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Articles 991 - 1020 of 1778

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Tangier And Kerouac's Oriental Experience In Liminality, Peggy Pacini Dec 2016

Tangier And Kerouac's Oriental Experience In Liminality, Peggy Pacini

CLCWeb: Comparative Literature and Culture

In her article "Tangier and Kerouac's Oriental Experience in Liminality" Peggy Pacini discusses Kerouac's production derived from his Tangerian experience. Since the Tangier narratives have no existence of their own in the Duluoz Legend and are included in larger volumes about traveling and passing through, Pacini examines how this production cohered within the entire Legend and the terminology and world vision Kerouac had already fashioned. Focusing on two texts, "Big Trip to Europe" and "Passing through Tangiers, France and London," Pacini considers Kerouac's and his alter ego Duluoz's visions of Tangier and their journey to Tangier as many thresholds or …

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Beat Contenders (Micheline, Sanders, Kupferberg), A. Robert Lee Dec 2016

Beat Contenders (Micheline, Sanders, Kupferberg), A. Robert Lee

CLCWeb: Comparative Literature and Culture

In his article "Beat Contenders (Micheline, Sanders, Kupferberg)" A. Robert Lee asks if we are in danger of too fixed a Beat canonization. That is, do the Usual Suspects—Ginsberg, Kerouac, and Burroughs, with Corso, Ferlinghetti, Cassady, and Snyder in the frame—assume too presiding a role? There is, for sure, rightly, increased recognition of Beat women writers and attention has been given to the Afro-Beat circuit and, indeed, to a wider multicultural roster to include Latino/a and Asian American authorship. Beat's international reach has won its place, from the United Kingdom and Continental Europe to Japan and Australia. Even so, other …

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The Greek Beat And Underground Scene Of The 1960s And 1970s, Eftychia Mikelli Dec 2016

The Greek Beat And Underground Scene Of The 1960s And 1970s, Eftychia Mikelli

CLCWeb: Comparative Literature and Culture

In her article "The Greek Beat and Underground Scene of the 1960s and 1970s" Eftychia Mikelli discusses the renewed interest in the Beat Generation in Greece. She argues that it is less known that the Beats exercised significant influence upon Greek underground literature and culture in the sixties and seventies, inspiring the development of a Greek Beat "hybrid." Bearing the influences of US-American Beat, new writing emerged which was also shaped by a distinctively Athenian social and cultural context, eventually leading to the formation of the Greek "Scene." This is the term by which Beat-influenced Greek artists, such as Spyros …

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Arabic Music And Burroughs's The Ticket That Exploded, David M. Holzer Dec 2016

Arabic Music And Burroughs's The Ticket That Exploded, David M. Holzer

CLCWeb: Comparative Literature and Culture

In his article "Arabic Music and Burroughs's The Ticket That Exploded" David Holzer discusses how the experience of hearing Arabic music in Tangier and being exposed to the healing music of the Master Musicians of Joujouka, a remote village in the foothills of the Ahl Srif mountain range in Northern Morocco, significantly influenced both the writing of William Burroughs and his multi-media experiments. This essay considers what Arabic music and specifically that of Joujouka meant to Burroughs, with particular reference to The Ticket That Exploded (1962). Drawing on The Ticket, Burroughs’s letters, critical studies and biographical material, it …

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Race, Gender, And The Beats In Tan Magazine's "I Was A Victim Of The Beat Generation", Chelsea M. Stripe Dec 2016

Race, Gender, And The Beats In Tan Magazine's "I Was A Victim Of The Beat Generation", Chelsea M. Stripe

CLCWeb: Comparative Literature and Culture

In her article "Race, Gender, and the Beats in Tan Magazine's 'I Was a Victim of the Beat Generation'" Chelsea Stripe discusses the "true to life" story of Sara Howard, a single African American mother who becomes pregnant by a white Beat and struggles to raise their child alone. On the one hand, "I Was a Victim of the Beat Generation" emphasizes the exploitative character of Beats' affinity for African American culture and of their attitudes toward women. Further, Howard's story critiques the social fluidity that Beat privilege allows. On the other hand, the story articulates conservative US-American middle class …

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Burroughs's Postcolonial Visions In The Yage Letters, Melanie Keomany Dec 2016

Burroughs's Postcolonial Visions In The Yage Letters, Melanie Keomany

CLCWeb: Comparative Literature and Culture

In her article "Burroughs's Postcolonial Visions in The Yage Letters" Melanie Keomany discusses the contents of William S. Burroughs and Allen Ginsberg's The Yage Letters which could be dismissed as openly bigoted and racist. Keomany posits that the text reveals valuable connections between the colonial expansion of the eighteenth century and 1950s USA and Latin America. By re-shaping Burroughs's lived experiences in the Amazon into a text where the narrator William Lee mimics sardonically and parodically the colonial scientific explorer, The Yage Letters provides valuable insight into the complex postcolonial context of the mid-twentieth century.

