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Race And Nation In Three Canonic Texts Of Puerto Rican Literature: Luis Palés Matos’S Tom-Tom Of Kinky Hair And Black Things, José Luis González’S La Llegada, And Edgardo Rodríguez Juliá’S Cortijo’S Wake, Luis R. Galanes

CLCWeb: Comparative Literature and Culture

In this essay we propose a critical reading of three politically-charged canonic texts of Puerto Rican literature that uphold and vindicate an African heritage for Puerto Rican culture, highlighting their role in moving discussions about blackness at the center stage of debates about national identity and culture, and assessing their contribution to the emergence and development of an Afro-Puerto Rican identity and literature. These texts are: Luis Palés Matos’s Tom-Tom of Kinky Hair and Black Things, José Luis González’s La llegada; and Edgardo Rodríguez Juliá’s Cortijo’s Wake. Moreover, a debate about the racial background of the authors …

Haunting Pasts, Cancelled Futures: Polish And Argentinian Experiences Of Postdependency, Ewa Kobyłecka-Piwońska

CLCWeb: Comparative Literature and Culture

The aim of this article is to compare Polish and Argentinian experience of democratic transitions of the 1980s and 1990s. Establishing new political and economic orders in both countries did not entail a change in their citizens’ post-dependent mentality. In the first part of the paper, a connection is drawn between Polish and Argentinian collective memories in line with the methodology of transcultural memory studies (Erll, Rothberg). The post-dependent condition is articulated twofold: through the remembrance of the disappearance (of the Jews, the victims of the Argentina’s state terrorism, the indigenous peoples), and through the confusion in grasping the sense …

Let Us Break Bread Together: A Historical Analysis Of African American Chefs’ Influence On American Gastronomy, Danielle S. King

Capstone Collection

This Capstone project examines the historical impact of African American chefs on American gastronomy, highlighting their substantial contributions to the nation's culinary heritage from 1619 to 2024. By employing Jessica B. Harris's book High on the Hog as a foundation, the research identifies a critical gap in existing study abroad programs: the Black diaspora within the United States. The proposed four-week educational program aims to immerse participants in African American culinary heritage across four culturally rich cities: Charleston, South Carolina; New Orleans, Louisiana; Chicago, Illinois, and Oakland, California. With a community cultural wealth framework, the program integrates historical research, hands-on …

Ghost Highway: De-Touring Albuquerque's Route 66, Madison A. Garay

Art & Art History ETDs

Route 66 was a U.S. Numbered Highway stretching from Chicago, IL to Santa Monica, CA, rising to fame through music and popular culture. In Albuquerque, New Mexico, Route 66 has a troublesome twin life as Central Avenue, a highly politicized space where bodies are contested. In this thesis, the function of public arts and architecture of Albuquerque’s main street thoroughfare, Central Avenue, will be analyzed as visual devices of U.S. Highway 66, or known in popular culture as “Route 66.” I employ a critical Derridean framework through Mark Fisher’s theorization of hauntology and Gerald Vizenor (White Earth Ojibwe)’s theory of …

Questioning In Contested Spaces And Cultural Currents In Popular Culture And Pedagogy: Book Bans, Music, Horror And Poetry, Anna Cohenmiller

Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy

Questioning in contested spaces and cultural currents in popular culture and pedagogy: Book bans, music, horror and poetry

How do the texts we encounter affect, and reflect, the cultures in which we live? How about the educational spaces and the communities we inhabit? How might we engage with popular culture texts to better understand today, and create more inclusive futures?

