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Articles 121 - 150 of 14740
Full-Text Articles in Entire DC Network
Figures Of Truth And Justice: Superman & Rock Music, Kelan Vitali
Figures Of Truth And Justice: Superman & Rock Music, Kelan Vitali
CAFE Symposium 2026
The American comic superstar Superman and rock music are completely different forms of media. One performs acts of heroism, and one is performed on stage. Despite their differences, however, both are prominent symbols of inspiration and moral courage.
Mamma Mia! What Nostalgia!, Asher Leuzzi
Mamma Mia! What Nostalgia!, Asher Leuzzi
CAFE Symposium 2026
An analysis of Phyllida Lloyd's Mamma Mia!, and how it relates to Authentic Rock Culture. Discusses the power of nostalgia, demonstrating that it can be either a positive or negative force. Generally, sound used within this film helps display energy and emotional truth, which allows for complex themes to be revealed.
Music As Memory And Narrative In American Graffiti And Dazed And Confused, Jacob Tone
Music As Memory And Narrative In American Graffiti And Dazed And Confused, Jacob Tone
CAFE Symposium 2026
This poster explores how George Lucas’s American Graffiti (1973) and Richard Linklater’s Dazed and Confused (1993) utilize popular music as a narrative tool to define the evolution of American youth culture. By examining the shift from the unified, diegetic radio culture of 1962 to the fragmented, ironic rock pastiche of 1976, the research highlights how Lucas creates a "communal identity" rooted in sincerity while Linklater captures the "disillusionment" of a generation adrift. Ultimately, the study demonstrates that these soundtracks are not mere background elements but serve as vital cultural archives that mediate between history and cinematic memory, shaping the way …
Instilling Patriotism And Prejudice Through Game Of Battles Or Fun For Boys, Gabby Gavaghan
Instilling Patriotism And Prejudice Through Game Of Battles Or Fun For Boys, Gabby Gavaghan
CAFE Symposium 2026
For my Poster Project, I dove into the underlying socialization and indoctrination embedded within a board game from 1899 called "Game of Battles or Fun For Boys." I explored the overwhelming messages of toxic masculinity, the encouragement of enlisting in the military, and the lack of representation of women and African Americans.
Cecil Taylor, 1950–1976: Theory & Practice In His Own Words, Michelle A. Yom
Cecil Taylor, 1950–1976: Theory & Practice In His Own Words, Michelle A. Yom
Dissertations, Theses, and Capstone Projects
Cecil Taylor (1929–2018) was a poet, composer, pianist, and dancer who is widely regarded as one of the founding figures of Free Jazz. Despite this historical significance, Taylor has not been a subject of substantial archival research. Some scholars have written his name into music scholarship through explicitly or implicitly reiterating the notion of “freedom” that circulated among contemporary jazz critics of the late 1950s and the 1960s. Others have focused on analyzing Taylor’s solo piano music, often reducing Taylor’s musical theories and practices into the formal structures of the music itself. To date, the scholarship has simplified Taylor’s work …
The Constant Cause Of Friction: Maud Mosher And Gendered Authority In The Indian Service And At Ellis Island, Ella Morton
The Constant Cause Of Friction: Maud Mosher And Gendered Authority In The Indian Service And At Ellis Island, Ella Morton
Dissertations, Theses, and Capstone Projects
This thesis focuses on the federal career of Maud Mosher, who, from 1893 to 1907, worked as an Indian Service boarding-school teacher, then a matron at Ellis Island. By analyzing Mosher’s extensive, complaint-driven correspondence and personnel files, as well as an unpublished memoir, I claim that her grievances represent a rare form of agency available to women in maternalist roles at Progressive Era federal agencies. Though Mosher’s superiors branded her complaints trivial, the substance of them reveals gendered hypocrisy and institutional contradictions inside two federal institutions dealing with racialized populations.