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Theories Of Opiate Addiction In The Early Works Of Burroughs And Trocchi, Richard English Dec 2016

Theories Of Opiate Addiction In The Early Works Of Burroughs And Trocchi, Richard English

CLCWeb: Comparative Literature and Culture

In his article "Theories of Opiate Addiction in the Early Works of Burroughs and Trocchi" Richard English discusses William S. Burroughs's and Alexander Trocchi's representations of opiate addiction with special reference to their early writings. English examines the concept of homo heroin that can be attributed to Burroughs and lists and expounds its qualities. Among these are: immorality, criminality, mono-objectuality, self- and other-indifference, and, most importantly, the radical physical transformation into a new species, which Burroughs extends in Naked Lunch. English shows how homo heroin relates to Trocchi's conception of a heroin addict, which serves to illustrate that homo …

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How Burroughs Plays With The Brain, Or Ritornellos As A Means To Produce Déjà-Vu, Antonio José Bonome Dec 2016

How Burroughs Plays With The Brain, Or Ritornellos As A Means To Produce Déjà-Vu, Antonio José Bonome

CLCWeb: Comparative Literature and Culture

In his article "How Burroughs Plays with the Brain, or Ritornellos as a Means to Produce Déjà-Vu" Antonio José Bonome discusses how the recurrence and significance of one of William S. Burroughs's most potent refrains, "dim jerky faraway," was inspired by its source text, Paul Bowles's second novel Let It Come Down (1952), where Tangiers-Interzone fuels the unwholesome descent of a US-American expatriate not unlike Bowles or Burroughs himself. "Dim jerky faraway" was used by Burroughs during more than two decades in different contexts, and its textual variations have sparked a mélange of colors, sounds, smells, and feelings oscillating in …

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Selected Bibliography For The Study Of The Beat Generation, Oliver Harris, Polina Mackay Dec 2016

Selected Bibliography For The Study Of The Beat Generation, Oliver Harris, Polina Mackay

CLCWeb: Comparative Literature and Culture

No abstract provided.

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A Bounded Affinity Theory Of Religion And The Paranormal, Joseph O. Baker, Christoper Bader, F. Carson Mencken Dec 2016

A Bounded Affinity Theory Of Religion And The Paranormal, Joseph O. Baker, Christoper Bader, F. Carson Mencken

Sociology Faculty Articles and Research

We outline a theory of bounded affinity between religious experiences and beliefs and paranormalism, which emphasizes that religious and paranormal experiences and beliefs share inherent physiological, psychological, and ontological similarities. Despite these parallels, organized religious groups typically delineate a narrow subset of experiences and explanatory frames as acceptable and True, banishing others as either false or demonic. Accordingly, the theory provides a revised definition of the “paranormal” as beliefs and experiences explicitly rejected by science and organized religions. To demonstrate the utility of the theory, we show that, after controlling for levels of conventional religious practice, there is a strong, …

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Free To Play/Pay To Win: Consuming Competition Through Online Gaming In The Neoliberal Age, Brandon Jones Dec 2016

Free To Play/Pay To Win: Consuming Competition Through Online Gaming In The Neoliberal Age, Brandon Jones

Honors Projects

This project examines online gaming in the context of decades of deregulation and privatization. In the piece, I examine American culture’s infatuation with the value of competition through a historical and hegemonic scope. Throughout the piece, I make connections between online gaming and the illusion that the populace must compete for unnecessarily scarce resources. The goal of this project is to illustrate how micro-transactions in online gaming is not beneficial for the consumer, but rather coercive reinforcements of the spontaneous philosophy of competition prevalent in the Neoliberal age.