The Extraction Unconscious: Solar-Powered Utopias In Catching The Sun (2015) And In The Name Of Lithium (2021), Isidora Cortés-Monroy

Critical Humanities

By comparing the depictions of future energy regimes in the two ecodocumentaries, Catching the Sun (2015) and In the Name of Lithium (2021), this article explores representations of post-carbon futures from the US and Argentina. Read closely alongside Frederic Jameson’s notions of utopias, the article delineates the extent to which a solar powered future challenges and reiterates current neocolonial extractivist structures. Basing myself on Patricia Yaeger’s concept of an “energy unconscious,” I argue that these solar utopias maintain an “extraction unconscious” that continues to produce sacrifice zones where primary commodities needed for the energy transition can be found. By analysing …

Kimball Hall, 1970: Collective Organizing Through Print Production, Jen Hoyer

Publications and Research

This article examines the May 1970 occupation of Kimball Hall, a university administrative building at New York University, and specifically of its basement printshop. The group that came together in this space referred to itself as the Kimball Commune; they used university equipment and resources to print material in support of the strike and related movements, and they invited students, activists, and the general public to come into the printshop and produce material with them. I demonstrate how the Kimball Commune provides a concrete example of how a collaborative radical printing project isn’t just about creating alternative media. It also …

Queer Ga(Y)Ze And Desire In Flesh And Pink Narcissus, Kel R. Karpinski

Publications and Research

Through their portrayals of gay-for-pay hustlers, the films Flesh and Pink Narcissus, offer an expansive view of queerness and illuminate the queer history of Times Square.

Unveiling Injustices In Theodore Dreiser's “An American Tragedy” And Susan Glaspell's “A Jury Of Her Peers”, Athena Maria Dotsikas

Theses and Dissertations

Crime and its representation in new age media is seeping into every avenue of discussion nowadays. The influence of crime is most notably evident in literature, where real cases inspired fictional novels and short stories that explore social issues and injustices. Since the 16th century, true crime has captivated human curiosity while also shedding light on the United States legal and justice system. Ultimately, true crime narratives provide a deeper understanding of human psychology and the reasons behind a number of gruesome and horrific incidents. This thesis investigates how Theodore Dreiser’s An American Tragedy and Susan Glaspell’s A Jury of …

United States Governmental Assessments Of The Rise Of Communism In And Around The Republic Of South Africa, Stuart Ledbetter

Voces Novae

No abstract provided.

Shaping The Fabric Of Society: Middle Class Women As Imperial Consumers Of Calico In Pre-Revolutionary America, Elsa Cassell Toland

Swarthmore Undergraduate History Journal

Through the Calico Acts of 1700 and 1721, Britain repositioned its Atlantic colonies as distinct imperial consumers of imported calico cloth from India. The resulting expansion of the cotton textile trade had profound impacts for class and society in pre-revolutionary America, as middle class consumers used calico to express their purchasing power, refined taste, and social identity. These patterns of class expression were especially relevant for middle class women. As the primary consumers of imported calico, women directed purchases of luxury textiles for their households in order to shape their families’ identities as members of the middle class. Ultimately, as …

The Islamic Orient In Antebellum America: The Influence Of Edgar Allan Poe In Contemporary Arabic Literature, Sohaib Alkamal

Electronic Theses and Dissertations

This dissertation posits a comprehensive overview of the debate about Orientalism, particularly early American depictions of the Islamic Orient. The study investigates the antebellum American portrayal of the Islamic Orient, focusing on Edgar Allan Poe’s Orientalist readings. While Said’s Orientalism concentrates heavily on aspects of power in West-East relations throughout history, this study expands on several aspects of Said’s book. This study provides a new approach to exploring the field of Orientalism by giving a voice to Arabic sources that are absent in Said’s Orientalism and rarely known to Western audiences. Such sources are medieval Islamic sources, which include phantasies …

Spirometry: For The Winds In Us, Kendall Allison

Dissertations, Theses, and Capstone Projects

Spirometers are devices used to measure lung capacity. This capstone is a creative study of what restores our breathing aptitude as a response to the suffocating and alienating consequences of whiteness for people racialized as white. The project is a sequence of lyric essays. The first lyric essay frames whiteness as a condition of exile and examines the cultural and emotional currents that shore it up. I use exile as a frame to emphasize the intensity of the spiritual and cultural alienation that people racialized as white experience. I also contextualize the dis-ease of suicide in my own lineage, and …

