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Traditional Cultural Properties And Casita Rincón Criollo, Virginia Denise Siegel

Masters Theses & Specialist Projects

According to the 1990 bulletin issued by the National Park Service, traditional cultural properties (TCPs) derive their significance from cultural practices or beliefs of living communities. This thesis centers on a case study of the nomination of Casita Rincón Criollo to the National Register of Historic Places as a TCP. The nomination is a collaborative project of Place Matters in New York City and Western Kentucky University, initiated by the American Folklore Society Working Group in Folklore and Historic Preservation Policy. Casita Rincón Criollo has several issues that make nomination to the National Register tricky. Casitas are small “houses,” typically …

Lincoln Days Festival - Hodgenville, Kentucky (Fa 744), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Colleciton 744. This collection contains the audio recording of an interview conducted by Bob Gates with historian Mac Trumbo about the Lincoln Days Festival held annually in LaRue County, Kentucky.

Rama, Raga And Rava: A Study On The Implicit Cultural Connections And Complementary Nature Of Music And Culinary Arts In India, Aaron Schwartz

e-Research: A Journal of Undergraduate Work

The relation between food and music is strong and readily apparent in the cultural traditions of India. The importance of the relation goes so far that relevance falls on what song the chef listens to while they prepare a meal, and what is being played while the meal is eaten. The musical pitch is intricately connected to the taste of the food, with bitter flavor represented by lower pitch and sweeter flavor represented by higher pitch. People will report experiencing different sensations upon reacting to identical food products, based on the music that accompanies that meal. The effect of this …

Vol. 37 No. 2 (2014): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US $26.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, …

Vol. 37 No. 2 (2014): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Front Matter for the Vol. 37, No 2-Aug 2014 edition of the Pacific Studies Journal.

“Why Do You Sing To Me?”: A Case Study Of Form And Function Of Children's Songs In The Caribbean Diaspora Culture In South Florida, Finley Walker

Masters Theses

How does a child gain a musical identity? Music resides in the depths of personhood. Even before birth we are all touched by its power. Music is a language in that it communicates--thoughts, feelings, desires, information, and more. As children grow physically and mentally, they also grow musically. A person's musical development will be directly influenced by their culture and family. The following qualitative study looks at the form and function of children's songs, specifically children's songs from the diasporic Caribbean culture in South Florida. Twenty-one interviews, including 53 participants, were conducted to see how children's songs might play a …

“Bëggel Sa Réew :” Negotiating Contestation And Citizenship Through Hip Hop Production In Guédiawaye, Dakar, Dylan Mcdonnell

Independent Study Project (ISP) Collection

Hip hop cultural production has flourished in Senegal since the early-1980s, especially in Dakar, the administrative and economic capital, since the early 1980s as both a medium of engagement with “global” flows of musical influence and a localized platform for socio-political and contestation and organization. In the past ten years, high-profile rap and hip hop personalities based in communities centered in the banlieues (the disfavored, often impoverished neighborhoods surrounding Dakar) have begun to realize formal structures of professionalization and education in the elements of “urban culture.” This paper focuses on research done at Guédiawaye Hip Hop Center and Association, an …

The Music And Multiple Identities Of Kurdish Alevis From Turkey In Germany, Ozan Aksoy

Dissertations, Theses, and Capstone Projects

This dissertation investigates the experiences of Kurdish Alevis, currently living in Germany, who trace their background to locations within the boundaries of the Republic of Turkey. I argue that music has been a particularly important mode through which Kurdish Alevis in Germany have articulated collective histories and have fashioned narratives of belonging and multiple and sometimes contradictory identities. The subjects of my research are immigrants and refugees who are ethnically Kurdish and whose religion is Alevi, an Anatolian religion whose relations to both Sunni and Shi'a Islam are historically controversial. They speak Turkish along with Kurdish, in most cases are …

Communing With Nature, The Ancestors And The Neighbors: Ancient Ceramic Musical Instruments From Coastal Oaxaca, Mexico, Guy David Hepp, Sarah B. Barber, Arthur A. Joyce

Anthropology Faculty Publications

The Mesoamerican Formative period (1600 BCE–CE 250) saw the establishment of sedentism, dietary transformations and the development of ceramic technologies for subsistence, artistic representation and the region’s earliest preserved musical instruments. These instruments include aerophones such as whistles, ocarinas and flutes. In this paper, we describe sixty-three ceramic aerophones from mostly Formative period contexts in coastal Oaxaca, Mexico. We situate our analysis in the broader contexts of research on music and iconography in Mesoamerican archaeology, as well as of the anthropology of sensory perception. Through a consideration of archaeological context, artifact form and technical properties, we conclude that music was …