In both the Indian Service and the Immigration Service, Mosher …
Humanity Is Evolving Its Consciousness: The Role Of Archetypal Energies As Guides During An Unfolding Weeding Out And Alignment Process, Carroy U. Ferguson
Humanity Is Evolving Its Consciousness: The Role Of Archetypal Energies As Guides During An Unfolding Weeding Out And Alignment Process, Carroy U. Ferguson
Psychology Faculty Publication Series
Humanity is evolving its consciousness at individual and collective levels. Given these seemingly tumultuous times, as of this writing (January 2026), to make such a statement may sound like a strange thing to say. However, I suggest that if you are alive today and if you are reading these words, these are the very times for which you were born—to assist Humanity as it evolves its consciousness with your unique gifts, whatever they may be. That is, this period of our individual and collective human being-ness may be characterized as an unfolding period of weeding out and alignment with the …
Teaching Phillis Wheatley (Peters) As A Working Artist, Lenora Warren
Teaching Phillis Wheatley (Peters) As A Working Artist, Lenora Warren
ABO: Interactive Journal for Women in the Arts, 1640–1830
In recent years, the challenge of teaching the poetry of Phillis Wheatley (Peters) has been managing my students’ expectations of what constitutes “representative” African American literature and coming to a more comprehensive idea of constitutes both “political” and black art. In managing some initial confusion around Wheatley’s muted response to her enslavement I have landed on presenting Wheatley’s insistence of her work as a poet as “labour” to be the most interesting tact to take with students. For Wheatley it is the imperative of becoming a poet that allows her access to what might be seen as a more vital …
On Being Brought From Gambia Or Ghana To Colonial Boston: Teaching Phillis Wheatley And Place, D. Quentin Miller
On Being Brought From Gambia Or Ghana To Colonial Boston: Teaching Phillis Wheatley And Place, D. Quentin Miller
ABO: Interactive Journal for Women in the Arts, 1640–1830
In this pedagogical article, I describe my classroom practice in which the context of place becomes supremely important when introducing Wheatley’s work to students. With the help of experiential learning in the form of a walking tour of Wheatley's Boston and some maps, I call attention to spatiality as a crucial context for framing the poet’s most persistent concerns. The article contains images that can be useful to instructors who do not have the benefit of teaching Wheatley in Boston.
Introduction: Concise Collection On Teaching The Works Of Phillis Wheatley Peters, Part Ii, Mona Narain, Sarah Ruffing Robbins
Introduction: Concise Collection On Teaching The Works Of Phillis Wheatley Peters, Part Ii, Mona Narain, Sarah Ruffing Robbins
ABO: Interactive Journal for Women in the Arts, 1640–1830
This short essay introduces part two of a two-part Concise Collections special issue on teaching Phillis Wheatley Peters. It discusses how the life and works of the poet can be taught in various educational settings.
Sam Boakye, Mark Naison, Anthony Abd-Al Shafi Rosado
Sam Boakye, Mark Naison, Anthony Abd-Al Shafi Rosado
Oral Histories
At the end of the interview, Boakye explains what he wants for Kwasi Paul in the future, both in the Bronx and in the fashion industry. For the Bronx, he wants it to represent Ghanaian fashion, something Ghanaians in the Bronx can be proud of. He wants the Bronx to be seen as something better, not a “dirty” borough, as stereotypes would have it. For fashion, he wants to be another lens of living with in-between identities, for everyone who falls into these categories of multiple identities, especially for people in New York City.
He encapsulates the Bronx as “The …
Las Representaciones Figurativas Del Sitio Arqueológico Cuidad Del Jaguar (Honduras): Espacio Sagrado, Conceptos Compartidos Y Diálogo Entre Mesoamérica Y La Zona Andina, Geydy Rodríguez Wood
Las Representaciones Figurativas Del Sitio Arqueológico Cuidad Del Jaguar (Honduras): Espacio Sagrado, Conceptos Compartidos Y Diálogo Entre Mesoamérica Y La Zona Andina, Geydy Rodríguez Wood
Actas seleccionadas del SIMPOSIO ARTE 4.2: Migraciones en la imagen prehispánica: transitando territorios del pasado al presente. 58º Congreso Internacional de Americanistas, Novi Sad, Serbia, 2025.
El sitio arqueológico Ciudad del Jaguar-T1, se encuentra ubicado en el noroeste de Honduras. Pertenece al Área Intermedia, considerada zona de frontera y paso entre Mesoamérica y la Zona Andina. Esta ubicación facilitó que, durante la época prehispánica, fuese un sitio de migraciones e interacción constante entre culturas del norte y del sur del continente, que dio origen a una civilización hasta ahora desconocida, que se formó, desarrolló y tuvo una significativa producción artística. En el presente trabajo propongo el estudio y la lectura e interpretación de las imágenes figurativas representadas en los objetos excavados, como también su utilidad y …
A Review Of Alberto Toscano’S Late Fascism, Clint Burnham
A Review Of Alberto Toscano’S Late Fascism, Clint Burnham
CLCWeb: Comparative Literature and Culture
No abstract provided.
