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Articles 10231 - 10260 of 11660
Full-Text Articles in Entire DC Network
Preface: Sound Scripts: A Word From Tura New Music, Tos Mahoney
Preface: Sound Scripts: A Word From Tura New Music, Tos Mahoney
Sound Scripts
The Inaugural Totally Huge New Music Festival Conference was a bold initiative by its partner presenters Tura New Music and the Faculty of Communications and Creative Industries, Edith Cowan University, Perth, including the Western Australian Academy of Performing Arts. In an arts milieu which is increasingly becoming “industrialised” and the dollar the bottom line criteria for success, it is reassuring to have the confirmation that there are those—in fact there is a strong cohort—who are dedicated to delving the depths of the meaning of their own and others’ practice.
A “Hidden Centre”: Crossing Cultural Boundaries And Ecstatic Transformation, Liza Lim
A “Hidden Centre”: Crossing Cultural Boundaries And Ecstatic Transformation, Liza Lim
Sound Scripts
The following is an edited version of Liza Lim's keynote lecture presented for the Inaugural Totally Huge New Music Festival Conference (Perth: 8 Oct. 2005). It examines cross-cultural aesthetics and ethical questions arising from non-Indigenous Australian composers interacting with Australian Indigenous cultures. The paper begins in a formal and framed way and then moves towards more personal and speculative comments.
Rice And Celery (Toglen), Domenico De Clario
Rice And Celery (Toglen), Domenico De Clario
Sound Scripts
Berenice is the name of the last of fifty five imaginary cities that Marco Polo describes to Kublai Khan. These descriptions and further dialogues between Marco and the Khan constitute the substance of Italo Calvino's "Invisible Cities". The just in Berenice constitute a secret society, recognizing each other through the pronunciation of certain words (especially commas, parenthesis and the space between things) and through their simple diet of broad beans, zucchini flowers, rice and soup. In recent projects I have been examining the idea that evidence of the existence of a single and independent fixed self cannot seem to be …
The Bent Leather Band Ensemble : Children Of Grainger, Stuart Favilla, Joanne Cannon, Garry Greenwood
The Bent Leather Band Ensemble : Children Of Grainger, Stuart Favilla, Joanne Cannon, Garry Greenwood
Sound Scripts
This paper discusses technical issues confronting the contemporary electronic instrument builder and presents Bent Leather Band's aim to develop playable instruments.
Magic Mountain, Diana Al-Hadid
Magic Mountain, Diana Al-Hadid
Theses and Dissertations
My installations are propositions for an imaginary world that relies on its own internal logic, a world of believability without recognition. While the work references landscape it also emphasizes its contrivance, as it is automatically estranged in an "unnatural" gallery setting. I subvert or de-familiarize the materials and processes that I use in the service of creating a fictitious environment. My places are impossible places. They are irregular, illogical, and unstable. Our imagination can be one of most dangerous things to psychological stability as it is an inventory of all things possible, no matter how irrational or improbable. The irrational …
How To Prepare A Piano, Annea Lockwood
How To Prepare A Piano, Annea Lockwood
Sound Scripts
My original Piano Transplants (1969-72) were about relishing the shock of displacement: pianos planted in an English garden, sinking in a Texas cattle pond, pianos beached and aflame; observing their slow transformation through natural processing the five year decay. My relationship with the piano did not end with the Piano Transplants, though. I will also discus more recent works stemming from my fascination with the rich array of sounds which can be drawn from every part of the instrument once the keyboard is dethroned.
Western Electric: A Survey Of Recent Western Australian Electronic Music, Lindsay Vickery
Western Electric: A Survey Of Recent Western Australian Electronic Music, Lindsay Vickery
Sound Scripts
This paper surveys developments in recent Western Australian electronic music through the work of a number of representative artists in a range of internationally recognised genres. The article follows specific cases of practitioners in the fields of Sound Art (Alan Lamb and Hannah Clemen), live and interactive electronics (Jonathan Mustard and Lindsay Vickery) and noise/lo-fi electronics (Cat Hope and Petro Vouris) and glitch/electronica (Dave Miller and Matt Rösner).
