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Articles 1201 - 1230 of 4916
Full-Text Articles in Entire DC Network
Modern Arts And Pueblo Traditions In Santa Fe, 1909–1931, Elizabeth S. Hawley
Modern Arts And Pueblo Traditions In Santa Fe, 1909–1931, Elizabeth S. Hawley
Dissertations, Theses, and Capstone Projects
This dissertation examines art produced in and around Santa Fe, New Mexico during the early twentieth century, putting the works of Pueblo artists who lived in the area into dialogue with the works of Anglo-American modernists who traveled there. I take as case studies three artists whose practices are linked by both circumstance and agenda: Maria Martinez, a famed Pueblo potter; John Sloan, a leading member of The Eight and the Ashcan School; and Tonita Peña, a Pueblo watercolor painter. Weaving together Anglo-American and American Indian art history – which are too often bifurcated into separate accounts, omitting rich histories …
Mao's "On Contradiction," Mao-Hegel/Mao-Deleuze, Kenneth Surin
Mao's "On Contradiction," Mao-Hegel/Mao-Deleuze, Kenneth Surin
CLCWeb: Comparative Literature and Culture
Mao Tse-Tung's famous 1937 essay "On Contradiction" is regarded as a significant attempt to redefine and reapply Marx's notion of a "dialectical contradiction" to the Chinese revolutionary conjuncture of Mao's time. I set out the principles outlined in Mao's essay, before arguing that the revolutionary conjuncture of his time no longer exists in the era of globalization and neoliberalism. I conclude that a new conception of "antagonism" is needed, and revise Mao's position with the aid of the philosophy of Deleuze and Guattari.
Manifest Density: Decentering The Global Western Film, Michael D. Phillips
Manifest Density: Decentering The Global Western Film, Michael D. Phillips
Dissertations, Theses, and Capstone Projects
The Western is often seen as a uniquely American narrative form, one so deeply ingrained as to constitute a national myth. This perception persists despite its inherent shortcomings, among them its inapplicability to the many instances of filmmakers outside the United States appropriating the genre and thus undercutting this view of generic exceptionalism. As the Western has migrated across geographical boundaries, it has accrued potential significations that bring into question its direct alignment with national ideology and history. Rather than attempting to define the Western in terms of nation or myth, we should attend to how each new text reconfigures …
The Doyen Of Dixie: A Survey Of The Banjo Stylings Of Uncle Dave Macon, Corbin F. Hayslett
The Doyen Of Dixie: A Survey Of The Banjo Stylings Of Uncle Dave Macon, Corbin F. Hayslett
Electronic Theses and Dissertations
David Harrison Macon (1870-1952) is often memorialized for his showmanship rather than his banjo playing. To compartmentalize such a significant American musician yields a wide gap within scholarship about Macon, country music history and the banjo. Macon’s banjo playing, documented through over two-hundred and fifty recordings made between the 1920s and 1950s, represents an array of cultures, eras, ethnicities, and styles all preserved in the repertoire of one of the most prolific country musicians of the 20th century. This study reveals Macon’s playing by considering such factors as influences that preceded his professional tenure, identifying elements within his playing …
Self-Reliance, Social Welfare, And Sacred Landscapes: Mormon Agricultural Spaces And Their Paradoxical Sense Of Place, Anthony Ross Garner
Self-Reliance, Social Welfare, And Sacred Landscapes: Mormon Agricultural Spaces And Their Paradoxical Sense Of Place, Anthony Ross Garner
All Graduate Theses and Dissertations, Spring 1920 to Summer 2023
What is the sense of place of Mormon agricultural landscapes? That is to say, what makes an LDS Church-owned welfare farm or a Mormon family garden meaningful to those who interact with it? In formulating a partial answer to this question, this thesis demonstrates how religious ideals of self-reliance and social welfare explicitly define Mormon agricultural landscapes, providing a sacred sense of their purpose to those who work and benefit from them. However, these sacred landscapes are complicated by developments of industrial agricultural equipment, corporate institutions, and urban demographics, which tend to isolate people from each other and the land …
Dayak Lundayeh: A Report From The Border, Luqman Hakim Zainuri
Dayak Lundayeh: A Report From The Border, Luqman Hakim Zainuri
CLCWeb: Comparative Literature and Culture
In his paper "Dayak Lundayeh: A Report from the Border" Luqman H. Zainuri explores the vulnerabilities and potential of national disintegration coming from indigenous communities in Indonesia. In particular, the paper focuses on one of the communities which has been largely ignored, the Dayak people, who have played an important role in the border between Indonesia and Malaysia in Borneo Island. The Dayak indigenous people which inhabit this highland plateau are known as the Lun Bawang, on the Malaysian side, and the Lun Dayeh (or Lundayeh) in the Indonesian side. Both groups are linguistically and culturally the same. This paper …
Tinker, Robert Rush (Fa 1149), Manuscripts & Folklife Archives
Tinker, Robert Rush (Fa 1149), Manuscripts & Folklife Archives
Folklife Archives Finding Aids
Finding aid only for Folklife Archives Project 1149. Student folk studies project titled “Playground Language: [Newburg, Kentucky]” which includes survey sheets with a brief description of playground rhymes in Newburg, Jefferson County, Kentucky. Sheets may include rope skipping rhyme, group game, informant’s name, and text classification.
