Digital Commons Network^™

Transfigurations Of The News: True Fictions, Strange Thresholds, Jeffrey Peer

Dissertations, Theses, and Capstone Projects

This dissertation compares twentieth-century literary journalism from the U.S. and Mexico, with a focus on the nonfiction novel and the Mexican chronicle. The dissertation considers the two genres both historically and theoretically, in order to distinguish the borders between literature and unscrupulous journalism. North American journalism is at the heart of a crisis over the epistemological status of facts and their place in our political discourse. Some have argued that works of literary nonfiction can damage social norms like journalistic objectivity. Others argue that forms like the chronicle and the nonfiction novel can describe experience better than news reports. This …

Unraveling Ethos: The Commodification Of Ethical Clothing, Oliva Hanson

Cultural Studies Capstone Papers

In the last decade there has been a noticeable attempt to subvert traditional modes of clothing production. The recent emergence of “ethical consumption” in the fashion industry is a case in point. This project argues that these new formations and practices around ethical consumption are mere appropriations of anti-corporate politics and sentiments for consumers in the West. Signification of ethical consumption through language and cultural capital give more value to individual articles of clothing and branded entities. This reformation of the clothing industry towards an ethical attitude is a rebranding tactic that avoids the source-issue altogether. Through advertising and normalization …

Collective Political Action And Activism On Twitter: The Merits And Limitations Of The Framing Tactics And Strategies Of The 2018 National Prison Strike, Philip Wasserburg

Cultural Studies Capstone Papers

The success of any collective political action relies heavily on public opinion. The leaders of these actions use framing techniques to optimize the reach of their message and convince broader portions of the population to sympathize with their cause. Today, most political conversations and debates about pressing social issues takes on social media platforms such as Twitter, which could be conceptualized as a virtual public sphere, where different individuals meet and discuss political events and issues as equally empowered citizens and active members of society. However, in practice, some individuals remain unable to participate in these discourses and conversations. Philip …

“This Is The True Story:” The Representation Of The Lgtbq Community In Mtv’S The Real World, Morgan Rae Ohman

Cultural Studies Capstone Papers

In this project, Morgan Ohman seeks to explore the MTV reality show The Real World by analyzing several cast members of the show who identify as part of the LGBTQ community. MTV’s The Real World, a reality TV show that first aired in 1992, captures the lives of seven young people between the ages of 18-24 that are selected to live in a house together for several months. The show’s dramatic the opening title sequence, “what happens when people stop being polite and start getting real?” raises fundamental questions about the relationship of reality TV and the politics of …

Everything I Know About Gender I Learned From A Little Golden Book!, Chandler Clifford

Cultural Studies Capstone Papers

This feminist cultural intervention examines the power children’s literature has in its ability to interpellate its readers and normalize dominant gendered identities for them. It draws on the work of feminist theorists, such as bell hooks, Judith Butler, and Sandra Bem to interrogate the politics of gender and sexuality in The Little Golden Book series and to examine how the latter has actively worked to create specific cisnormative gender identities for its readers. In this project, Chandler Clifford shows how children’s literature is used as an ideological tool to teach children how gender is performed in the outside world and …

The "Fat Acceptance And Fat Pride Movements" And Consumer Culture: A Critical Intervention On Popular Obesity Discourses, Gabriella Josephine Papas

Cultural Studies Capstone Papers

This project is presented as a critical intervention into the larger debates surrounding the U.S. fat acceptance and fat pride political ‘movements,’ at a historical moment when the country is suffering from a deep obesity epidemic and crisis. At a time of deep concern about increasing healthcare costs and overall societal health, the fact that the dominant discourse among fat activists tends to contradict prevalent positions and findings of contemporary medical research calls for a critical ideological critique of the movements and an interrogation of their rhetoric. In this project Gabriella Papas’ critique combines concepts from both cultural studies and …

Queering Dominant Modes Of Writing And Identity Formation In Audre Lorde’S Zami: A New Spelling Of My Name, Charlie Martin

Cultural Studies Capstone Papers

As part of a historical formation of marginalized authors who interrogate dominant modes of writing and identity formation in their work, self-described “Black lesbian mother warrior poet” Audre Lorde remakes and reimagines dominant conventions of identity and literary genres in her novel Zami: A New Spelling of My Name to articulate her unique subjectivity as a Black American lesbian writer. Drawing on the work of scholars and activists in the fields of queer theory and feminism, including Cheryl Wall, Eve Kosofsky Sedgwick, and Audre Lorde herself, Charlie Martin uses textual and contextual analysis to examine the indelible link between Lorde’s …

