Digital Commons Network^™

Seed Pods, Bases And Formalism: An Artist's Journey, Craig Luster

Dissertations and Theses

A sculpture can offer visual information that is simple or complex. The work can present only a single facet to ponder or deal with all facets equally polished and linked. There can be enough information to arrange in an order that reads as narrative. All is possible but, without question, the more complex the sculpture, the more information given, the greater the challenge to the artist to make a coherent and interesting whole of everything being presented. The body of work presented in my thesis show represents the outcome of exploring a chain of questions about sculpture. The first question …

Mixed Media May 20, 1996, Students Of Risd, Risd Archives

All Student Newspapers

Mixed Media began as the student publication Your Name Here. The May 20, 1996 issue includes articles, poems, drawings, student events, photos, film stills and comics. Also a calendar of events including Commencement and campus activities for RISD students are in this issue.

Mixed Media May 6, 1996, Students Of Risd, Risd Archives

All Student Newspapers

Mixed Media began as the student publication Your Name Here. The May 6, 1996 issue includes a calendar of events for May 6-May 12, 1996, letters to the editor, comics, poems, photos, drawings. The RISD endowment is described and also RISD faculty evaluations.

The Emergence Of Alife, P.D. Quick

SWITCH

Interview with Kenneth E. Rinaldo, an artist who is on the Board of Directors of YLEM. Within this interview, many topics are covered, including artificial life, simulations, the meaning of art, spirituality, and television. The interview also goes into the personal work and life of Rinaldo, whose focus includes many of these subjects. Some of the more specific subjects include intelligence without consciousness, the combination of science and art, and Ken Rinaldo’s The Flock, an interactive A-Life sculpture.

Editor's Spot, Switch Staffs

SWITCH

In this article the Switch staff goes in to detail on the redesign of the journal's website for an issue on on artificial life . The new design xperiments with the way Switch looks and how a user can navigate throughout the articles. Lorretta Lange is introduced as the new editor. The authors answer questions about the differences between artificial life and artificial intelligence, highlighting how artificial life can consist of small modulating algorithms. For more on this topic, the article links to Rudy Rucker's related article.

Gnarled Defined, Rudy Rucker

SWITCH

The article is a reflection of the author’s conception of the term ‘gnarly’, extending the term’s meaning from its origins in California surfer slang. 'Gnarly' is often used in a colloquial context, however, the author believes that the term is able to be used in an academic field as it pertains to outcomes and results of equations. Discussions towards the application of the term 'gnarly' showcase how it can be used in a scientific, mathematical, and artistic context through seemingly random patterns. In order to be gnarly, things must lie and exist between the realm of orderly and chaotic often …

Mixed Media April 22, 1996, Students Of Risd, Risd Archives

All Student Newspapers

Mixed Media began as the student publication Your Name Here. The April 22, 1996 issue includes an article about diversity at RISD. Also included are poems, drawings, photographs, comics and letters to the editor.

The Dawn Drawings Of Anna Zemankova, Jo Farb Hernandez

Faculty Publications

No abstract provided.

The Internet’S Hollow Promise, Del Coates

Faculty Publications

No abstract provided.

Nexus, Spring 1996, Wright State University Community

Nexus Literary Journal

Nexus is a magazine that began as an insert in the Wright State Guardian student newspaper in 1965 and has since been published semi-regularly. It began only accepting creative writing, but has since expanded to include illustrations, photography and other non-written art forms. Today, it is published in a digital format and accepts submissions from around the country, though it maintains its commitment to the Wright State Community.

Books Received And Book Notices, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Book Listing for the Vol 19, No 1 Edition of the Pacific Studies Journal

Ubu Roi, Agnieszka Taborska, Sylvie Toux, Joseph Silva, Marisa Nealon, Jeremy Siew, Matt Desmith, Helen Lee, Roslyn Wiria, Janine L. Burt, Matt Moreau, Jessica Guarino, Kathy Leung, Jennifer Norton, Mutsuko Kasai, Raoul Kim, Simon Potter, Jenny Tu, Pei-Ju Chuang

Programs

Program for the nineth annual RISD Cabaret held in the Waterman Building commemorating the 100th anniversary of the premier of Alfred Jarry's 1896 play, "Ubu Roi". Graphic design: Matt DeSmith and Vivian Law.View the Performance Recording.

Roberley Bell The Site Of Memory, Wright State University Art Galleries

Exhibition and Program Catalogs

This catalog features exhibition of work by Roberley Bell. The Site of Memory was held at the University Art Galleries, Wright State University from January 2 through 28, 1996.

Generations Of Kentucky: An Exhibition Of Folk Art With Photographs By Guy Mendes, Guy Mendes, Julie Ardery, Tom Patterson

Kentucky Folk Art Center Exhibition Catalogs

1996 Kentucky Folk Art Center exhibition catalog of Kentucky folk art and photographs by Guy Mendes.

1996 Stanley A. Bauman Photograph Collection Index, Stonehill College Archives

Bauman Indexes

Chronological Listing of all negatives taken by Stanley A. Bauman during 1996. The numbers to the left of each entry indicates the envelope those of negatives are found in. Please use this number when requesting contact sheets for images.

Nexus, Winter 1996, Wright State University Community

Nexus Literary Journal

Nexus is a magazine that began as an insert in the Wright State Guardian student newspaper in 1965 and has since been published semi-regularly. It began only accepting creative writing, but has since expanded to include illustrations, photography and other non-written art forms. Today, it is published in a digital format and accepts submissions from around the country, though it maintains its commitment to the Wright State Community.