Warren, Kaye (Fa 1150), Manuscripts & Folklife Archives
Warren, Kaye (Fa 1150), Manuscripts & Folklife Archives
Folklife Archives Finding Aids
Finding aid only for Folklife Archives Project 1150. Student folk studies project titled “From Slavery to Freedom for the Negro Race in Logan County [Kentucky]” which includes survey sheets with a brief description of African American life in Logan County, Kentucky. Sheets may include interviews, written records, photographs, informant’s name, age, and address.
“After-Ozymandias”: The Colonization Of Symbols And The American Monument, H. R. Membreno-Canales
“After-Ozymandias”: The Colonization Of Symbols And The American Monument, H. R. Membreno-Canales
Theses and Dissertations
After-Ozymandias examines the visual rhetoric of American patriotism through its many symbols, including flags and monuments. My thesis project consists of photographs of empty plinths, objects, products and archival materials. Countless relics remain today memorializing leaders and empires that inevitably declined, from antiquity to modern times. Looking back at distant history feels like a luxury, though: the question for our time in America is whether we have the strength of mind as a society to scrutinize our history, warts and all.
Using Digital Mapping Techniques To Rapidly Document Vulnerable Historical Landscapes In Coastal Louisiana: Holt Cemetery Case Study, Alahna Moore
LSU New Orleans Theses and Dissertations
This thesis outlines a technique for rapid documentation of historic sites in volatile cultural landscapes. Using Holt Cemetery as an exemplary case study, a workflow was developed incorporating RTK terrain survey, UAS aerial imagery, photogrammetry, GIS, and smartphone data collection in order to create a multifaceted database of the material and spatial conditions, as well as the patterns of use, that exist at the cemetery.
The purpose of this research is to create a framework for improving the speed of data creation and increasing the accessibility of information regarding threatened cultural resources. It is intended that these processes can be …
Remembering The Revolution: Monuments And Commemorations Of American Revolutionary War Sites In New York, Brant W. Venables
Remembering The Revolution: Monuments And Commemorations Of American Revolutionary War Sites In New York, Brant W. Venables
Graduate Dissertations and Theses
Memorials and monuments at military heritage sites track the ways American society constructs and then reconstructs its understandings of important events. They present enticing material culture for study by archaeologists seeking to analyze the layers of meaning and the social and chronological transformations in the heritage narratives at military sites. With the prominence of recent national discourses surrounding the heritage narratives presented by Civil War Confederate monuments, there is a paramount need for archaeologists to lend their expertise in material culture studies to these dialogues. I also believe it remains important to expand this critical examination of Civil War monuments …
Speaking Within Subalternity: A Critical Analysis Of Performance Artist Guillermo Gomez-Pena And The Use Of Strategic Essentialism, Paola Martell
Speaking Within Subalternity: A Critical Analysis Of Performance Artist Guillermo Gomez-Pena And The Use Of Strategic Essentialism, Paola Martell
Cultural Studies Capstone Papers
This project investigates the work of performance artist Guillermo Gomez-Pefia through a postcolonial discourse. This project will be looking at three of the artist's pieces and proposes that though seen as an abstract or avant-garde performer, Gomez-Pefia's these pieces provide a platform for the oppressed who cannot speak for themselves due to hegemony - the subaltern. In the context of Gomez-Pefia's performance art, this theory provides a postcolonial discourse on notions such as hybridity, borders, transculturalism, and other elements of identities found in lafrontera. Ultimately, this project finds that though the subaltern cannot speak, it is through Gomez-Pefia's use of …
Sequels And Sams: Re-Contextualized Media And Affective Memory, Ben Rogers
Sequels And Sams: Re-Contextualized Media And Affective Memory, Ben Rogers
Master of Arts in American Studies Capstones
Electronic media allows for the repetition of the audiovisual in new contexts. Bernard Stiegler argues that, as people are exposed to these contexts (television, commercials), consumer-based art threatens the singular, a connection to a particular aesthetic in a particular space. When art is repeated, films remember for the audience. This allows for history to be continually re-written according to dominant media institutions.