Through The Looking Glass: The Perpetuation Of Homelessness Through Awareness Media, Ashley Lauren Knight

Cultural Studies Capstone Papers

The definition of who the homelessness are has historically been defined by media. This project performs a genealogical analysis influenced by the work Foucault has done in Madness and Civilization to contextualize the way different forms of media through the years has constructed the homeless stereotype we live with today. By zeroing in on awareness media that is produced by independent documentarians, it becomes apparent the goal is not to educate on the systemic issue of homelessness, but more so to create an empathy-based connection between the subject and the viewer. This paper argues that an empathy-based production is not …

Looking At People Watching People- A Comparative Approach Of American And British Advertising, Kyle Heger

Cultural Studies Capstone Papers

Advertising reaches millions of audiences every day, yet some of the most impactful ads only appear once, while other advertisements thrive in a world where audiences are most receptive to what the campaign is feeding to the masses. Spaces like the Super Bowl, ads created for the wonders of television are the bridge between artificial realism and situational experiences that most people can relate or aspire to, but what if one person’s experience is leaning towards misrepresentation? In this paper, I’ll be using media studies to dissect American advertising, through its construction of non-profit advertising and responding to the form …

Mobilizing Images Of Black Pain And Death Through Digital Media: Visual Claims To Collective Identity After “I Can’T Breathe”, Aryn Kelly

USF Tampa Graduate Theses and Dissertations

In the wake of Eric Garner’s 2014 public execution at the hands of NYPD officers, online spaces such as Twitter saw an influx of remediated imagery referencing Ramsey Orta’s bystander cell phone video of Garner’s death. These images often explicitly reference the chokehold that killed Garner and/or they reappropriate Garner’s last words: “I can’t breathe.” To what formal dimensions in Orta’s video are these remediated images responding? What broader cultural work is the creation of these images doing?

In this project, I regard Orta’s video as the point of entry for considering the cultural work of remediating images from it, …

Gifts Of Sovereignty: Settler Colonial Capitalism And The Kanaka ʻŌiwi Politics Of Ea, David UahikeaikaleiʻOhu Maile

American Studies ETDs

This dissertation examines Hawaiian sovereignty in history, law, and activism. The project tracks Indigenous claims, negotiations, and articulations of sovereignty in Hawai‘i. Using a critically Indigenous approach to Hawaiian studies, I advance two main theses. First, Kānaka Maoli (Native Hawaiians) are discussed as a community divided on Hawaiian sovereignty. However, I contend that Kānaka Maoli exercise a diversity of strategies and tactics for Hawaiian sovereignty. I show how Kānaka Maoli practice multiple modalities of sovereignty that cumulatively produce the Kanaka ‘Ōiwi (Indigenous Hawaiian) politics of ea (life and sovereignty). Second, the historical development of settler colonial capitalism operationalized the US …

Women Of The Edward J. Gay Family As Textile And Dress Consumers In Louisiana, 1849-1899, Lindsay Danielle Reaves

LSU Doctoral Dissertations

Economic, social, and cultural historians have studied and analyzed consumption behaviors throughout the 20^th century and into the 21^st century. Decorative household textiles and dress items are two product categories that follow the consumption process. American consumption behaviors during the introduction of mass-produced textiles and dress items throughout the 19^th century have not been well documented.

The purpose of this research is to expand the knowledge of Southern planter-class women’s consumer behavior in relation to decorative household textiles and dress items. Arnould and Thompson’s (2005) Consumer Culture Theory and Belk’s (1988) research into possessions and the extended …

Amjambo Africa! (April 2019), Kathreen Harrison

Amjambo Africa!

In This Issue...

Editorial: Migration ................Page 3

Senegalese Storytelling .......Page 12

3rd Place Contest Entry: Aesthetic Activism: Protest Art In The Delano Grape Strike, Felicia Viano

Kevin and Tam Ross Undergraduate Research Prize

This is Felicia Viano's submission for the 2019 Kevin and Tam Ross Undergraduate Research Prize, which won third place. It contains her essay on using library resources, a three-page sample of her research project on the use of art as a social movement tactic by the United Farm Workers during the Delano Grape Strike, and her works cited list.

Felicia is a senior at Chapman University, majoring in History and Peace Studies. Her faculty mentor is Dr. Robert Slayton.