The Incubus: Bourgeois Social Control And The White Racial Identity Theodore W. Allen’S Ontological Critique And Epistemological Breakthrough 1965-1975, Sean I. Ahern

Dissertations, Theses, and Capstone Projects

Theodore W. Allen (1919-2004) was a proletarian autodidact, former coal miner, and member of the Communist Party from 1939-1958. Deeply influenced by the Civil Rights and Black Liberation Movements and his reading of W. E. B. Du Bois’s Black Reconstruction in the early 1960s, Allen developed a critique of what he termed the “White Blindspot” in the eyes of most U. S. labor historians who had omitted the Black chattel laborers from the proletariat. This omission on the part of both Marxist and non-Marxists constituted, in Allen’s view, the original sin of U. S. labor historiography, which had inadvertently inhibited …

Love And Power: Narrative Resistance In The Contemporary Literature And Film Of The Americas, Tania Nicolaou

Dissertations, Theses, and Capstone Projects

This project analyzes the ways in which narratives of love, care, and intimacy support sociocultural change through cinema, literary fiction, and memoir in Indigenous, immigrant, and diasporic communities in the United States, Haiti, and Cuba. The project’s intervention revolves around how we compare and examine narratives of the marginalized, underrepresented, and misremembered in a way that does not focus primarily on pain and trauma, but on experiences that embody radical change, healing, and a shift in the colonial matrix of power. The chapters consider love as constructed through family, identity, memory, and nationhood, all in relationship to what love looks …

Cuny In The News: A History Of Reporting On The Humanities At The City University Of New York, Jacqueline R. Cahill

Dissertations, Theses, and Capstone Projects

This project compiles newspaper articles concerning humanities at the City University of New York, placing them on a timeline to establish patterns and changes within media reporting and public perception. The archival research of this project explores four distinct eras, grouped around major events in the history of the university: 1961-1971, for the founding of the university and open admissions struggle; 1980-1990, for the response to the ‘70s fiscal crisis and introduction of the Board of Trustees; 2000-2010 for the post-open admissions era and the centralization of CUNY; and 2020-present, for COVID and a new fight for racial equity. Examining …

Our Relentless Objectification Of Native Americans: As Exemplified By Louise Erdrich And Cherie Dimaline, Lena Kozubek

The Kennesaw Journal of Undergraduate Research

Indigenous communities relentlessly challenge the normalized commodification of their culture and beliefs. One way they actively address these oppressions is through storytelling. Their accounts educate readers and encourage them to re-frame modern perspectives and how stereotypes affect Native communities. Their stories are not a simple myth; instead, they serve as an active participant to combat actions that treat Indigenous people as an anomaly. We should treat Native Americans as human beings who invariably struggle with present-day degradations, commodification, and continual displacement. Indigenous authors reclaim their narrative by using their historical context and storytelling skills to dissect the parallels between fact …

Counter-Hegemony In The Captive State: Recasting Katrina’S Carceral Legacy Through Conjuncture, Joseph S. Muratore

Dissertations, Theses, and Capstone Projects

This thesis traces the historical development and contemporary manifestations of carceral power in Louisiana, arguing that racialized systems of control—from slavery and convict leasing to mass incarceration—have been sustained through shifting alliances of political and economic elites. Using The Historic New Orleans Collection (HNOC) and its exhibit Captive State: Louisiana and the Making of Mass Incarceration as a foundational timeline, this study demonstrates how Bourbonism forged a regional bloc that institutionalized racial domination through incarceration and labor exploitation, later reconstituted through neoliberal policies of abandonment, privatization, and militarization. I chose to focus on Hurricane Katrina because its aftermath reflects many …

Podcast: One To Grow On – Why Black Studies Matter When Working And Living In Black Communities, Celia E. Ceballos