Folkloric Musicians Among The Bugakhwe, Robert Veith

Masters Theses

Increased access to global media by traditional culture in remote parts of Africa has, in many cases, seen indigenous music marginalized in favor of imported forms. In some places, a folkloric tradition thrives, though this music may face extinction if those who practice it do not document their art in a way which can be passed down to future generations. For this project, I recorded seven musician/composers of the Bugakhwe, a Khoisan people group living in the Okavango Delta region of Botswana. Two were given enough studio time to create a complete CD-length set, so as to show off the …

Vol. 36 No. 3 (2013): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US $26.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, …

Vol. 36 No. 3 (2013): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Front Matter for the Vol. 36, No 3-Dec 2013 edition of the Pacific Studies Journal.

Vol. 36 No. 1/2 (2013): Pacific Studies Full Issue, Et Al Miranda Forsyth

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US $26.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, …

When The Cradle Falls: The Subversion, Secrets, And Sentimentality Of Lullabies, Lauren R. Castro

Music

No abstract provided.

Adapting & Appropriating Art From Afar: Negotiating A Global Identity Through Popular Culture, A Study Of Salsa In The Senegalese Context, Elizabeth Bockenfeld

Independent Study Project (ISP) Collection

The following study is essentially an attempt to explore cross-cultural exchange and the resulting (re)creation of different forms of cultural expression. In its broadest sense it aims to explore the quotidian, cultural sides of globalization. It takes for its focus the re-appropriation of salsa music in Dakar, Senegal. Through interviews and participant observation in a number of salsa venues, I explore the various meanings Senegalese salseros put into salsa music and dance. Senegalese salsa is rooted in a very concrete historical background, while also holding meaning for the present. In short, the appropriation of salsa into the Senegalese context serves …

Singing To The Spirits: Cultural And Spiritual Traditions Embodied In The Native American Gourd Dance, Alicia M. Gummess

Honors Projects

In this paper, I provide a brief overview of the history and practice of the Native American Gourd Dance, a traditional ceremony integrating music and dance practiced by Gourd Dance societies in Southern Oklahoma. I examine the reasons behind its popularity and spread to other regions of North America, including the Southwest and the Northern Plains. Gourd Dance performances usually occur in the context of larger ceremonial gatherings called pow wows, in which Native American communities hold dances to celebrate their values and practice their religious beliefs and cultural traditions. Pow wows feature many traditional and more modern Native American …

Kachin Sound Instruments Within The Context Of The Kachin Baptist Convention Of Northern Burma: History, Classification, And Uses, Walter Brath

Masters Theses

This organology identifies and describes the Kachin's sound instruments, classifies them according to the Hornbostel-Sachs' system, and considers evidence of an indigenous classification scheme. Very little research exists to date on the music of the Kachin peoples of Northern Burma. This paper cites the only known indigenous organology and is the first English language study to extrapolate evidence into an emergent classification system. This qualitative study is based on ethnographic interviews, the minimal literature available on the topic, and participant observation drawn from fieldwork conducted in the Kachin State of Northern Burma (modern day Myanmar) during the months of May …

Pacific Studies Vol. 35, No. 3 - December 2012 Full Issue

Pacific Studies

No abstract provided.

Pacific Studies Vol 35, No. 3 - December 2012

Pacific Studies

No abstract provided.

Tibetan Guozhuang In Diqing Autonomous Prefecture: A Comparative Musical Analysis, Christina Du Breuil

Independent Study Project (ISP) Collection

The song and dance traditions of the Tibetan peoples of Diqing Prefecture are numerous and varied. Of these traditions, Guozhuang is cited as one of the oldest and most centrally traditional pieces of folk heritage. However, Guozhuang varies even within Diqing Prefecture. This paper addresses the basic form and structure of Guozhuang as well as variations between Benzilan and Shangri-la Guozhuang, two places separated not only by geographical distance but also the encroachment of development on traditional culture.

Vol. 35 No. 1/2 (2012): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Brigham Young University–HawaiʻI

Pacific Studies

Front Matter for the Vol. 35, No 1/2-April-August, 2012 edition of the Pacific Studies Journal.