While there are other ways to combat this grand narrative, I argue that there are memories that, like the singular, are not consumer-based. I refer to these as staple associative memories (SAMs). These are not memories …
Enduring Music: Migrant Appalachian Communities And The Shenandoah National Park, Madeline Marsh
Enduring Music: Migrant Appalachian Communities And The Shenandoah National Park, Madeline Marsh
Senior Honors Projects, 2010-2019
This paper is an archival study of the displaced children of families formerly living in the Shenandoah National Park which spans from Strasburg to Waynesboro, Virginia. The study looks at interviews, from the JMU Special Collections archives, of these children in the 1970-80s, nearly fifty years after their forced migration from the 197,438 acres that comprised the park. Change and pressure during the 1930s-40s combined with national policy began the nostalgic preservation and veneration of the culture of these people of the Blue Ridge Mountains; through the archives, a clear and diverse picture of the perspectives and lifestyles of people …
Performing Authentic Savagery: National Myth-Making And Indigenous Survival At American World's Fairs, 1893-1904, Hannah Facknitz
Performing Authentic Savagery: National Myth-Making And Indigenous Survival At American World's Fairs, 1893-1904, Hannah Facknitz
Senior Honors Projects, 2010-2019
The late nineteenth century in America was a period of intense change, where society took on the project of describing what exactly made America what it was. An important vehicle for this exploration of identity was the world’s fair. This paper analyzes the Chicago World Columbian Exposition of 1893, the Omaha Trans-Mississippi and International Exposition of 1898, and the St. Louis Louisiana Purchase Exposition of 1904 and their depictions of Indigenous North Americans which were closely tied up in the current project of national myth making. A three-way conflict emerges in this study between contemporary anthropologists, entertainment professionals, and so-called …
Storytelling Through Movement: An Analysis Of The Connections Between Dance & Literature, Zoe Hester
Storytelling Through Movement: An Analysis Of The Connections Between Dance & Literature, Zoe Hester
Undergraduate Honors Theses
Movement and storytelling are the links between past and present; both dance and literature have the same artistic and primal origins. We began to dance to express and communicate, to worship and feel. We tell stories for the same reasons: to learn from the past and to be able to communicate in the present.
This work explores the many connections between literature and dance through examinations of six dance forms: Native American, Bharatanatyam, West African, Ballet, Modern, and Post-Modern dance.
University Of Southern Maine Commencement Program 2018, University Of Southern Maine
University Of Southern Maine Commencement Program 2018, University Of Southern Maine
Commencement Programs
University of Southern Maine Commencement 2018
Little Red Riding Hood In The Dialogic Tension Of Wolf Politics In The U.S. West, Kaisa T. Lappalainen
Little Red Riding Hood In The Dialogic Tension Of Wolf Politics In The U.S. West, Kaisa T. Lappalainen
American Studies ETDs
The reintroduction of wolves opened a new chapter in the story of wolves in the U.S. West. But what the conservation community considers moral progress, welcoming the once violently eradicated wolves as an important part of a healthy ecosystem, those opposing wolf restoration consider their return a decivilizing, regressive move back to a by-gone era. In the contentious discourse over wolf politics, the fairy tale of Little Red Riding Hood is used as a common metaphor; its prevalence and persistence in this discourse indicates that more than an innocuous children’s bedtime story is in question.
