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Womanist Poetics: Emily Dickinson, Gertrude Stein, And Audre Lorde, Aya Telmissany

Theses and Dissertations

Today, the sentimentality associated with poetry is often condescendingly dubbed in a patriarchal society as “feminine poetry.” The first women poets who dared to attempt the pen were often met with attacks on their femaleness and harsh critiques of their writing which was likened to sorcery and witchcraft. Emily Dickinson, Gertrude Stein, and Audre Lorde are three American women poets who countered these attacks and turned them inside out in favor of their own womanist poetics. They wrote about experiencing the world as women and most importantly about experiencing poetry as women. What happens to poetry when a woman appropriates …

The Flow Of (Re)Memory In African American And Nubian Egyptian Literature: Morrison, Oddoul, And Mukhtar, Bushra Hashem

Theses and Dissertations

The purpose of this thesis is to define the term rememory, which Toni Morrison coins in her novel Beloved, and explore its interplay with water imagery in the novel and in two Nubian short stories, namely Haggag Oddoul’s “The River People” and Yahya Mukhtar’s “The Nile Bride.” The three narratives have core common features: they centralize water bodies as key sites of events, they depend heavily on the retelling of history and mythology, and they are told predominantly from the perspective of women. How do the writers weave rememory, history, and mythology to produce these narratives? Are they attempting to …

Puritan Patriarchal Construction Of American Sexual Morality And Woman's Worth: A Daughter's Response, Savannah Mather

Honors Projects

While modern conceptions of Puritanism regard it as an artifact of American history, whose woman-killing theologies are long buried and forgotten, the bible in my father’s closet and the recently leaked Supreme Court draft to overturn Roe. Vs. Wade would argue otherwise. Cotton Mather’s favorite book Ornaments for the Daughters of Zion outlined both the ideals and detriments of the Anglo-American female identity. In this text, white women were taught to absolve themselves of the “nakedness” in dress Puritan settlers associated Indigenous people with. A woman’s ability to align herself to the ideals of chastity determined her own and her …

Passing Down: Nella Larsen's Questioning Of Eugenic Ideology, Sky R. Mcleod

Anthós

This article looks at Nella Larsen’s 1929 novel Passing and examines how eugenic ideology of the time period are explored and critiqued through the story and characters. The novel follows two light skinned black women who grew up together and are reunited as adults. This reconciliation takes place under the backdrop of the Harlem Renaissance where the expectations of New Negro womanhood mix with a growing wave of eugenic thought and practices. In the 1920’s many influential thinkers, including black leaders such as W. E.B. Du Bois, were convinced that the only way to move the human race forward was …

Trauma, History, And Terror In The Poetry Of Yusef Komunyakaa And Sinan Antoon, Reema Binghadeer

CLCWeb: Comparative Literature and Culture

In her comparative study “Trauma, History, and Terror in the Poetry of Yusef Komunyakaa and Sinan Antoon,” Reema Binghadeer considers the work of the African American poet Yusef Komunyakaa (b. 1941) and the (Arab) Iraqi poet Sinan Antoon (b. 1967) through the lens of trauma theory of some notable theorists including; Freud, Cathy Caruth, Jean Laplanche, Roger Luckhurst, and Shoshana Felman—have negotiated in this field. The article explores the literary manifestations of trauma in two distinct historical periods and geographical settings to show the specificities of each prototype and how the historical-cultural significance and textual meanings of trauma have intertwined …

The Turn Toward The Nonhuman In Susan Straight’S A Million Nightingales, Katarzyna E. Nowak-Mcneice

CLCWeb: Comparative Literature and Culture

This article proposes a reading of Susan Straight’s 2006 novel A Million Nightingales in the light of critical posthumanities, focusing specifically on references to nonhuman animals. It does so in order to place Straight’s writing within the context of the recent posthumanist debate concerning the distinction between human and nonhuman animals (cf. Donna Haraway, Cary Wolfe). I claim that while addressing the “fused” discrimination (after Carol J. Adams) of sexism, racism, and speciesism, Straight’s prose can be seen as a proposition of a reconfigured subjectivity, one based on “entanglement” and “intra-action” (Karen Barad). A Million Nightingales, which – together …