A Review Of Zahi Zalloua's The Politics Of The Wretched: Race, Reason, And Ressentiment, Benjamin Davis
A Review Of Zahi Zalloua's The Politics Of The Wretched: Race, Reason, And Ressentiment, Benjamin Davis
CLCWeb: Comparative Literature and Culture
No abstract provided.
Exploring Chinese Elements In J.D. Salinger’S Works: A Response To Mccarthyism In The Early Cold War Era, Yixin Lu
CLCWeb: Comparative Literature and Culture
Since the publication of “The Laughing Man” in 1949, various ideas about “China” have emerged in J. D. Salinger’s famously obscure works. This article aims to argue that Salinger’s incorporation of elements related to China and ancient Chinese philosophy in his works illustrates an artistic response to American anxieties during the McCarthy Era. The article uses “The Laughing Man” and “De Daumier-Smith’s Blue Period” as case studies to demonstrate how Salinger’s engagement with “China,” including the concept of indiscrimination from Zen Buddhist ideas, as well as notions of naturalness and non-action from Taoist ideas, develops not only a mystical writing …
Ginsberg’S China Experience And Its Influence On His Series Of Poems On China, Xiankai Ren
Ginsberg’S China Experience And Its Influence On His Series Of Poems On China, Xiankai Ren
CLCWeb: Comparative Literature and Culture
As a renowned poet and representative of the Beat Generation, Allen Ginsberg was invited to be a member of the US Writers’ Delegation to visit China in 1984. His China trip as well as his reading of traditional Chinese literature constitute his China experience, which is represented in Ginsberg’s poetry. This essay examines Ginsberg’s series of poems on China. It first shows that Ginsberg’s introduction to the Beat Generation poets and their poetics provided the inspiration for his poetry writing. Then it discusses Ginsberg’s observation of Chinese society during his visit and his reading of the Chinese poet Bai Juyi. …
“I Have Got Rid Of, For Good, Eastern Backwardness”: Ra’Fat’S Guilty Assimilation In Al Aswany’S Chicago: A Novel, Rimun Murad
“I Have Got Rid Of, For Good, Eastern Backwardness”: Ra’Fat’S Guilty Assimilation In Al Aswany’S Chicago: A Novel, Rimun Murad
CLCWeb: Comparative Literature and Culture
Where scholars of Arab studies have asserted that conversations of integration or assimilation in Arab American and Arab immigrant literature have shifted to notions of hybridity and multiculturalism, Alaa Al Aswany’s Chicago: A Novel stresses that the question of assimilation remains relevant due to the power differentials that exist between “East” and “West.” Chicago’s Dr. Ra’fat Thabit who insists on replacing his Egyptian identity with an “American” one—and embracing highly problematic norms—offers an understanding of assimilation as an emotional process that occasions violence towards the other. This violence, in turn, brings about feelings of guilt and shame rechanneled as …
Brute Force Branding: Variations & Repetitions Of The Almighty Dollar Banknote, Rui-Long Monico
Brute Force Branding: Variations & Repetitions Of The Almighty Dollar Banknote, Rui-Long Monico
Artl@s Bulletin
Abstract: This paper examines the U.S. dollar as a global brand and mythic icon, revealing how its stable aesthetic asserts dominance and infiltrates daily life. Through visual analysis and global comparison, it shows how banknotes are battlegrounds where art, identity, and geopolitics collide—currency as a weapon of soft power and cultural hegemony. The dollar’s visual inertia—ritualized, repeated, reappropriated—cements its supremacy as a symbolic force, where repetition enforces authority and variation sparks both resistance and conformity. Banknotes emerge as tools of statecraft and vessels of collective memory, as reflected in the author’s bespoke creation accompanying this study.