Vol. 35 No. 1/2 (2012): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Brigham Young University–HawaiʻI

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$26.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

Changing Language, Remaining Pygmy, Serge Bahuchet

Human Biology Open Access Pre-Prints

In this article I am illustrating the linguistic diversity of African Pygmy populations in order to better address their anthropological diversity and history. I am also introducing a new method, based on the analysis of specialized vocabulary, to reconstruct the substratum of some languages they speak. I show that Pygmy identity is not based on their languages, which have often been borrowed from neighboring non-Pygmy farmer communities with whom each Pygmy group is linked. Understanding the nature of this partnership, quite variable in history, is essential to address Pygmy languages, identity and history. Finally, I show that only a multidisciplinary …

Chapter 11, Songs In Intimacy And Community In A Changing World: Sikaiana Life 1980-1993, William Donner

Sikaiana Ethnography

A chapter on song composition and performance in the Sikaiana ethnography. Songs were an important part of Sikaiana life in 1980-1993. There were two major song types: songs composed in a traditional Polynesian style, and songs composed for the more recently introduced guitar.

A related website is www.sikaianaarchives.com

Vamonos Al Baile! Corridos, Regionalism, & Cultural Symbolism: An Expressive Narrative Approach To Los Tigres Del Norte, Jorge Luis Aguilar

Open Access Theses & Dissertations

This study seeks to understand how qualities and characteristics of the study's participants are influenced not only by their families and humble roots, but also for how they are influenced specifically by corridos of Los Tigres Del Norte in which the theme of the songs speak of immigrant life, values, and experiences as bicultural citizens and naturalized citizens. In this study, these ideas are explored and examined using various methodological approaches, including in-depth interviews, open-ended questions, and participant observations. This study also demonstrates how corridos communicate with their listeners, how they are influenced by the corridos, and more importantly, how …

Gondang Di Komunitas Parmalim Batak Toba: Teks, Konteks Dan Aspek Performatif, Irwansyah Harahap

Antropologi Indonesia

This writing is about Gondang music which exists among the Toba Batak Parmalim community of Hutatinggi in the district area of Toba Samosir, North Sumatra province of Indonesia. Content of discussion includes an historical background of the people and knowledge and expressions of Gondang music among Toba Batak people in general and Parmalim community in particular. The performance aspects of Parmalim gondangs, including music ensembles, repertoires and ritual musical practices, will also be discussed as part of discussion.

The Symbolic Creation Of Cultural Performance At The Walnut Valley Festival, Maggie Colleen Cobb

Graduate Theses and Dissertations

Through two years of ethnographic fieldwork and 19 interviews, I synthesize symbolic interaction and a sociological framework of culture to examine the ways in which the Walnut Valley Festival is created and experienced as a unique form of cultural performance, one that is always shifting in response to the emergent cultural creation and reception of attendees. No work to date combines the dimensions of both production and reception of music festivals as a unique form of cultural performance. In bringing back the oftentimes ignored affective dimension in cultural studies, I use Griswold's (2004) metaphor of a cultural diamond, examining the …

Music, Anthropology, And The Senses: Cognition For Social Change, Marcia Mikulak

Anthropology Faculty Publications

Both anthropology and music embrace the method of participant observation: performance and observation of self and others. As a classical musician, I bring a musical heritage in both classical and experimental music performance, and as a cultural anthropologist my training in ethnology allows me to couple musical sensibilities with participant observation. This paper explores three venues of human expression: experimental musical improvisation, musical performance with and for street and working youth in Brazil, and anthropological fieldwork. I argue that the combination of musical expression and participant observation provide unique opportunities to share the universality of lived experiences, while augmenting complex …

Digital Preservation And Spatial Representation At The Washington Square Mound Site (41na49), Nacogdoches County, Texas, Robert Z. Selden Jr.

Index of Texas Archaeology: Open Access Gray Literature from the Lone Star State

Thirty-one years of excavations at the Washington Square Mound site (41NA49) have produced a large number of artifacts, excavation records, field notes, photographs, slides, maps, excavation profiles, and plan view maps. This article is the product of an effort to synthesize the aforementioned information for the initial field school which occurred in the summer of 1979. Through the use of geographic information systems (GIS), a digital grid was constructed atop aerial photography to house the digitized information within a spatial representation of the provenience from which it was recovered. This allows a query of the artifact catalog to produce the …

Thoughts On Music Ethnography In Urban Indonesia: From Yogyakarta Recordings To Translocal Popular Culture In The Melayu Borderlands, Max Richter

Antropologi Indonesia

Previous studies on Indonesian music focused on cultural heritage and traditional preservation or western-style modern music such as pop and rock music. Both were perceived as separate genre, even modern music often downplayed traditional one. The author argues analysis of hybrid genre like keroncong and dangdut would provide more complicated picture than such dichotomy. He explained long history of cultural exchanges in various parts of Indonesia which showed these two genres influenced each other. As a case study the author presents urban music as main character of urban social lives in Indonesia. This article depicts street music and campursari in …