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2000 Stanley A. Bauman Photograph Collection Index, Stonehill College Archives

Bauman Indexes

Chronological Listing of all negatives taken by Stanley A. Bauman during 2000. The numbers to the left of each entry indicates the envelope those of negatives are found in. Please use this number when requesting contact sheets for images.

Winter/Spring 2001, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format.

Summer 2000, 90.9 Wmpg Fm

WMPG Program Guides

No abstract provided.

Winter/Spring 2000, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format

Fall/Winter 2000, Wmpg 90.9 Fm

WMPG Program Guides

WMPG program guide for Fall/Winter 2000

Includes notes from Program Director, information on shows and events, and schedule.

Textuaries, Patricia Millar Boas

Dissertations and Theses

The paintings, sculpture and digital prints presented for this thesis explore language as a field where sense and non-sense coexist With my focus on the activity of deciphering, both literally and metaphorically, I have examined the play between word as image and image as word. What poetry lies embedded in the strange physicality of familiar graphic marks? What is the pleasure we find, as the poet Robert Pinsky suggests, in language only partly understood?

Following the lead of the Surrealists, who used the camera to investigate the paradoxical notion of reality as a sign, I amassed a collection of newspaper …

Ivy Leaves, 1999-2000, Ivy Leaves Editorial Staff

Ivy Leaves

The 2000 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Chris Fyock, Aliya George, Kisha Thompson, Jason long, Nichole Chestnut, Matt Clark, Manny Diaz, B.J. Prince, Katie Blake, Heather Burges, Beth Dotson, Demarcus Kilgore, Kim Langston, Heather Vaughn, Susan Wooten, and Wayne Cox. Cover art by Nichole Chestnut.

Textiles, Scholarship, And Art Education: An Art College Perspective, Wendy Landry

Textile Society of America: Symposium Proceedings

In many communities the art college is the last formal refuge of active textile-making knowledge and heritage. This location appears to value playful, risky, or challenging material explorations which might result in creative design or meaningful visual expression. This should be the best environment for cultivating adventurous students able to integrate a wide range of experience and resources towards generating new ideas for interesting contemporary textiles. It could be a good place in which to discover how textiles contribute to human experience and history, and how they are meaningful. However, I submit that this art environment is still detrimental to …

Textile Society Of America Newsletter 12:1 – Winter 2000, Textile Society Of America

Textile Society of America: Newsletters

Santa Fe to Host TSA 2000 Symposium
TSA Calendar
TSA News
Letter from the President
Collections News
Member News
Exhibition/Conference Reviews
Conferences and Symposia
Exhibits
Lectures and Workshops
Publication Opportunities
Tours and Courses
Info Exchange

Black Image And Identity African-American Art From The Permanent Collection, Daniel A. Siedell

Sheldon Museum of Art: Catalogs and Publications

T he presentation of Robert Colescott's groundbreaking solo exhibition, which represented the American Pavilion at the 1997 Venice Biennale, offers a unique opportunity for the Sheldon Memorial Art Gallery and Sculpture Garden to display a selection of African-American art from its permanent collection. This exhibition, entitled Black Image and Identity, serves several important purposes. First, it locates Robert Colescott, one of the most important and influential African-American artists of the twentieth century, within the broader historical context of a dynamic and diverse African-American visual arts tradition. Second, it focuses attention on the important influence that Colescott has exerted on younger …

Food For Thought, Daniel A. Siedell

Sheldon Museum of Art: Catalogs and Publications

The Sheldon Memorial Art Gallery and Sculpture Garden is pleased to present Food for Thought, the thirteenth annual Sheldon Statewide exhibition. Sheldon Statewide is a unique collaboration between the Sheldon Gallery, the Nebraska Art Association (a nonprofit volunteer membership organization dedicated to the advancement of the visual arts in Nebraska) and the efforts and cooperation of the many Nebraska communities that serve as exhibition venues. The mission of the Sheldon Gallery is the acquisition, exhibition, and interpretation of 19th-20th-century American art. Sheldon Gallery has achieved a national reputation for this collection. Each year twenty works from this collection are …

Judith Burton: Visual Nuances, Daniel A. Siedell

Sheldon Museum of Art: Catalogs and Publications

The history and development of the pictorial tradition in the West is punctuated by many formal and conceptual tensions, among them the tension between representation and abstraction, between mimesis and personal expression, between objectivity and subjectivity, between the artist and the viewer. The Sheldon Memorial Art Gallery and Sculpture Garden is pleased to present Judith Burton: Visual Nuances, a solo exhibition featuring twenty-four paintings and two monotypes by an important Nebraska artist whose aesthetic expression succeeds in celebrating these many tensions and formal subtleties that are such an important part of our visual arts tradition.

However, much attention-perhaps too …

Crafting A Jewish Style: The Art Of Bezalel 1906-1996, Lana A. Burgess

Staff Publications

No abstract provided.

Normal Editions Workshop Newsletter, 2000, Wonsook Kim School Of Art And Design

Normal Editions Workshop Newsletter

Annual newsletter for the Normal Editions Workshop, School of Art, Illinois State University.