Precarity In The Times Of Partition: Personal Vs Communal Love In Khushwant Singh’S Train To Pakistan And Saadat Hasan Manto’S “Gurmukh Singh Ki Wasiyat”, Ayesha Perveen

CLCWeb: Comparative Literature and Culture

The paper studies how various shades of love respond to precarity in anarchic times by comparing the narrative representation of the aftermath of the Partition of the British colonized Subcontinent into independent countries of India and Pakistan in 1947 with particular focus on Sikh-Muslim relationships in Punjab as presented in Khushwant Singh’s novel Train to Pakistan and Saadat Hasan Manto’s short story “Gurmukh Singh ki Wasiyat.” Employing Judith Butler’s concept of precarity, the paper analyzes how both the writers sketch precarity in partition times ensuing in post-Partition communal violence and effacement of love. The selection of the texts is significant …

William Carlos Williams’ “The Young Housewife”: A Postcritical Reading Vis‐À‐Vis Shel Silverstein's 'The Giving Tree', Sue Norton

Books/Book Chapters

Using the framework of Rita Felski in her 2015 book The Limits of Critique, this essay offers a postcritical analysis of William Carlos Williams’ 1915 poem “The Young Housewife.” Its intention is to show how Williams’ poem or any poem can be approached through a variety of critical lenses, but that these may get in the way of more immediate, rewarding ways of reading. Shel Silverstein's well-known 1964 short book The Giving Tree is similar at the level of “plot” to “The Young Housewife.” Taken in tandem, these two texts neatly exemplify the value of postcritical/non-resistant reading.

Technologies Of Territoriality: Indigeneity, Surveillance, And The State, Elspeth Iralu

American Studies ETDs

This dissertation examines the global spatial surveillance of Indigenous peoples, nations, and territories in the twenty-first century through a multi-site relational analysis of colonial surveillance and Indigenous cartography in the United States, India, and Palestine. Analyzing Indigenous graphic novels, video games, virtual reality, performance protests, and visual art, I demonstrate how air and the aerial perspective actively shape what happens on and below the ground. I argue that Indigenous experiences of and responses to colonial and counterinsurgent surveillance are not limited by the geographic and legal bounds of nation-states but are rather linked through global histories of militarization and colonialism. …

A New Politics Of Black Regality: Zora Neale Hurston And Alice Walker’S Monarchical Method, William Martin

Beyond the Margins: A Journal of Graduate Literary Scholarship

Literary critics conducting a comparative study of Zora Neale Hurston’s Their Eyes Were Watching God and Alice Walker’s The Color Purple diligently tend to the relationship between the two women, particularly at an intertextual level. This paper sheds light on an important third member of this relationship: Black women readers. An articulation of Black regality, which involves the incorporation of monarchical symbols and titles in characterizations of Black people, provides these readers with political tools poised to liberate Black women from hegemonic male authority and control. Examining the significance of adornment for the self exclusively to combat invisibility, the power …

Fantasizing A Free Black History: Post-Black Arts Movement Novels And Plays Re-Imagining Jim Crow, Wynter Lastarria

Beyond the Margins: A Journal of Graduate Literary Scholarship

“Fantasizing a Free Black History: Post-Black Arts Movement Novels and Plays Re-Imagining Jim Crow” closely reads one novel and one play written in the early twenty-first century and set in the Jim Crow period. Analyzing how Toni Morrison’s novel Love (2005) and Lynn Nottage’s drama By the Way, Meet Vera Stark (2011) take up Jim Crow era Black history together, I find that both works intentionally offer incomplete, subjective and fictive narrations of black life during Jim Crow to deny readers a sense of realism. In doing so, these authors represent a group of African American novelists and playwrights that …

Amjambo Africa! (June 2022), Kathreen Harrison

Amjambo Africa!

