Digital Commons Network^™

Graverobber, Individualized Chorus: The Greek Chorus Reinterpreted In Repo! The Genetic Opera, Grace Markulin

The Downtown Review: An Interdisciplinary Journal Written and Peer-Reviewed by Mandel Honors College Students at Cleveland State University

The rock opera film Repo! The Genetic Opera (2008) provides its audience with details regarding the film’s setting and perspectives on the morality of the film’s plot through the character Graverobber, whose sung dialogue expresses this information. Graverobber’s penchant for scene-setting and moralizing within the film classifies the character as a Greek chorus according to the parameters of the Greek chorus in antiquity and modern interpretations of the chorus in twentieth-century musical theater, but the character’s visual distinctiveness, preexisting relationship with an established character, and prominent use of solo vocal lines throughout his sung dialogue demonstrates a degree of individuation …

Thrill Of A Billion Eyes: The Prancing J-Settes, Mary Paige Blessey

Electronic Theses and Dissertations

The “Prancing J-Settes” is the official name of the dance line for the Sonic Boom of the South marching band at Jackson State University in Jackson, Mississippi. The popular form of dance termed “J-Setting” sources its name from the Prancing J-Settes. The Sonic Boom of the South and the Prancing J-Settes have a loyal fan following and have had a lasting and widespread influence on popular culture. This is an oral history interview project focusing on the current Prancing J-Settes themselves to hear their thoughts and definitions of the form of dance they perform and its significance. The primary interviews …

Music As Narrative In American College Football, John M. Mccluskey

Theses and Dissertations--Music

American college football features an enormous amount of music woven into the fabric of the event, with selections accompanying approximately two-thirds of a game’s plays. Musical selections are controlled by a number of forces, including audio and video technicians, university marketing departments, financial sponsors, and wind bands. These blend together in a complex design that offers audible and visual stimulation to the audience during the game’s pauses. The music chosen for performance in these moments frequently communicates meaning beyond entertainment value. Selections reinforce the game’s emotional drive, cue celebrations, direct specific audience actions, and prompt behaviors that can directly impact …

The Radical South: Grassroots Activism, Ethnicity, And Literary Form, 1960-1980, Elizabeth Fielder

Electronic Theses and Dissertations

“The Radical South” examines the art and writings of Civil-Rights-era social movements and locates U.S. based political structures in a hemispheric and global network. I reveal that the Civil Rights Movement, ethnic nationalism, and second-wave feminism were not separate entities; rather, the cultural work of activists was an intersectional effort that defied national strategies, such as non-violent protest and race-based separatism, that were often determined by their urban counterparts. Thus, I argue that new political aesthetics emerged from grassroots activism and set in motion ethnic and racial cultural expressions that embraced multiple, even conflicting, identities. As much as this art …

I Want To Be In That Number: A Song Profile Of "When The Saints Go Marching In", Gregory H. Jacks

Renée Crown University Honors Thesis Projects - All

“When the Saints Go Marching In” has never been subject to a sustained study of its origins, disseminations, and current manifestations. A study like this, focused on a song’s perceptions via various viewpoints through time, is typically referred to as a song profile; a form of reception history specifically concentrated on a single musical composition. “When the Saints Go Marching In,” also known as “Saints” or “The Saints,” is an African-American spiritual typically listed as a traditional in most songbooks without a composer.[1] I have laid out this paper into four sections, one for each period of the song’s …

“Ab-Soul’S Outro,” “Hiiipower,” And The Vernacular: Kendrick Lamar’S Rap As Literature, Tyler S. Bunzey

Senior Honors Theses

Kendrick Lamar’s “Ab-Soul’s Outro” and “HiiiPower” employ complex patterns of Signifyin(g), testifyin’, and other classical African-American literary tropes in order to construct a nuanced style. Lamar creates a double-voiced text not only within his narrative, but also within the form itself. Lamar plays on rap's unique status in African-American literature as an oral text; it is an extension of the vernacular. Through this oral text, Lamar decentralizes the Eurocentric focus of classical interpretation and qualification of literature to a new Afrocentric perspective that privileges the oral text. These raps are complex, wrapped up in their current context along with a …

Lincoln Days Festival - Hodgenville, Kentucky (Fa 744), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Colleciton 744. This collection contains the audio recording of an interview conducted by Bob Gates with historian Mac Trumbo about the Lincoln Days Festival held annually in LaRue County, Kentucky.