Interview With The Kitchen, Nyc, Sheila A. Malone

SWITCH

Interview with Elise Bernhardt, Executive Director, and Christina Yang, Director of Media Arts, from The Kitchen in New York City. Elise & Christina describe The Kitchen as an art organization that provides a free vocal platform for artists who need funding wanting to create pieces without any interference using a variety of technology. They go on to discuss how project locations on both the west and east coasts like their collaboration with the Walker Arts Center (Minneapolis) and GroundZero (Silicon Valley) provides funding to artists who need a place to express themselves but don’t have the means to do so, …

2000 Portfolio, Risd Archives, Center For Student Involvement (Csi)

RISD Yearbooks

No abstract provided.

Seni Kaligrafi Islam Di Malaysia Sebagai Pencetus Tamadun Melayu Islam, Faridah Che Husain

Student Works (2000-2009)

Islam dalam peradaban Melayu telah merubah paksi kehidupan Melayu dengan ciri-ciri rasionalisme, intelektualisme, keadilan dan kemuliaan keperibadian insan. Alam Melayu pemah menjadi rantau perkembangan ilmiah yang menghasilkan koleksi tulisan dalam pelbagai bidang ilmu pengetahuan yang mengagumkan, khususnya dalam kesenian Islam. Perkembangan ilmiah di rantau ini bukanlah berlaku secara terasing clan terpencil daripada tamadun sebelumnya, bahkan tamadun Melayu adalah warisan kesinambungan tamadun Islam yang muncul sejak kelahiran Islam pada abad ke-7 M lagi. Perkembangan ilmiah di Malaysia berhubung rapat dengan kedatangan Islam ke Alam Melayu dan galakan Islam terhadap ilmu pengetahuan secara wnwnnya. Bahasa Melayu dengan tulisan jawinya telah berjaya merakamkan …

Legibility: How Precedents Established In Print Impact On-Screen And Dynamic Typography, Heidi Specht

Graduate Theses, Dissertations, and Problem Reports (ETD)

The printed word has been commonplace in society for over 500 years; the written word has been in existence for thousands. The primary intent of the written or printed word has historically been to be read. With that goal, rules and formats have developed over the centuries as aids to legibility. Naturally, these guidelines have been developed for the printed, or static typographic page. As our sophistication with and acceptance of technology grows, however, we increasingly turn to the computer or television screen for written information. Additionally, graphic designers and artists are questioning the role of the printed word as …

Nexus, Fall/Winter 1999-2000, Wright State University Community

Nexus Literary Journal

Nexus is a magazine that began as an insert in the Wright State Guardian student newspaper in 1965 and has since been published semi-regularly. It began only accepting creative writing, but has since expanded to include illustrations, photography and other non-written art forms. Today, it is published in a digital format and accepts submissions from around the country, though it maintains its commitment to the Wright State Community.

Design Research: The Newsletter Of The Design Research Society No.67, Stephen Little

Design Research Newsletters (1966-1999)

No abstract provided.

Freewill, Susan Vanrees

Pro Rege

No abstract provided.

Judgement Seat, Susan Vanrees

Pro Rege

Artist's statement on page 14.

Still Point Of The Turning World, Susan Vanrees

Pro Rege

No abstract provided.

Mercy Seat, Susan Vanrees

Pro Rege

Artist's statement on page 14.

Et In Terra Pax, Susan Vanrees

Pro Rege

No abstract provided.

Stratum, Susan Vanrees

Pro Rege

No abstract provided.

Grace Seat, Susan Vanrees

Pro Rege

Artist's statement on page 14.

Of Beginnings And Endings, Susan Vanrees

Pro Rege

No abstract provided.

Mixed Media November 29, 1999, #1, Students Of Risd, Risd Archives

All Student Newspapers

Mixed Media began as the student publication Your Name Here. This November 29, 1999 issue is the first in a two-part special on the new millenium. It includes articles on Mixed Media updates, bicycle theft, former RISD newspaper contributor "the Mystic Mexican," new albums by Nine Inch Nails and Fiona Apple, musician Warn Defever, peeping Toms, and a letter from the Landscape Architecture department to the RISD Administration, along with the comics "Y2K: Timeline," comcis by Mark Hoffman, event notices, and other announcements.

Mixed Media November 16, 1999, Students Of Risd, Risd Archives

All Student Newspapers

Mixed Media began as the student publication Your Name Here. The November 16, 1999 issue includes articles on a student getting arrested at the Artist's Ball, world news, a student involved in silkscreening, how cops act in different countries, artist ball highlights, RISD Battle of the Bands, Australian national referendum to retain monarchy, along with the comics "Cartoon" by Mike Overbeck, "A Man Eating His Nose" cartoon by Mike Overbeck, "Adventures in Real Life" by Adam Swaab, "Misty the Elefriend" by Kleczil Helphictimus, and "Ben" by Frenzer, the paper doll series, event notices, and other announcements.