Résumé: Cet article analyse …
Capturing The Spirit Of Childhood: An Analysis Of Robert Henri’S Portraits Of Children, Alex C. Maccaro
Capturing The Spirit Of Childhood: An Analysis Of Robert Henri’S Portraits Of Children, Alex C. Maccaro
Theses and Dissertations
Robert Henri (1865-1929) is perhaps best known as the prominent leader of the turn-of-the century American movement The Eight, commonly known as “the Ashcan School,” and as a leading teacher in the United States during the early twentieth century. However, his artistic output as a portrait painter, particularly of children, is also significant. Beginning in 1904 and throughout his career as an artist, Henri painted hundreds of images of children in the various foreign or remote locales to which he traveled, often depicting the same subject in multiple instances. These portraits range from the roughly painted, rosy-cheeked Dutch youth of …
Entry Nr. 487 Kossola, Aaron Spencer Fogleman, Robert Hanserd
Entry Nr. 487 Kossola, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 134 Isaac Anderson, Aaron Spencer Fogleman, Robert Hanserd
Entry Nr. 134 Isaac Anderson, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Racial Capitalism And Black Maritime Geography In 19th Century Portland, Maine, Jeremy Harrison
Racial Capitalism And Black Maritime Geography In 19th Century Portland, Maine, Jeremy Harrison
Honors Theses
Portland, Maine, is located on the rocky shores of the Atlantic Ocean and has served as home to a diverse population that has benefited from the economic and social aspects of the shipping and trading industry. This port city in one of the northernmost regions of the United States was one of the last stops for ships carrying goods before reaching the city centers of the Americas and Europe. As a result, during the late 18th and early to mid-19th centuries, skilled and unskilled Black laborers from somewhat fringe regions within the Atlantic migrated to Portland in search of not …
Volume 19 - Issue 1: La Créole - A Journal Of Creole History & Genealogy, Melissa Daggett, Alan Rosenberg, Ingrid R. Stanley, Pascal Dehoux, Shannon Santiesteban Ll.M., Ed.D., Govinda Sanyal, Jerry L. Parker, Natalie Keefer, Trent L. Threton, Linda Broussard-Mehlinger Phd, Kassie M. Edwards, Laura Guccione, Dr. Laura Rosanne Adderly
Volume 19 - Issue 1: La Créole - A Journal Of Creole History & Genealogy, Melissa Daggett, Alan Rosenberg, Ingrid R. Stanley, Pascal Dehoux, Shannon Santiesteban Ll.M., Ed.D., Govinda Sanyal, Jerry L. Parker, Natalie Keefer, Trent L. Threton, Linda Broussard-Mehlinger Phd, Kassie M. Edwards, Laura Guccione, Dr. Laura Rosanne Adderly
La Créole - A Journal of Creole History & Genealogy
The Louisiana Creole Research Association, Inc., known as LA Creole, was founded on August 21, 2004 as a New Orleans-based, non-profit family research and educational organization. Its purpose is to assist Creoles of Color in researching their ancestry, to educate the general public about Creole history and culture, and to celebrate the contributions and legacy of a unique, sometimes forgotten people. La Créole, the Association’s journal is published annually.
0897: William A. “Red” Dawson Collection, 1915-2023, Marshall University Special Collections
0897: William A. “Red” Dawson Collection, 1915-2023, Marshall University Special Collections
Guides to Manuscript Collections
William Alfred “Red” Dawson, a native of Valdosta, Georgia, led his high school football team to a state championship and played for four years at Florida State University. Dawson briefly played professional football for the Boston Patriots in the AFL and the Orlando Panthers. He was serving as an assistant football coach at Marshall University when a fatal plane crash killed seventy-five players, coaches, staff, and prominent citizens of Huntington. Dawson was essential in restarting the Marshall University football program, serving as acting head coach and coached through the 1971 season. He then began working in the construction industry and …
America The Not Yet Beautiful: Unfulfilled Promises In A Racist-Capitalist Society, Kaitlyn Tibbetts
America The Not Yet Beautiful: Unfulfilled Promises In A Racist-Capitalist Society, Kaitlyn Tibbetts
Theses and Dissertations
This thesis draws from Langston Hughes’s poem “Let America Be America Again” to analyze four American novels that demonstrate the United States’s unfulfilled promises for lower-class individuals and minorities. The four novels examined in this thesis include: The Outsiders by S. E. Hinton, The Nickel Boys by Colson Whitehead, There There by Tommy Orange, and How the García Girls Lost Their Accents by Julia Alvarez. Utilizing theoretical frameworks such as social reproduction theory, intersectionality, and Burden-Shelly’s theorizations on racist-capitalist oppression, this thesis argues that the policies and systems that the U.S. is founded on are designed to primarily benefit economically …