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The Apatow Aesthetic: Exploring New Temporalities Of Human Development In 21st Century Network Society, Michael D. Rosen Dec 2016

The Apatow Aesthetic: Exploring New Temporalities Of Human Development In 21st Century Network Society, Michael D. Rosen

USF Tampa Graduate Theses and Dissertations

This thesis offers a critical examination of what I call the “Apatow aesthetic” in order to analyze the social processes of growing up in contemporary neoliberal network society. While doctors, psychologists and social scientists still proffer a model of mid- 20th century human development centered around a chronologically-determined life cycle, the Apatow aesthetic imagines a non-linear reality where traditional life events and social practices don’t always correspond to specific age groups. Specifically, I argue, the Apatow aesthetic subjects the spectator to the pleasures and pains of these life-cycle disruptions, and reveals the unfolding of a new cultural shift which challenges …

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"The Road Is My Home:" Reflections On Vandwelling Culture In The United States, Heather Harris Dec 2016

"The Road Is My Home:" Reflections On Vandwelling Culture In The United States, Heather Harris

Master of Arts in American Studies Capstones

This video documentary project explores the lives of vandwellers through the eyes of a fellow traveler interested in living the lifestyle in the future. It examines the motivations and experiences of vandwellers living on the road full-time in their vehicles.

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Poetry Matters: Radical Politics In Postmodern American Poetry, Christopher J. Padgett Dec 2016

Poetry Matters: Radical Politics In Postmodern American Poetry, Christopher J. Padgett

Open Access Dissertations

Directly or indirectly, poetry produced in the postmodern era is implicated in the politics of the time. Postmodern American poetry, then, is not reducible to a single poetic mode or to a specific set of stylistic features. In other words, a more comprehensive understanding of postmodern American poetry can be made by employing a flexible version of Raymond Williams’ notion of uneven development, a theory that insists on the synchronic existence of dominant, residual, and emergent cultural elements. As the stylistically and politically diverse work of the six poets—Susan Howe, Robert Grenier, Gary Snyder, A.R. Ammons, Sherman Alexie, and Kenneth …

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Staging Famine Irish Memories Of Migration And National Performance In Ireland And Québec, Jason King Dec 2016

Staging Famine Irish Memories Of Migration And National Performance In Ireland And Québec, Jason King

CLCWeb: Comparative Literature and Culture

In "Staging Famine Irish Memories of Migration and National Performance in Ireland and Québec" Jason King examines recent community theater productions about the Irish Famine migration to Québec in 1847. King explores community-based and national ideas of performance and the role of remembrance in shaping and transmitting the diasporic identities of Québec's Irish cultural minority. While most of the plays re-enact French-Canadian adoptions of Famine orphans as spectacles of Irish integration in Québec, David Fennario's Joe Beef: (A History of Pointe Saint Charles) (1984, published 1991) rehearses the history of the Canadian/Québec nation in terms of recurrent labor exploitation epitomized …

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Thematic Bibliography To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke Dec 2016

Thematic Bibliography To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke

CLCWeb: Comparative Literature and Culture

No abstract provided.

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Introduction To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke Dec 2016

Introduction To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke

CLCWeb: Comparative Literature and Culture

No abstract provided for the introduction.

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Young People's Literature Of Algerian Immigration In France, Anne Schneider Dec 2016

Young People's Literature Of Algerian Immigration In France, Anne Schneider

CLCWeb: Comparative Literature and Culture

In her article "Young People's Literature of Algerian Immigration in France" Anne Schneider discusses questions of language, hybridity, and heritage in some works for young people published in France about Algeria and/or Algerian-French identity, by Leïla Sebbar, Jean-Paul Nozière, Azouz Begag, and Michel Piquemal. She argues for the need for an intercultural education at primary school that uses literature about immigration to highlight questions of place, belonging, exile and language. Schneider's focus is on Begag's Un train pour chez nous (2001) and Piquemal's Mon miel, ma douceur (2004). These texts use linguistic hybridity and an emphasis on common human experiences …

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Longshoremen's Negotiation Of Masculinity And The Middle Class In 1950s Popular Culture, Tomaro I. Taylor Nov 2016

Longshoremen's Negotiation Of Masculinity And The Middle Class In 1950s Popular Culture, Tomaro I. Taylor

USF Tampa Graduate Theses and Dissertations

This thesis considers mid-20th century portrayals of working-class longshoremen’s masculinity within the context of emerging middle-class gender constructions. I argue that although popular culture presents a roughly standardized depiction of longshoremen as “manly men,” these portrayals are significantly nuanced to demonstrate the difficulties working-class men faced as they attempted to navigate socio-cultural and socio-economic shifts related to class and the performance of their male gender. Specifically, I consider depictions of longshoremen’s disruptive masculinity, male identity formation, and masculine-male growth as reactions to paradigmatic shifts in American masculinity. Using three aspects of longshoremen’s non-work lives presented in A View from …