Winter 1996, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format

Summer 1996, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format

Fall 1996, 90.9 Wmpg Fm

WMPG Program Guides

No abstract provided.

Parnassus 1996

Parnassus

The 1996 edition of the student literary journal, Parnassus, published by Taylor University in Upland, Indiana.

Ua35/11 Student Honors Research Bulletin, Wku Honors Program

WKU Administration Documents

The WKU Student Honors Research Bulletin is dedicated to scholarly involvement and student research. These papers are representative of work done by students from throughout the university.

• Brooks, Lynnette and Cindy Calisi. The Effect of Selenium Supplementation on the Immune Response of Mice with Experimental Chagas' Disease
• Hildreth, John. Teasing the Muse
• Jenkins, Rhonda. Steinbeck's Portraits of Prostitutes: Progression of an Author's Vision
• Kirkham, Michelle. The Prenatal Use of Crack Cocaine: How It Affects Children and How Schools Can Respond
• Gibson, Jeanette and Juli McCay. Circadian Rhythm of Brain GABA Levels in the Cockroach, Leucophaea Maderae
• Patterson, Dana. Home Schooling …

A System For The Application Of Computer Mediated Communication To Scholarly Discourse, Bruce Duane Faw

Theses Digitization Project

No abstract provided.

Yet Still We Rise: African American Art In Cleveland 1920-1970, Cleveland Artists Foundation

Cleveland Memory

This exhibition and catalog, "Yet Still We Rise," is brought to you within the context of the Cleveland Artists Foundation mission: to preserve, research and present the artistic legacy of this region. It is our hope that it will help uncover new information about the artists featured in the exhibit and bring to the public’s attention those about whom we have no knowledge (from the Foreword).

Ivy Leaves, 1995-1996, Ivy Leaves Editorial Staff

Ivy Leaves

The 1996 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Mary Nell Tysinger, Sharon Feldor, Daryl McCard, Julie Banker, Kim Elmore, Misty Taylor, Armeal Thompson, Wayne Cox, and Susan Wooten. Cover art by Misty Taylor.

Transparent And Opaque: Watercolors From The Sheldon Memorial Art Gallery And Sculpture Garden, Daphne A. Deeds, George W. Neubert

Sheldon Museum of Art: Catalogs and Publications

The history of art, like many academic disciplines, imposes certain biases on our perceptions. Because the Renaissance captured the imagination of the Western mind, oil painting and bronze sculpture prevail as the most respected media. This acclaim may be appropriate, but in lauding these traditional art forms, other media have not always received the attention they deserve. In the U.S., watercolor, a medium alternately referred to as painting and drawing, is often still identified as the domain of social young women and amateurs, as was the case in the 19th century. But the history of watercolor painting begins impressively with …

Textile Society Of America Newsletter 8:1 – Winter 1996, Textile Society Of America

Textile Society of America: Newsletters

1996 Symposium Taking Shape
Introducing…Textiles at the Art Institute of Chicago
On the Agenda: Papers, Panels, Workshops, Meetings
Letter from the President
Letter from the Editor
In Memoriam: Otto Charles Thieme, Cecily Bloomfield, Shannon Rodgers
Member Info-Xchange
Textile Collections at the Field Museum, Chicago
Rinderman CAD Lab Opens at Philadelphia College of Textiles
Saint-Hyacinthe Plans Month-Long Fiber Event
Announcements
Symposia/Seminars/Workshops
Exhibitions
Board of Directors

Arts And Crafts In Late Imperial Russia: Reviving The Kustar Art Industries, Wendy Salmond

Art Faculty Books and Book Chapters

Arts and Crafts in Late Imperial Russia is the first account of the revival of Russia's kustar art industriespeasant crafts of wood carving, toy production, lacemaking, embroidery, and weaving - from its origins in the populist debates and philanthropic impulses of the early 1870s to its climax in 1913, with the display of its achievements at the Second All-Russian Kustar Exhibition in St. Petersburg. Like every Western nation in the late nineteenth century Russia experienced a widespread movement to revive its traditional arts and crafts. This study uncovers the complex motivations that led a broad cross section of educated Russian …

Approaches To Understanding Oriental Carpets, Carol Bier

Textile Research Works

ORIENTAL CARPETS reached a peak in production in the late nineteenth century, when a boom in market demand in Europe and America encouraged increased *24 production in Turkey, Iran and the Caucasus.* Areas east of the Mediterranean Sea at that time were referred to as. the Orient (in contrast to the Occident, which referred to Europe). To study the origins of these carpets and their ancestral heritage is to embark on a journey to Central Asia and the Middle East, to regions of low rainfall and many sheep, to inhospitable lands where animal husbandry and the seeking of good pastures …

Symmetry & Pattern: The Art Of Oriental Carpets, Carol Bier

Textile Research Works

The beauty of oriental carpets is achieved by various means including choice of colors and designs, as well as by the manipulation of designs to form pleasing patterns. Patterns in Oriental carpets are never quite what you expect — a surprise here, a flourish there, a change of color, the flip or rotation of a design where you might not predict it. The more you look, the more variations you will find.

The study of symmetry offers an approach to analyzing patterns in Oriental carpets. Through symmetry analysis we may identify areas of pattern that exhibit expected repetitions, and areas …

Guy Grey-Smith : Guy Grey-Smith's Landscapes Of Western Australia, Annette Davis

Research outputs pre 2011

This exhibition focuses on the landscapes of one of Western Australia's most significant artists, Guy Grey-Smith (1916-1981). Working in Western Australia for more than thirty years from 1948 to 1981, GreySmith offered audiences a fresh, new interpretation of the Western Australian environment.