece, the stories and meanings behind them, as well as the inspiration, organization and impact of the show as a whole, including images and documentations of the art works.