In this Issue Education ..................................3

Moonglade .............................4/5

Publisher’s editorial ..................7

Financial literacy: what is Credit .................8-13

In 7 languages Market Basket ..................14/15

Tips&Info ................................16

Lead in soil ..............................17

All about the Workforce ..18/19

Community Happenings .20/21

photos from community events

News from Africa .............22/36

Health&Wellness ...............24-31

Bridging the healthcare gap

In 7 languages

Columns .......................32/33/39

Nonprofit Organizations

Ask the D.A.

Let’s Talk/ELL

New Voices columns ........34/35

How Marlon T. Riggs Queered The Documentary Form, Anthony M. Sweeney

Dissertations, Theses, and Capstone Projects

Marlon T. Riggs’s documentary films and their paratextual elements are rooted in his intersectional identities as a Black and gay man. His activist goal of Black gay liberation was based on what he saw as deeply engrained internal and external racist and homophobic societal structures that subjugated Black queers. In this thesis, I place research from Black cultural studies, gender and sexuality studies, and film studies in conversation with one another to show how Riggs’s filmography is an example of queer form. In doing so, I attempt to redefine the focus of the scholarship on Riggs from an avant-garde filmmaker …

Sunbelt Schooling: Publics And Politics Of Education Advocacy In Phoenix, Arizona, Matthew Chrisler

Dissertations, Theses, and Capstone Projects

For the past forty years, public education in the United States has been the target of both neoliberal and conservative education reforms that have imposed austerity and privatization, set limits on racial, gendered, and sexual citizenship, increased school responsibility for social reproduction, and winnowed visions of public education as both a universal social entitlement and site of participatory democracy. These reforms emerged from, and remain powerfully anchored in, the United States Sunbelt, a crescent of metropolitan suburbs spanning southern California to Florida. This region propelled the conservative revolution in American politics but is also the site of progressive organizing that, …

"You Can't Be Shakespeare And You Can't Be Joyce": Lou Reed, Modernism, And Mass Production, Daniel C. Jacobson

Dissertations, Theses, and Capstone Projects

This dissertation proposes a reevaluation of the overlooked connections between American popular music and modernist literature’s scope and formal experimentation which arose in the mid-20th century. Because Lou Reed’s ever-changing persona situates his work uncomfortably between high art and pop-culture, modernism and “post-modernity,” literature and music, and ethics and aesthetics, I intend to consider Reed as this dissertation’s empty, refracted center. One that will allow for a critique of several major intellectual movements, both inside and outside the academy, that continue to influence thinking about art, ethics, and material culture. Additionally, I hope to show that the work of a …

Homage To Eleanora: A Musical Journey Through The Billie Holiday Songbook, Keith A. Dames

Dissertations, Theses, and Capstone Projects

Billie Holiday was a singer, songwriter, vocalist, bandleader and composer in the fields of music, black culture and more specifically the genre of jazz. The primary focus of this study is Billie Holiday’s discography, music, and compositions as treated in relation to the black culture of production. This study will explore a secondary content analysis of Billie Holiday’s music, musicianship, musicality and compositional skills within the American jazz mainstream, broader jazz audience and world at large. This project will take an analytical look at the structure and form of the compositions of Billie Holiday. Billie Holiday is credited with composing …

The Cop In Your Head: Criminal Justice Education, Liberalism, And The Carceral State, Nicole Haiber

Dissertations, Theses, and Capstone Projects

This thesis centers policing ideology in higher education and the way it is constructed and fortified through criminal justice programs. In 1968, the Law Enforcement Education Program (LEEP) made funds available to police officers to attend college and awarded grants to universities to create criminal justice programs. The program effectively funneled federal money into the project of professionalizing the police and developed criminal justice as a field devoted to conducting crime research, as defined by the federal government. Criminal justice programs exploded across the country with the availability of LEEP funding, and the City University of New York’s (CUNY) John …

Fragmentation And Fabulation: Reflexivity And The New Black Documentary, Joanna Lehan

Dissertations, Theses, and Capstone Projects

This thesis concerns the photographic representation of Black bodies in new, reflexive documentary forms that have been increasingly produced and exhibited in the midst of America’s renewed discourse on race. Approaching this argument categorically, focused on the themes of fabulation and fragmentation, my task here is to uncover the gaps and overlaps between earlier critiques of the documentary image and more recent discourse on photography and race by exploring the specific methods through which select recent documentary projects embed and expand these critiques.