The Ache Of Modernism: Death, Affect, And Intersubjectivity In Twentieth-Century American Literature, Alex Gergely
The Ache Of Modernism: Death, Affect, And Intersubjectivity In Twentieth-Century American Literature, Alex Gergely
Theses and Dissertations--English
This dissertation suggests that we can locate, describe, and experience death as an aesthetic mood called the ache of modernism. The ache is an atmosphere found in twentieth-century literature that goes beyond simply “positive” or “negative” feeling and encourages audiences to come to an affective and existential relationship with their mortality. As an intersubjective mood deriving from an attunement on death, it illuminates the historical and philosophical moment of many twentieth-century authors while clarifying their texts’ continued resonance today. This project therefore draws on the thought of major philosophers like Emmanuel Levinas, Martin Buber, Gabriel Marcel, Maurice Merleau-Ponty, Heidegger, …
Sylvia Plath, Ted Hughes, And The Question Of The “True” Ariel: Complicating Binaries In Plath’S Literary Legacy, Jacob C. Quinn
Sylvia Plath, Ted Hughes, And The Question Of The “True” Ariel: Complicating Binaries In Plath’S Literary Legacy, Jacob C. Quinn
Theses and Dissertations--English
This thesis aims to complicate common binaries that have defined critical responses to Sylvia Plath’s Ariel since its first publication in 1965, and which emerged as the result of her husband Ted Hughes’ alterations to her original selection and arrangement of poems. Hughes’ editing emphasizes a narrative which ends in bleak fatality, whereas Plath’s original narrative concludes on a note of bittersweet hope. I read Hughes’ choice of ending as highly influential on Plath’s reception and legacy. The tone of her immediate reception, largely shaped by Al Alvarez, characterized Plath as an “extremist” poet whose work should be read through …
Representation In Black Media And How It Affects Generational Mental Health, Amiya Smith
Representation In Black Media And How It Affects Generational Mental Health, Amiya Smith
Theses and Dissertations
This article examines how negative media portrayals of Black Americans have harmed their mental health. It traces the impact of persistent stereotypes and the lack of recognition for Black achievements in the media. Each chapter explores how media—from social media to movies—reinforces outdated stereotypes originating in the antebellum era and discusses how Black Americans have challenged these narratives to assert their identity. The article also highlights positive shifts in representation within the media industry, as well as research on how racial discrimination and media depictions influence the mental health and self-esteem of Black adolescents.
Cultus: Eco-Phenomenology In The Work Of John Steinbeck, Robinson Jeffers, And Jack London, Carter D. Johnson
Cultus: Eco-Phenomenology In The Work Of John Steinbeck, Robinson Jeffers, And Jack London, Carter D. Johnson
Theses and Dissertations--English
In the face of increasingly dire environmental crises, proposed solutions have gravitated toward imperatives for faster, cleaner, and more efficient technologies and resources. While practical solutions are necessary, they are entirely insufficient to deal with an underlying issue driving environmental degradation: unbridled instrumental reason. In this dissertation, I suggest a theoretical posture, cultus, which attempts to balance the necessity of instrumental action with the guiding counterweight of receptivity. Furthermore, I argue that such personal receptivity is uniquely fostered in aesthetic experiences, attuning the individual to the non-identical and renewing a relationship of care.
I examine the life and work of …
Imagined Afterlives: Anti-Black Medical Violences In Contemporary Black Arts, Katie Schadler
Imagined Afterlives: Anti-Black Medical Violences In Contemporary Black Arts, Katie Schadler
Honors Theses
“Imagined Afterlives: Anti-Black Medical Violences in Contemporary Black Arts” is a multi-genre exploration that studies the following works: Venus (1996) by Suzan Lori Parks, Get Out (2017) by Jordan Peele, and Dawn (1987) by Octavia Butler. I respectively study an experimental play, a psychological horror film, and a speculative novel to understand how Black creatives are depicting and responding to anti-Black violences, particularly medical violences. This work brings together Black art spanning from the late 1980s to 2017 as well as historical events and figures from the eighteenth century all the way to a not-so-distant future. While these works defamiliarize …