Dissertations, Theses, and Capstone Projects

This paper examines the transformative potential of Black Studies in enhancing community work within Black and Brown communities in New York City. The research is driven by the author's firsthand experiences and the realization of the importance of Black Studies, which was largely absent from earlier education. Through the interdisciplinary approach of the Graduate Center’s MALS program, the author has gained a deeper understanding of key topics such as the legacy of slavery, the Civil Rights Movement, the Harlem Renaissance, the Black Arts Movements, and the ongoing struggle for racial justice. This journey inspired the creation of a capstone project, …

American Utopia: The Evolution Of David Byrne’S Viewpoint Of America From 1977 To Present, Morgan A. Prince

Dissertations, Theses, and Capstone Projects

David Byrne is a multimedia artist known primarily as the lead singer and main songwriter for the new wave band Talking Heads. Throughout Byrne’s career he has continually written about America and Americans. This thesis traces his writings about America from the beginning of Talking Heads to his most recent projects. In doing so, the thesis puts forward that Byrne’s opinion on America has changed from one that is centered on the American people to one that is instead focused on American institutions. Additionally, the thesis traces how Byrne’s work has evolved from idealization to realism, as his early work …

Disability: A Dirty Word? How Language Historically Perpetuates Exclusion And Systemic Oppression, Kelly E. Imm

Graduate Masters Theses

In 1990, the passage of the Americans with Disabilities Act (ADA) marked a pivotal moment in the American disability rights movement, which began in the 1960s and sought to secure civil rights for people with disabilities. Despite this monumental achievement, this thesis considers how the language used throughout American history and culture to describe people with disabilities, even within the confines of progressive legislation like the ADA, remains deeply rooted in ableist and oppressive historical attitudes. At the heart of this issue, this thesis demonstrates how the medicalization of disability, which has dominated American culture for centuries, continues to frame …

“To Prepare The Mind For Wonder”: Popular Science And Mass Media In The 1920s, Alexander Olson

Journal of 20th Century Media History

This article examines the creation and development of the Science Service, a 1920s initiative aimed at popularizing science through mass media. Founded by biologist William Ritter and newspaper magnate Edward Scripps, the wire service sought to disseminate accurate scientific information to the American public via newspapers, radio, and other popular media. While Scripps favored a commercially viable, accessible style that used entertainment to hook readers, Ritter envisioned science journalism as a tool for democratic education and intellectual empowerment. These conflicting philosophies created lasting tensions within the organization around how to address challenges such as sensationalism, editorial independence, and public skepticism. …

The Sauce To Meat Is Ceremony: Cannibalism And Hospitality Serve As Horror And Culture Tropes In Hannibal And Macbeth, Shay Williams

Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy

When examining Macbeth (1623) as a case study within Shakespeare’s canon, we see all the obvious horror tropes - murder, witches, a ghost, bodies, blood and gore. What is less pronounced is the horror that lies within eating, drinking, feasting, and the ceremony of banquets. On the other side of the spectrum, and unlike the character of Macbeth, we have a figure that epitomizes all things horror, and has been read about in novels, watched on film, and as of late (2013-2015) has been the subject of a Television show, aptly named: Hannibal. In both works, we encounter men/monsters/killers …

“Honey, Life Is Just A Classroom:” Using Taylor Swift As A Pedagogical Tool For College Composition, Liz Thomae

Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy

As educators, we confront the challenge of cultivating a deeper understanding of writing in an age obsessed with utilitarianism, instant gratification, and pragmatism. Students come into our classrooms inundated with these messages of utility and often find subjects within the humanities, especially first year writing, boring and unhelpful. Especially with the rise of generative artificial intelligence (AI) use in our classrooms and society at large, we as pedagogues have our work cut out for us. I propose a pedagogical approach that bridges students' interests with essential writing skills by integrating Taylor Swift's music into the composition classroom. Swift's evolution as …