Fragmentation is a category of production I use to frame a movement of Black photographic artists …

Practicing Abolition: A Digital Roundtable On Abolitionist Pedagogy, Samantha Lilienfeld

Dissertations, Theses, and Capstone Projects

This capstone project explores education and pedagogy as sites for abolitionist practice, and approaches abolitionism as a method by building on the idea of abolition democracy. Using the framework of abolition as a pedagogical practice, I see teaching and learning as urgent tasks of contemporary abolitionism. My project integrates research and scholarship on the abolition of prisons and policing with practices of pedagogy, in part by thinking interdisciplinarily with students and scholars working within CUNY. Practicing Abolition: A Digital Roundtable on Abolitionist Pedagogy incorporates voices from students and scholars about how they practice abolitionist pedagogy in higher education by presenting …

The Problem Of Blackness In America: Becoming When The Being Never Comes To Be, Nkiru Anyaegbunam

Dissertations, Theses, and Capstone Projects

The problem of Blackness in America is a consequence of the historical reality and continued legacies of colonialism, the triangular trade and chattel slavery that have been facilitated through violence and capitalism. This thesis will argue that this problem that is pronounced through racialized institutional systems of violence such as mass incarceration and housing inequality, which disproportionately negatively impacts Black Americans is part of a larger discourse on the human and (mis)recognition. This violence has created a quintessential incompleteness for Black Americans who neither are recognized as citizens nor human. The problem of Blackness will be continuously grounded in this …

'My Name Is Peaches': Black Women's Affect In The Blues Biomyth, Taylor C. Scott

LSU Doctoral Dissertations

For this project, I am interested in the study of nuanced self-representations of Black rage that appear within African American literary traditions, specifically the blues aesthetic, wherein artists narrativize a wide spectrum of intelligent and specific emotion--not just melancholy. Blues narratives in which Black people self-represent are in direct opposition to flattened narratives of certain affective modes such as anger as a useless, backwards, pathologized, and flat feeling that appear within dominant U.S. and global iconographies. What I see in the blues aesthetic is the capacity for a multichromatic approach to studying rage and Black authorship in America. By using …

Fulfilling The Search For Completeness In Harper Lee’S To Kill A Mockingbird And Delia Owens’ Where The Crawdads Sing, Kyra M. Sica

Seton Hall University Dissertations and Theses (ETDs)

Harper Lee’s To Kill A Mockingbird (1960) and Delia Owens’ Where the Crawdads Sing (2018), set in the 1930s and 1960s, respectively, portray coming of age stories narrated from the points of view of two female protagonists, Scout and Kya. In Mockingbird, Lee conveys Scout’s maturation via a first-person narrative, recounting the events she witnesses between 1933 and 1935 as a linear flashback when she is an adult, whereas Owens conveys maturation in Crawdads, which happens over the course of Kya’s life, from a roving third-person narrative point of view, between 1952 and 2009. Both novels immerse the …

From Mission To Competition: The Experiences Of 10 Lds Missionary Student-Athletes Returning To Competition In The National Collegiate Athletic Association Division I, Matthew J. Moore, Leslee A. Fisher, Lindsey A. Miossi, Zach T. Smith, Jacob C. Jensen,

Movement and Being: The Journal of the Christian Society for Kinesiology, Leisure and Sports Studies

The purpose of the current study was to explore the experiences of LDS missionary student-athletes returning to competition in the National Collegiate Athletic Association (NCAA) Division I (DI). Using Consensual Qualitative Research methods (CQR; Hill, 2012) including a semi-structured interview guide, 10 DI student-athletes/returned LDS missionaries were interviewed regarding their experience (i.e., mean age of 25 years; baseball, cross-country/track and field, football, and swimming). A research team with five members constructed four domains and 16 categories representing DI student-athlete/returned LDS missionary chronological identity changes during this experience: (a) the development of an LDS missionary identity; (b) challenges associated with returning …

The Appalachian Nostos: Pastoralism And Returning Home In Appalachian Poetry, Henry David Thoreau Kilbourne

Student Scholarship

No abstract provided.