Invisible Symmetries: A Retrospective Of The Work Of Lindsay Vickery, Jonathan Mustard
Invisible Symmetries: A Retrospective Of The Work Of Lindsay Vickery, Jonathan Mustard
Sound Scripts
The following is a retrospective of the work of Western Australian born composer Lindsay Vickery. The paper examines the composer's diverse output in composed and improvised instrumental and electronic music and multimedia works. A nine digit string of numbers that the composer calls a "cypher", ties together a significant portion of Vickery's output for almost two decades of compositional activity, but the sense in which these works are about something else is palpable in each and every one. Iconic pieces where a serial-like method is an anathema and cypher based pieces all seem to point to a structure the composer …
Sound Art / Mobile Art, Cat Hope
Sound Art / Mobile Art, Cat Hope
Sound Scripts
This paper examines the role of sound installation and music composition practices in addressing the relationship between sound and telecommunications devices, in this case the mobile phone. The popularity of mobile phone artworks is rapidly increasing, with handsets readily available, artists excited about sponsorship opportunities, and the general push in electronic arts. This paper focuses primarily on work by Perth mobile phone Sound Art collective, Metaphonica, which explore many issues raised by this art form. "Phonebox" (2005) was a site specific sound installation where phones are called from a remote computer, presenting a synchronized composition featuring sounds created by the …
Modernist And Postmodernist Arts Of Noise, Part 1: From The European Avant-Garde To Contemporary Australian Sound Art, David Bennett
Modernist And Postmodernist Arts Of Noise, Part 1: From The European Avant-Garde To Contemporary Australian Sound Art, David Bennett
Sound Scripts
The broad aim of the paper that follows is to test the claim of critics such as Miriam Fraser and Steve Connor that the modernist deconstruction of the music/noise dichotomy has entered a distinctively postmodern phase. The article below therefore traces the history and poetics of this dichotomy from the modernist avant-garde to contemporary Australian postmodernist Sound Art, moving from a discussion of the ideas of Russolo, Cage, Boulez and Schaeffer, to a close reading of Ros Bandt's "Stack" (2000- 01). These themes as expressed in contemporary Australian composition are then explored in Part Two.
Modernist And Postmodernist Arts Of Noise, Part 2: From The Clifton Hill Mob To Chamber Made Opera’S Phobia, Linda Kouvaras
Modernist And Postmodernist Arts Of Noise, Part 2: From The Clifton Hill Mob To Chamber Made Opera’S Phobia, Linda Kouvaras
Sound Scripts
This paper will continue to trace negotiations outlined in Part 1 of the music/noise dichotomy as expressed in modernist and postmodernist works.1 Drawing connections with the trajectory of "glitch" in popular music since the 1970s. The paper will examine a number of key ways in which the music/noise dichotomy has been addressed as a borderline dispute between, for example, the embodied and the disembodied, the scored and the unscored, the accidental and the intentional, sense and nonsense, culture and nature. Two key figures from the highly influential group of sound artists who came together at Melbourne's Clifton Hill Community Centre …
Surface Noise, Philip Samartzis
Surface Noise, Philip Samartzis
Sound Scripts
This paper seeks to trace the genealogy of surface noise as a tool of musical expression by surveying a range of artistic practices based around the record and turntable that privilege detritus, abrasion, repetition and decay as key compositional devices. The paper begins by examining the acoustic properties of the oldest playable recording (Frank Lambert's talking clock) in order to outline the numerous characteristics and flaws inherent in early models of mechanical reproduction and storage that vigorously conspired to interfere with the listening experience. This is followed by an examination of the way recording technology was converted from a tool …
Radio Art : A Slovak Perspective, Michal Murin
Radio Art : A Slovak Perspective, Michal Murin
Sound Scripts
January 16, 2000, marked the history of Slovak New Media art and technologies with the first international internet radio art project. Entitled "LENGOW and HEyeRMEarS Meet Radio Artists", it was a live acoustic performance that utilized radio internet broadcast between ORF1 Kunstradio Vienna with its project Arts Birthday 1.000.037,1 Radio Free B92 Beograd, and Tilos Radim Budapest. The performance took place on 16 Jan 2000, from 11 p.m. to midnight in Nové Zámky, Slovakia (Klik Klub). An edited soundtrack of the event was captured on a CD titled "SOUND OFF 1999-2000". On the occasion of the staging of the performance, …
I.B.R. Variation 1, Miha Ciglar
I.B.R. Variation 1, Miha Ciglar
Sound Scripts
In this paper I would like to introduce my recent composition: "I.B.R. Variation 1" (a composition for computer, electrified guitar, mixing board and human body), which is derived from three different projects, - Illusions, Body Mix, Resistance -, fusing three different and already unusual interfaces for musical expression into a powerful new musical instrument. The piece is implemented by employing computers and common sound synthesis/processing techniques in combination with a rather primitive manipulation and misuse of low tech analogue equipment. The main idea was to assign unusual tasks to usual pieces of musical equipment, transforming a mixing board into an …
San Francisco. Exhibit: Irreducible: Contemporary Short Form Video: California College Of The Arts/Wattis Institute Of Contemporary Art, Logan Galleries, Dore Bowen
Faculty Publications
No abstract provided.