Saving Jazz: Applied Ethnomusicology And America's Classical Music, Christopher Long

Masters Theses

In his 2009 article, Can Jazz Be Saved?, Wall Street Journal columnist Terry Teachout asserted that the American audience for jazz music performances was both shrinking and aging. Saving Jazz: Applied Ethnomusicology and America's Classical Music explores this jazz audience problem and finds that over the last thirty years the overall American audience for live jazz performances has not shrunk as has been widely reported, but is essentially unchanged in size. During that same period, though, there is no question that the median age of the audience has changed dramatically. Data collected by the National Endowment for the Arts and …

Never Give A Sword To A Man Who Can't Dance, Colin Slade

Masters Theses

War dances have long been a powerful means of preparing warriors for combat or the intimidation of an enemy, but they are also used in the ceremonial supplication of deity or celebration of victory. They are a fundamental artifact of many cultures throughout the world. Nevertheless, the United States of America boasts the most powerful military in history, yet it lacks a war dance. This is valid until one accepts a simple truth; military drill is a dance. However, Americans would object to such a proposition even though they have adopted and adapted military drill as their own, describe it …

The Life And Songwriting Of Vic Chesnutt, John Hermann

Electronic Theses and Dissertations

This thesis is an exploration of the life and music of Vic Chesnutt, and it accompanies a documentary film. Both components feature interview excerpts from over 30 hours of film footage with Chesnutt, as interspersed with archival documents of his life, along with dozens of interviews with his family, friends, peers, music writers, and bandmates. Chesnutt's story can only be properly told through the lens of southern culture. He was not just a charter member of an international group, but a southern songwriter whose rural Georgia upbringing was paramount to his work. He has often been compared in music journals …

Traditional Irish Music In New Jersey And New York, Peter L. Ford, Lawrence E. Mccullough

Studies on the Irish-American Experience in New Jersey and New York

No abstract provided.

Crossed Boundaries In Musical Culture Between Asia And The West, Kheng K. Koay, Mikel Ledee

CLCWeb: Comparative Literature and Culture

In their article "Crossed Boundaries in Musical Culture between Asia and the West" Kheng K. Koay and Mikel LeDee examine Tony Prabowo's Pasar Loak (Flea Market) for soprano and percussions and Chinary Ung's Grand Alap (A Window in the Sky). Composers Prabowo and Ung adopt modernist techniques from Western and traditional Asian music cultures in their compositions. Koay and LeDee explore aspects which broaden the presentation of sound in the two selected compositions and the background influences of Western and Asian music on the two composers. Prabowo and Ung absorb new experiences and embrace music that excites them and Prabowo, …

Trans-Relational Poetics And Outsider American Modernist And Postmodernist Poetry, Anna Elena Eyre

Legacy Theses & Dissertations (2009 - 2024)

This dissertation is concerned with how language mediates the relationship between self and other, and in particular, mythopoetic language. The political potential of myth has long been condemned, so much so that the word "myth" is now synonymous with "false." I argue that this is a result of what I term as heroic mythopoesis wherein the relationship between self and other is predicated on a violent separation that reinforces conceptions of identity. In contrast, in what I term as trans-relational mythopoesis this relationship is contingent on an embodied exposure between self and other that reciprocally translates and transforms conceptions of …

An Undergraduate Seminar On Irish Musical Culture In Ireland And The Irish Diaspora In America, Including The Influence Of Irish Music On Appalachian Folk Music Culture, Frieda Eakins

Masters Theses

The following project establishes a concise, yet multifaceted design for a seminar on Irish musical culture. While it was initially developed as a course for its author to teach in the undergraduate, on-ground classroom, this project provides a framework adaptable enough for use by other instructors and/or for additional music seminars. This project is unique in its two-fold purpose in that the design and resources are directed to assist the instructor with streamlining course curriculum preparation, while the course content specific to the project when utilized offers students in the undergraduate college classroom a better understanding of Irish musical culture …

World Percussion Approaches In Collegiate Percussion Programs: A Mixed-Methods Study, Patrick Michael Hernly

USF Tampa Graduate Theses and Dissertations

As world percussion has grown in popularity in American colleges and universities, two main problems have emerged. The first problem is that no known source exists detailing how percussion instructors have incorporated world percussion into their collegiate teaching. A review of the literature has highlighted four main approaches to incorporating world percussion in collegiate percussion programs: applied study, group performance, travel experiences, and guest expert visits. The second problem is that systematic research on world percussion traditions has been carried out much more often by music education researchers, anthropologists, and ethnomusicologists than by percussionist-performers, so the relationship between theory and …

"You Understand Me Now": Sampling Nina Simone In Hip Hop, Amanda Renae Modell

USF Tampa Graduate Theses and Dissertations

The overarching goal of this research is to explicate the implications of hip hop artists sampling Nina Simone's music in their work. By regarding Simone as a critical social theorist in her own right, one can hear the ways that hip hop artists are mobilizing her tradition of socially active self-definition from the Civil Rights/Black Power era(s) in the post-2000 United States. By examining both the lyrics and the instrumental compositions of Lil Wayne, Juelz Santana, Common, Tony Moon, Talib Kweli, Mary J. Blige and Will.I.Am, G-Unit and Timbaland, and bearing in mind the intersecting oppressions of race, class, gender, …

Digital Preservation And Spatial Representation At The Washington Square Mound Site (41na49), Nacogdoches County, Texas, Robert Z. Selden Jr.