1st Place Contest Entry: Countering The Current: The Function Of Cinematic Waves In Communist Vs. Capitalist Societies, Maddie Gwinn

Kevin and Tam Ross Undergraduate Research Prize

This is Maddie Gwinn's submission for the 2019 Kevin and Tam Ross Undergraduate Research Prize, which won first place. It contains her essay on using library resources, a three-page sample of her research project on how the Czech New Wave and New Hollywood cinema are defined by their agency in preserving and prescribing cultural meaning across their societies while being bound to their economic systems, and her works cited list.

Maddie is a senior at Chapman University, majoring in Film Production. Her faculty mentor is Dr. Carmichael Peters.

Blaxploitation’S Revolutionary Sexuality: Rethinking Images Of Male Hypersexuality In Sweetback & Shaft, Austin D. Cook

USF Tampa Graduate Theses and Dissertations

Where scholarship exists on the subject of black male hypersexuality in Blaxploitation film, consensus suggests these films perpetuate racist imaginings of black sexuality. This project reevaluates the significance of Blaxploitation’s sexual imagery and argues against the traditional understanding of it. I assert that Blaxploitation’s images of hypersexuality should be understood as revolutionary for the way that they re-appropriate racist images and repurpose them to serve antiracist ends. Specifically, I argue the movement’s most prolific films, Sweet Sweetback’s Baadasssss Song (1971) and Shaft (1971), supply the two main strategies employed through Blaxploitation in defining the movement’s revolutionary sexuality: one links Black …

2019 Iggad Conference Program, Charles Joyner Institute For Gullah And African Diaspora Studies

IGGAD Conference Programs

Program of the 2019 IGGAD Conference: Tracing the African Diaspora: Places of Suffering, Resilience, and Reinvention.

Vulnerability And Resistance In Carmen Aguirre’S Mexican Hooker #1, Cinta Mesa

CLCWeb: Comparative Literature and Culture

In her article, “Vulnerability and Resistance in Carmen Aguirre’s Mexican Hooker#1,” Cinta Mesa examines Chilean-Canadian playwright and actress Carmen Aguirre’s latest autobiographical novel, Mexican Hooker#1, to analyze Latina vulnerability in relation to exile, emigration, gender violence and stereotypes. The article relies upon Judith Butler’s definition of vulnerability (20), which is excluded from official texts. The consequences of these types of trauma, which are written on female bodies, are expressed through post-traumatic stress disorder. The author expresses the difficulty of acting because of her post-traumatic stress disorder symptoms and the challenges she meets on her way to heal herself and …

Motherhood, Vulnerability And Resistance In The Elysium Testament By Mary O’Donnell, María Elena Jaime De Pablos

CLCWeb: Comparative Literature and Culture

Mary O’Donnell’s novel The Elysium Testament (1999) narrates the story of Nina, an accomplished grotto restorer, but a neglectful wife and mother according to the Irish patriarchal symbolic order –the “register of regulatory ideality” (Butler, Bodies that Matter 18). Estranged from her husband, Neil, she sends him a series of letters, her “testament,” where some of the most significant aspects of her life are exposed. Readers discover that Nina’s and Neil’s marriage begins to crumble after the birth of their second child, Roland, to whom Nina attributes a frightening dual nature, which she tries to control through physical and psychological …

Chase Riboud’S Hottentot Venus (2003) And The Neo-Victorian: The Problematization Of South-Africa And The Vulnerability And Resistance Of The Black Other, Maria Isabel Romero Ruiz

CLCWeb: Comparative Literature and Culture

This article touches upon issues of captivity, suppression, misrepresentations and exclusion of black people from a historical and cultural point of view through the analysis of Chase-Riboud’s neo-Victorian novel Hottentot Venus (2003). It also focuses on the implications and consequences for contemporary South Africa of situations of slavery and exploitation of African descended peoples. Notions of identity and moral and legal inclusion of black women into past and contemporary societies and communities will be also discussed from the point of view of postcolonial and gender and sexuality studies. The complexities of blackness and the violation of human rights as a …

The Commodified Body And Post/In Human Subjectivities In Frears’S Dirty Pretty Things And Romanek’S Never Let Me Go, Rocio Carrasco

CLCWeb: Comparative Literature and Culture

Following new materialist analysis, this article takes the body as the central locus of analysis, and relates it to broader questions such as ethics, ideology, power and/or technologies. Specifically, it revolves around the idea of embodied subjectivity as articulated by scholars Rosi Braidotti, Sherryl Vint or Cary Wolfe, whereby body and subjectivity are indissolubly and interestingly connected. Stephen Frears’s Dirty Pretty Things (2002) and Mark Romanek’s Never Let Me Go (2010) exploit the idea of the commodified body, understood here as a vulnerable body, a disposable commodity at the service of powerful and/or wealthy people. Victims of the cruelties inflicted …