Overcoming Speech And Library Anxiety, Rozanne Leppington, Rebecca Feind
Overcoming Speech And Library Anxiety, Rozanne Leppington, Rebecca Feind
Faculty and Staff Publications
Students at higher education institutions need to learn how to use the library and to give public speaking presentations, and most will experience Speech and or Library Anxiety. We review Library and Speech Anxiety, and a collaboration between librarians and faculty that produced a freshman course Library Demonstration Assignment. We describe its generation, implementation, and refinement and its effectiveness in preparing students to use the library and to practice public speaking with confidence.
Communication, Culture, And Curiosity: Using Target-Culture And Student-Generated Art In The Second Language Classroom, Deborah Berho, Victoria Defferding
Communication, Culture, And Curiosity: Using Target-Culture And Student-Generated Art In The Second Language Classroom, Deborah Berho, Victoria Defferding
Faculty Publications - Department of Sociology
Studying art from the target culture and student creation of original artwork in the second language (L2) classroom have many benefits. Both provide a springboard for discussion of the culture(s) under study as well as one's own. These activities also positively change the classroom atmosphere, generating student curiosity and lowering the affective filter to language learning. Surprising as it may seem, little has been published about the visual arts and second language acquisition (SLA). This article surveys this limited research, briefly describes how brain research and language learning theories interact with art, ans presents the authors' observations of student response …
Codes Of Interaction, Timothy Michael Martin
Codes Of Interaction, Timothy Michael Martin
Theses and Dissertations
The ideas within this thesis are meant to clarify my explorations, research and painting practice during my studies at Virginia Commonwealth University. I expand on my general statements about being fascinated by advancing technologies and concerned about the after effects of these advancements. The writing explores my curiosity about the internal, skeletal structure of things and how they operate. I explain how the paintings are idiosyncratic hybrids that evoke animation, imaginary scientific propositions, blueprints, maps, and advancing technologies. The work combines these interests with my observations of day-to-day experiences. Isolated events provide found compositions which I then manipulate: a seemingly …
Posthumous, Michael K. Lease
Posthumous, Michael K. Lease
Theses and Dissertations
This thesis reviews the background, influences, and evolution of three works that form Posthumous, an exhibit by the thesis candidate. The thesis begins with a series of vignettes that relate a number of personal experiences involving death, and photography, which have influenced the conceptual development of the work. Chapters devoted to each piece follow the vignettes. These chapters refer to the various influences that have led to the development of the following works: Obit to Self: April 10, 2005, Posthumous, and Jay. These influences range from the movie Hotel Rwanda, to handbills for punk-rock shows. The thesis ends with a …
The Marinhieros Project: Roseneath Rd & Patterson Ave, Jacqueline H. Crowley
The Marinhieros Project: Roseneath Rd & Patterson Ave, Jacqueline H. Crowley
Theses and Dissertations
In questioning the very nature of a thing, at its most basic level, a new assessment can be made of what the thing in question truly is. When we ask ourselves, what is a weed, we begin to pull the word apart - to decrypt the word from the cultural baggage that has collected around it over the course of the history of language.The cultural connotations of 'weed' cling to it like barnacles, removing the word from its true value. We reevaluate meaning, chronicling all the possible constructions of a word, all the possible varieties, where it came from, what …
We Believe In Nothing, Sarah Bednarek
We Believe In Nothing, Sarah Bednarek
Theses and Dissertations
A discussion of the important aspects informing my work, including, ideology, and feminism among other issues.
Memories We Forget, Michael Dax Iacovone
Memories We Forget, Michael Dax Iacovone
Theses and Dissertations
I have always preferred the journey to the destination. When I was growing up, my family drove back and forth between Florida and New York every summer. My father did the driving, my mother sat next to him, and my older brother and sister sat in the back seat. This left the cavernous back of the family station wagon for me and the luggage. There was no radio, very little conversation, and I didn't sleep. I spent these summer trips staring for endless hours, out of the back window of the car, transfixed on the expanse of open road behind …
Defending Defense: Circular Arguments About Artmaking, Ryan Mulligan
Defending Defense: Circular Arguments About Artmaking, Ryan Mulligan
Theses and Dissertations
This paper is a critical look at video and performance arts intrinsic relationship to culture. Investigations of storytelling, personal mythology, fear, and image saturation. Think-pieces on the nature of art in an entertainment society. Juggling a brief overview of various works and their relation to over arching themes of game theory, dark humor, and fascination with media. An in depth look at the process of the thesis show, "Defense is the Best Defense." Multiple takes on the thesis exhibit counterbalance the need for contemporary art to include description. This paper is a detailed look at the process of Ryan Mulligan's …
The Unwantables: An Exploration Of Visual Narrative, Marius I. Valdes
The Unwantables: An Exploration Of Visual Narrative, Marius I. Valdes
Theses and Dissertations
The Unwantables is a creative project that has evolved from my lifelong interest in and relationship with visual stories. To me the most compelling aspect of visual storytelling is "imagination". The author possesses the ability to create new worlds, interesting characters, and situations that can have the potential to communicate about any topic. My project explores visual narrative as a communication tool to explain the role of imagination in my life.