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The Apocalypse Narrative And The Internet: Divided Relationships In New Natures, Brooks Scott Benadum Nov 2016

The Apocalypse Narrative And The Internet: Divided Relationships In New Natures, Brooks Scott Benadum

USF Tampa Graduate Theses and Dissertations

This project proposes that one factor of growing societal interest in the apocalypse narrative is rooted in these stories reflection on our new landscape of telecommunication flows embodied in the Internet. The apocalypse narrative has steadily been growing in popularity, and many academics have offered potential explanations. While other analyses predominately focus on the actual apocalyptic event itself as representative of various societal fears, this project aims to focus on aspects of how we adapt to being in the new apocalyptic landscape, and how this reflects on our own adaptation to being in the new landscape of the Internet. This …

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A Critique Of Puritan Values And Social Restrictions, Laura Guebert Nov 2016

A Critique Of Puritan Values And Social Restrictions, Laura Guebert

Scholars Week

This paper outlines and discusses Nathaniel Hawthorne's The Scarlet Letter through the lens of feminist and social critiques. It attempts to draw attention to the fates of both male and females characters in the story according to their personality and status. Therefore, by examining the complex treatment and relationships between the four principle characters of The Scarlet Letter and their author, Hawthorne’s use of a feminist critique can be understood as a wider criticism of Puritan and, by extension, mid-nineteenth century social and moral restrictions and expectations.

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Settler Social Order: The Violence Of Policing In New Mexico, Elisabeth Rose Ehlert Perkal Nov 2016

Settler Social Order: The Violence Of Policing In New Mexico, Elisabeth Rose Ehlert Perkal

American Studies ETDs

This thesis argues that in order to understand how and why police violence happens in the U.S., it is necessary to situate these interactions within a framework of settler colonialism. The police exist to maintain social order and, in the case of the U.S., this social order is defined by hegemonic structures of power including settler colonialism. Thus, the police fabricate and enforce settler social order that requires subjugating and eliminating Native people in order to preserve settler sovereignty. This thesis intervenes into monolithic critiques of policing in the U.S. and argues that critiques of police violence are most productive …

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Cooking, Language, And Memory In Farhoud's Le Bonheur À La Queue Glissante And Thúy's Mãn, Simona Emilia Pruteanu Nov 2016

Cooking, Language, And Memory In Farhoud's Le Bonheur À La Queue Glissante And Thúy's Mãn, Simona Emilia Pruteanu

CLCWeb: Comparative Literature and Culture

In her article "Cooking, Language, and Memory in Farhoud's Le Bonheur à la queue glissante and Thúy's Mãn" Simona Emilia Pruteanu discusses two moments in the evolution of (im)migrant writing in Québec. Abla Farhoud's 1998 novel shows the struggle of Dounia, a Lebanese immigrant living in Montréal, who in her seventies finds a voice with the help of her daughter's writing and starts to reflect on her identity. Themes of language and cooking overlap and reinforce one another and offer a new perspective on memory and the act of remembering. Language, cooking, and memory also intertwine in Thúy's 2013 …

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Negotiating The Delta: Dr. T.R.M. Howard In Mound Bayou, Mississippi, William Jackson Southerland Oct 2016

Negotiating The Delta: Dr. T.R.M. Howard In Mound Bayou, Mississippi, William Jackson Southerland

USF Tampa Graduate Theses and Dissertations

This paper examines the racially segregationist practices and the integrationist, inclusionist formation of African American leader Dr. T.R.M. Howard during his tenure as a surgeon and entrepreneur in the all-black Mississippi Delta community of Mound Bayou, 1942-1956. The paper analytically investigates the careful racial negotiations that were required of Howard as he advanced a separatist but egalitarian economic and social plan for Delta blacks. This separatist plan, it is argued, is grounded in the racial pragmatism of the Seventh-day Adventist church which provided a bibliocentric, Tuskegee-inspired education to Howard from youth through medical school and beyond. Howard’s adherence to Adventist …

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“Vital Glowing Things”: The Art Of Women’S Writing, 1910-1935, Elizabeth C. Decker Sep 2016

“Vital Glowing Things”: The Art Of Women’S Writing, 1910-1935, Elizabeth C. Decker