Introduction, Maria Isabel Romero Ruiz, Manuela Coppola

CLCWeb: Comparative Literature and Culture

This special issue addresses contemporary representations of “vulnerable” bodies in transit in Anglophone literature and culture and explores their strategies of resistance. The use of the expression “bodies in transit” in this issue has to be understood both as a reference to the materiality of diasporic, exiled, migrating, trafficked bodies, and as an allusion to the metaphorical transition of these marginalized subjects from alienation to regeneration in multiple contexts. The interdisciplinary contributions in this special issue tackle vulnerability as a marginal(ized) and potentially enabling condition entailing the crossing of bodily, sexual, mental, ethical, cultural, and national borders. Ranging from literature …

Amjambo Africa! (March 2019), Kathreen Harrison

Amjambo Africa!

In This Issue...

Warm Snow.............................Page 6

Portland Brothers...................Page 7

Fikiria.................................Page 8 &9

Lewiston High School ............Page 9

Asylum Seekers ....................Page 11

Clothing Closet List..............Page 12

Journal Of The National Association Of University Women - August 2017 - 2018, Nauw

The Journal of the National Association of University Women

THE NATIONAL ASSOCIATION OF UNIVERSITY WOMEN

JOURNAL OF THE NATIONAL ASSOCIATION OF UNIVERSITY WOMEN

August 2017 - 2018

Amjambo Africa! (February 2019), Kathreen Harrison

Amjambo Africa!

In This Issue...

Pihcintu at the UN..................Page 2

Attitude by A. Okafor............Page 5

South Sudanese Community...Page 8

Rwandese Community...........Page 9

Governor Mills ..............Pages 12/13

Mahoro Maine......................Page 15

“In The Beginning Was Body Language” Clowning And Krump As Spiritual Healing And Resistance, Sarah S. Ohmer

Publications and Research

In the neighborhood of HollyWatts in Los Angeles, dance allows a shift from existing as bodies presented as sites of threat and extinction to sources of spiritual empowerment. Clowning and Krump dancers—their subjectivity and their dancing bodies—negotiate survival from trauma and socioeconomic marginalization. I argue that the dancers’ performances act as embodied narratives of “re-membering in the flesh.” The performance acts as a spiritual retrieval and re-integration of traumatic memories and afflictions into memory through the body. Choreography and quotes from dancers support the claim that Krump and Clowning is “re-membering in the flesh” that enacts self-worth, self-defined sexuality, and …

The Urban Domestic: Homosocial Domesticity, Literature, And Culture In 19th And 20th Century New York City, Krystyna Michael

Dissertations, Theses, and Capstone Projects

My dissertation, The Urban Domestic: Homosocial Domesticity in the Literature and Culture of 19^th- and 20^th-Century New York City,explores the relationship between transformations in urban planning and domestic ideology through American literature. Specifically, I take up Walt Whitman and Edith Wharton as two authors with distinctly ambivalent relationships to the hetero-normative nuclear family and the ways New York’s built environment shaped and controlled the nation’s gender and sexual politics. My reading bridges a critical gap between studies of culture and its literary expressions on the one hand, and of architectural design and the urban environment …

Brrap Brrap Pew Pew: Representations Of Abortion In Adult Animated Television Comedy, Erika A. Byrnison

Dissertations, Theses, and Capstone Projects

This thesis documents and analyzes representation of abortion in American adult animated comedy, charging that it is under-examined and significant because representation on television in other genres has traditionally been absent or misleading. It covers theories on how pop culture communicates social norms, and posits that greater truthful representation of abortion in popular culture may be effective in reducing prevalent abortion stigma in the U.S. amongst the young by normalizing and more accurately representing the procedure. It reviews why our culture should be concerned about reducing abortion stigma in the U.S. It also identifies the “taboo ratings paradox,” wherein television …

Performing Desire In Times Square: Sailors, Hustlers And Masculinity, Kel R. Karpinski

Dissertations, Theses, and Capstone Projects

From WWII to the early 1970s, New York City as a port town created a liminal space extending from the piers in the Brooklyn Navy Yard all the way to Times Square in Midtown Manhattan. In Times Square, through interactions on the street, in bars and in hotel rooms, desire and masculinity become a performance between and for men. The queerness of these performances lies in the fact that they fall outside of the norms of society both as same-sex encounters and because sex work is viewed as “deviant.” Further, these interactions eschew traditional labels and limits of desire and …

Post Colonial Studies, Nashieli Marcano, Kyle Brooks

Research Guides & Subject Bibliographies

No abstract provided.