Because Potato, Candice Evers

MFA in Illustration & Visual Culture

This thesis project explores the phenomenological qualities of the internet; asking, since the internet is difficult to grasp, what other modes of investigation might we have available? Using an investigative framework set forth by Jack Halberstam, this thesis declines to come to knowledge solely through understanding the formal, the structural, the highly visible and mainstream. The literature that I have gathered provides a range of modes for interrogating the simultaneously central and inconsequential subject of my thesis itself: the potato. Juxtaposing the physical, political and material conditions of the potato the internet’s least academic mode of knowing: the meme. Analyzing …

Disorientations, Noah Greene-Lowe

MFA in Visual Art

The materials that make up the ordinary and mundane in the United States also reinforce and normalize a white spatial imaginary. Conventions of mapping, imaging of land and landscape, and elements of the built environment continue to orient us in a logic of space as property. In my sculptural work, I employ strategies of disorientation and creative repair, or reconstruction, to unsettle the spatial practices of whiteness and structures of power embedded in the mundane, the familiar, and the domestic. I consider the planned cohousing community where I grew up as an influence on my work, and my whiteness. By …

The Precarity Of Images: Sci-Fi Worldbuilding And Its Uses In Agitprop, Noah Jodice

MFA in Illustration & Visual Culture

“The Precarity of Images” examines how theories of worldbuilding common to the science fiction genre are applied to the making of agitational propaganda for liberation movements. In doing so, it questions how both explicit and implicit political images—posters, games, comics, illustrations, social media posts—either light a pathway for making a more just world or limit our ability to imagine alternate futures.

Following the ethos of Steven Jackson’s essay “Rethinking Repair,” the paper takes the “breakdown, erosion, and decay” of images as a starting point. Images change meaning over time as our cultural connections to them shift. Strategies of decoding and …

Grotesque Masculinities In The Works Of Harry Crews, Barry Hannah, And Padgett Powell, Matt Brandon Blasi

LSU Doctoral Dissertations

“Grotesque Masculinities in the Works of Harry Crews, Barry Hannah, and Padgett Powell” explores how these authors use the grotesque to complicate, distort, and criticize hegemonic white Southern masculinity as represented in contemporary American literature. In “Grotesque Masculinities,” I argue that the presence of the grotesque mode in these author’s works offers a unique critical perspective by which to better understand how masculinity is constructed by and for white Southern men in literature, and how alternative configurations of identity are not only possible, but necessary to decenter whiteness and heteronormativity as dominant categories. Using what sociologists refer to as body-reflexive …

Review Of The Man Who Thought Himself A Woman, Ed Christopher Looby, Carrie D. Shanafelt

ABO: Interactive Journal for Women in the Arts, 1640–1830

Christopher Looby's anthology of queer nineteenth-century American short stories is a fascinating collection of both obscure and familiar texts that together constitute a powerful argument for the queerness of the short story and for the centrality of queerness to American literary aesthetics.

Mapping The Geographic Imagination In Harriot Stuart And Euphemia At An Hbcu, Leah M. Thomas

ABO: Interactive Journal for Women in the Arts, 1640–1830

Teaching Charlotte Lennox’s Harriot Stuart (London, 1750) and Euphemia (London, 1790) offers a transatlantic perspective of the New York region and its diverse population of African Americans, Native Americans, and European Americans as understood from a British woman novelist who lived in New York in the 1740s during the time in which both novels are set. In addition to this diversity, her novels demonstrate the conflicts and networks within this part of America, all of which can be explored through historical and geographical contexts of contemporaneous maps. These maps not only engage the science, technology, engineering, and mathematics (STEM) focus …