Index of Texas Archaeology: Open Access Gray Literature from the Lone Star State

Thirty-one years of excavations at the Washington Square Mound site (41NA49) have produced a large number of artifacts, excavation records, field notes, photographs, slides, maps, excavation profiles, and plan view maps. This article is the product of an effort to synthesize the aforementioned information for the initial field school which occurred in the summer of 1979. Through the use of geographic information systems (GIS), a digital grid was constructed atop aerial photography to house the digitized information within a spatial representation of the provenience from which it was recovered. This allows a query of the artifact catalog to produce the …

My Bad Romance: Exploring The Queer Sublimity Of Diva Reception, Blake Paxton

USF Tampa Graduate Theses and Dissertations

This study explores the historic relationship between pop music divas and gay male fandom. It charts fan experiences from the early 60s with Judy Garland to contemporary times with pop diva Lady Gaga. This project also gives a description of the embodied experience of Brett Farmer’s “queer sublimity of diva reception.” Farmer (2005) argues that diva worship among gay men has become a queer sublimity, “the transcendence of a limiting heteronormative materiality and the sublime reconstruction, at least in fantasy, of a more capacious, kinder, queerer world” (p. 170). Using the methods of participant observation in drag performance and karaoke …

Passing For Black: Coon Songs And The Performance Of Race, Patricia R. Schroeder

English and Creative Writing Faculty Publications

No abstract provided.

Bibliography For The Study Of Cultural Discourse In Taiwan, Yu-Chun Chang, I-Chun Wang, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Rhetorics Of Fear, Deployment Of Identity, And Metal Music Cultures, Gregory Vance Smith

USF Tampa Graduate Theses and Dissertations

The purpose of this study is to analyze the rhetorics of fear operating in public discourses surrounding metal music. This analysis focuses on how the public rhetorics deploy identity on listener populations through both the mediation and legislation of identities. Specifically, this mediation takes place using both symbols of fear and arguments constructed on potential threats. Texts for analysis in this study include film and television documentaries, newspaper articles, book-length critiques of and scholarship on heavy metal, and transcripts from the U.S. Senate Hearings on Record Labeling.

"Heavy metal" and "metal music" are labels that categorize diverse styles of music. …

Bronx Soundscape: Reflections On The Multicultural Roots Of Hip Hop In Bronx Neighborhoods, Mark Naison

Occasional Essays

No abstract provided.

The Social Context Of Cervical Cancer Knowledge And Prevention Among Haitian Immigrant Women, Janelle Marie Menard

USF Tampa Graduate Theses and Dissertations

Cervical cancer is the primary cause of cancer deaths among Haitian women; however, the social context of cervical cancer among Haitian immigrant women has not been systematically examined. The ways in which women assign meaning to this disease, understand its causality and situate it within the broader context of gynecological health are poorly understood. Further, Haitian immigrant women's perceptions of disease risk, including knowledge and understanding about Human Papillomavirus (HPV), the primary etiologic factor in cervical cancer, have not been explored. Few studies have assessed health behaviors, including culturally mediated feminine hygiene practices, among Haitian immigrant women, which may negatively …

Scholarly Monographs On Rock Music: A Bibliographic Essay, Monica Berger

Publications and Research

Purpose This article is an overview of scholarly monographs on rock music from 1980 to the present. It provides an overview to the literature for practical purposes of collections development as well as giving the reader insight into key issues and trends related to a interdisciplinary topic that attracts scholars from many disciplines in the humanities and social sciences.

Design/methodology/approach This bibliographic essay, focusing on works related to American culture and of a general nature, includes an overview and historical background; a discussion of how music and ethnomusiciological scholars approach the topic; geographic approaches; literature on four key icons (Elvis, …

Summer 2006, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format. "The WMPG 'Zine"

Folk Wiki: The Shared Traditions Of Folk Music And The Wiki Way, Phillip Mark Chamberlin

USF Tampa Graduate Theses and Dissertations

Wiki is often perceived as representing a revolutionary break from conventional notions of authorship, writing, and textual history. Dialogues concerning Wiki tend to ignore the characteristics that Wiki shares with earlier forms of collaboration, particularly folk music. In both Wiki and folk music, content is often collectively shared and authored, even if specific individuals create and change the content. Many collaborators are anonymous, quasi-anonymous, or pseudo-anonymous, but the perception of this anonymity is, in both genres, problematic. Second, both Wiki documents and folk songs exist in the "Eternal Now," a seemingly perpetual state that makes these texts available for addition, …

Summer 2005, 90.9 Wmpg Fm

WMPG Program Guides

Summer 2005

Spring 2005, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format.

Fall/Winter 2005, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format

Summer 2004, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format