"The Way It Comes—Through Nature:" Christian Realism, Rural Landscapes, And Divine Confrontations In Flannery O'Connor's Farm Fiction, Ashton Bailey Thomas

Master's Theses

Flannery O’Connor, though often labeled a Southern Gothic writer, preferred to place herself in the genre of “Christian Realism.” For her, the grotesque nature of her stories’ endings reflects not grace itself but the culmination of repeated rejections of grace. In her essays and letters, O’Connor argues that grace should be depicted “the way it comes—through nature,” equating the spiritual with the natural world. In her stories’ farm landscapes, O’Connor presents an ever-present grace through nature that, though often ignored or rejected, serves as a catalyst for spiritual confrontations. When this grace is continually denied, violence becomes the only force …

Analyzing Florida’S Lgbtqia+ Censorship Laws And Their Anti-Democratic Attack On Education, Peyton Sibert

Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy

The past four years (2021-2024) have seen an increase in academic censorship laws and anti-LGTBQIA+ rhetoric across the United States. Florida, specifically, has established itself as a leader in discriminatory legislation. In this paper, the author analyzes four Florida laws: HB 1557, HB 1069, HB 7, and SB 266, along with the rise in book bans to consider both the pedagogical effects and negative impacts on the LGBTQIA+ community. These analyses will be juxtaposed with extant political rhetoric around these laws to expose a) the intent of the law b) the contradictions within and across laws and thereby c) the …

Negotiating (Im)Migrant Identity In The (Un)Assimilated Nation: American Literature Of The Late Nineteenth Century, Haley M. Steffens

English Language and Literature ETDs

This dissertation examines representations of immigration, assimilation, and multinational cultural identity in late nineteenth-century American literature, autobiography, and print culture. Through a comparative analysis of diverse authors and immigrant communities, the project explores how literary and popular culture narratives framed the expectations and limitations of assimilation for disparate populations. By contextualizing these works within historical immigration policies, labor economies, government instability, and burgeoning nationalism, this study reveals how fiction and media shaped public attitudes toward assimilation and influenced policy. Ultimately, this dissertation argues that late, long-nineteenth-century literature functioned as both a reflection of and response to national debates about immigration, …

Langston Hughes And The “Afro-American Narrative” Tradition, Paul Haynes

Theses and Dissertations

After introducing Langston Hughes and defining Robert B. Stepto’s “Afro-American narrative” tradition, Chapter One presents a biography of Hughes from his birth in 1902 until he came under the patronage of Charlotte Osgood Mason in 1927. Chapter One also addresses the aesthetic expectations of the Harlem Renaissance and the extent to which Hughes either met or failed to meet those expectations. Chapter Two presents a reading of Not without Laughter as an integrated narrative, addressing how Hughes’s authenticating strategies and Mason’s authenticating devices evenly control the novel. Chapter Three presents a reading of Hughes’s short-story cycle, The Ways of White …

Voices In The Borderlands: Reimagining Identity, Cultural Belonging, And Dystopian Spaces In Anzaldúa’S Borderlands And Viramontes’S “The Cariboo Café”, Oralia G. Ramos

Theses and Dissertations

This thesis explores how Gloria Anzaldúa’s Borderlands/La Frontera (1987) and Helena María Viramontes’ short story “The Cariboo Café” (1985) portray marginalized individuals navigating liminal spaces of identity, oppression, and survival. Borderlands/La Frontera and “The Cariboo Café” show how systematic violence and displacement shatter the self, pushing characters to navigate trauma in a dystopian space. Sonya, Macky, the café owner, and the grieving mother represent Anzaldúa’s concepts of borderland subjectivity, betrayal, and spectral haunting.

Sonya and Macky, two undocumented children, represent Anzaldúa’s borderlands subjects and reside in a state of nepantla, an in-between space of cultural dislocation. The café owner …

Wulver In Appalachia, Wylan Blair

Persimmon Creek

A poem about a mysterious figure who comes to the aid of a mountain community.