Escape Artist, Charles F. Gustina
Escape Artist, Charles F. Gustina
Theses and Dissertations
This thesis reviews the background, influences, and evolution of the body of work entitled Folia, which forms the basis for the candidate's thesis exhibition. It traces the development of the candidate's artistic inclinations from drawing to photography. Directorial and Pictorialist photography are discussed as forebears in the Influences chapter. Evolution of the Body of Work details how the current work grew from both the candidate's background and influences. A Brief Anthology of Quotations references Susan Sontag's influential work, On Photography, with quotations that have either influenced the candidate's work or reflect his perceptions of art and life. The balance of …
Playing To Learn, John Stanko
Playing To Learn, John Stanko
Theses and Dissertations
This creative project explores some major issues about visual communication in digital games. The project will continue to address new questions and invite questions from my visual and communication design colleagues. My hope is that, through this document, designers will see digital games like photography was seen around the turn of the century, and movies in the 1950's and 60's. In other words, as a rich new medium that offers creative people a virtually unexplored environment in which to work and create.
Epoch Locale., Jonathan Hounshell
Epoch Locale., Jonathan Hounshell
Electronic Theses and Dissertations
My explorations around the world are intertwined with my excavation of the layers of art history. My discoveries about the traditions of the printmaking medium are fused with the heritage I inherit as an artist. This is what is put into my current body of work. With this supporting manuscript, I hope to inform about the technical aspects of my unique aesthetic and to entertain with the ideas behind my current body of work by making connections between my personal visions and experiences and the significance of the artists and craftsman who inspire me.
Type Image And The Art Of Protest., Wendy R. Blair
Type Image And The Art Of Protest., Wendy R. Blair
Electronic Theses and Dissertations
This thesis is the culmination of my work as a graphic artist thus far. I chose to investigate the use of type and image in the production of social protest art, as it relates to historical and contemporary art as well as my own. Methods used in gathering the data include references from books, periodicals, websites, and hands-on application of the artistic process. Conclusions found within this paper suggest that using type and image within a multimedia process, serves to communicate important messages and attempts to educate the viewer on important political and social matters. Protest art has and will …
Inducing Knowledge By Enduring Experience: The Function Of A Postmodern Pragmatic Aesthetic In Linda Montano's "Living Art"., Alisa Anne Brandenburg
Inducing Knowledge By Enduring Experience: The Function Of A Postmodern Pragmatic Aesthetic In Linda Montano's "Living Art"., Alisa Anne Brandenburg
Electronic Theses and Dissertations
In Has Modernism Failed? (1984), Suzi Gablik calls for a postmodern art that has preserved the values that modernism lost over the 20th century, stating that only through "direct knowing" may we be shocked out of art-for-art's-sake. In Art As Experience (1934), John Dewey similarly proposes that "thinking is a kind of doing," recommending an instrumental art in one's drive to better him/herself.
Contemporary artist Linda Montano challenges the status quo by exploring the nature of art beyond its material value. In her Living Art performances (1970-1986), Montano creates a postmodern pragmatic aesthetic that is conducive to the unique …
Cultural-Competency Training For School-Based Mental Health Service Providers, Natasha Lian Smith
Cultural-Competency Training For School-Based Mental Health Service Providers, Natasha Lian Smith
All-Inclusive List of Electronic Theses and Dissertations
Literature on cultural competence has primarily developed in the fields of counseling psychology and counselor education. The field of school psychology has responded to the increased focus of cultural competency by providing recommended skills needed to provide psychological services in schools to diverse individuals and groups. Currently, research in effective cultural competency training has primarily focused on graduate training programs. This study extends the literature on cultural competency training by developing a training model that is appropriate for professionals who are already working in the field. This study first evaluated the impact of a needs assessment on the preparation of …