Dissertations, Theses, and Capstone Projects

The rising field of new modernisms continues to breathe new life into the literature of marginalized writers of the late-nineteenth and early-twentieth century. By imagining modernism as a series of modes and strategies, and expanding the axes upon which we map modernism’s boundaries, we make way for writers who were shut out by the often imbalanced, limited modernism of the past and illuminate the field with new possibilities. This dissertation takes part in this exciting, vibrant conversation by identifying a mode of modernism present in the literature of three early twentieth-century women writers, who all used visual art techniques to …

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The Anxious Shadow Of A Coldwar: Affect, Biopower & Resistance In Fiction & Culture In The Period Of Intra-Anxiety 1989-2001, Kate Adler Sep 2016

The Anxious Shadow Of A Coldwar: Affect, Biopower & Resistance In Fiction & Culture In The Period Of Intra-Anxiety 1989-2001, Kate Adler

Dissertations, Theses, and Capstone Projects

Don DeLillo’s 1997 novel Underworld stands as the framing text for this study of fiction, cultural affect, and resistance in the later part of the 1980’s – the exhausted, waning years of the Cold War – and the 1990’s, the period immediately following its collapse. DeLillo’s book is situated in the 1990’s, a period of what I term “intra-anxiety” following the Cold War and prior to the attacks of September 11th and the ensuing “War on Terror.” The Cold War had provided an organizing myth for America and American culture, absorbing and structuring anxieties and governing affect. “The Cold …

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Assembly And Association: Mapping The Development Of The Public Sphere In 19th Century Columbia County, Ny, Christopher L. Meatto Sep 2016

Assembly And Association: Mapping The Development Of The Public Sphere In 19th Century Columbia County, Ny, Christopher L. Meatto

Dissertations, Theses, and Capstone Projects

This project seeks to investigate the development of the Habermasian public sphere in Columbia County, NY, during the rapid expansion of railway transportation from the middle- to the late-19th century, by gathering and presenting information about the proliferation of railway stations and select public institutions between 1840 and 1900. In charting the spread of area libraries, newspapers, post offices, and churches during this period, this project utilizes and combines methodological approaches taken by a number of landmark recent studies in historical geography and digital history; in so doing, it prototypes the research and pedagogical value and promise of incorporating …

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Movement And Mobility: Representing Trauma Through Graphic Narratives, Stella Oh Sep 2016

Movement And Mobility: Representing Trauma Through Graphic Narratives, Stella Oh

Asian American Literature: Discourses & Pedagogies

The formal and stylistic movements found within the comic architecture of From Busan to San Francisco and Mail Order Bride interrogate the ways in which the visual and textual narrative can represent the emotional landscape of trauma and displacement through comics language. Engaging in a visual and textual critique of the global economy that trades in feminine identities, these graphic narratives interrogate the mobility and visibility of those who are trafficked. In these works, transnationalism is artistically embedded in consumptive practices of reading and seeing that reinforce or challenge Orientalist cultural assumptions about the Asian female body. Geographical movements of …

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T Bone Burnett, The American South, And The Ethic Of A Contemporary Cultural Renaissance, Heath J. Carpenter Sep 2016

T Bone Burnett, The American South, And The Ethic Of A Contemporary Cultural Renaissance, Heath J. Carpenter

Student Theses and Dissertations

With the success of the O Brother, Where Art Thou? soundtrack, T Bone Burnett spent his cultural capital on repurposing traditional American music in subsequently successful soundtracks and artistic productions, providing a spark for a 21st century cultural movement that moves beyond music. This study aims to position Burnett has a cultural catalyst by grounding his work, and those abiding by a similar ethic, in the American South. In the process, I examine what Burnett’s soundtracks and select artistic productions communicate about contemporary Southern cultures and identities, while negotiating the ever-enigmatic generational issues of identity and authenticity. By extending the …

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Delillo's Falling Man And The Trouble With Sympathy In Narratives Of Terrorism, Jessica Mcdonald Sep 2016

Delillo's Falling Man And The Trouble With Sympathy In Narratives Of Terrorism, Jessica Mcdonald

CLCWeb: Comparative Literature and Culture

In her article "DeLillo's Falling Man and the Trouble with Sympathy in Narratives of Terrorism" Jessica McDonald discusses the ways Don DeLillo's characterization of a 9/11 terrorist elicits reader sympathy in his 2007 novel Falling Man. McDonald argues that introducing sympathy into narratives of terrorism undermines attempts to understand the contextual issues out of which terrorism arises even if the rhetoric of sympathy may seem to foster a sense of "fellow-feeling" that makes acts of political protest and resistance more accessible to broader publics.

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