To examine the potential cultural …
The Cultural Cold War And The New Women Of Power. Making A Case Based On The Fulbright And Ford Foundations In Greece, Despina Lalaki
The Cultural Cold War And The New Women Of Power. Making A Case Based On The Fulbright And Ford Foundations In Greece, Despina Lalaki
Publications and Research
When in the 1950s C. Wright Mills was writing about the emergence of the new power elites he paid no attention to the presence of women in its midsts. He was not entirely mistaken. Yet there is a particular intertwining of the ideologies of leadership and masculinity which serves to maintain the status quo, the privilege of an elite and perpetuate preconceptions about political agency and gender. In an attempt to go beyond available models and predominantly masculine images of the postwar America the present article accounts for women’s role in the postwar American efforts for cultural hegemony. It focuses …
Constraints Of Haunted Heritage Tourism In Logan, Utah, Kylie Schroeder
Constraints Of Haunted Heritage Tourism In Logan, Utah, Kylie Schroeder
All Graduate Plan B and other Reports, Spring 1920 to Spring 2023
It has become common in Salem, Savannah, New Orleans, Edinburg, or Gettysburg, to witness groups of people being led through the darkened streets as part of a ghost tour or haunted history walk. An altered form of commercialized legend tripping, these companies offer guided tours, feature spooky stories, and often showcase local history. However, the trend of haunted heritage tourism, especially in the form of ghost walks and haunted history tours, has spread beyond places with national or international reputations for hauntings and is now growing in small towns whose stories are rarely shared beyond the local populace.
This thesis …
The Communal "I": Exclusion And Belonging In American Autobiography, Melissa Coss Aquino
The Communal "I": Exclusion And Belonging In American Autobiography, Melissa Coss Aquino
Dissertations, Theses, and Capstone Projects
The Communal “I” in American autobiography emerges as an aesthetic response to the pressure of using “the master’s tools” to write from a community on the margins to disclose identity in the conflicts of exclusion and belonging. In this case “the master’s tools” to refer to several distinct elements the communal “I” is tasked with navigating: the use of what we have come to identify as standard English, the form and function of European autobiography as a celebration of individual exceptionalism, and the contradictory pressures on these autobiographies to both elevate and protect the communities in question from further marginalization. …
Miami: Then & Now, Dana Mcgeehan
Miami: Then & Now, Dana Mcgeehan
Library Research Scholars Program 2017-2018
This project consists of an ArcGIS Story Map of Miami-Dade County. Each “then” and “now” photo set will be marked with an icon on the map. The side-bar will show viewers two photos of the same physical space. These photos can be placed side-by-side. These spaces will mostly be buildings, but may also focus on the landscape through maps and how this has changed over time. The “then” photos come primarily from the UM Library’s Special Collections and the Florida State Archives website, floridamemory.com. The “now” photos are ones that I’ve taken myself. A paragraph or two of contextual/background information …
A Blend Of Absurdism And Humanism: Defending Kurt Vonnegut’S Place In The Secondary Setting, Krisandra R. Johnson
A Blend Of Absurdism And Humanism: Defending Kurt Vonnegut’S Place In The Secondary Setting, Krisandra R. Johnson
Butler Journal of Undergraduate Research
This essay argues that Kurt Vonnegut blends a unique humanist stance into his absurdist plots and characters, ultimately urging readers to confront the absurd with a kindness and human decency his protagonists often find rare. As a result of this absurd and humanist synthesis, I defend and promote Vonnegut’s place in the secondary English curriculum, despite his rank on many banned books lists, since his characters’ journeys correlate thematically with the growth and process of postmodern adolescents and encourage moral responsibility without sentimental manipulation.
Focusing on Cat’s Cradle, God Bless You, Mr. Rosewater, and Slaughterhouse-Five as primary sources, specifically …
Clarke, Kenneth Wendell, 1917-2012 (Mss 635), Manuscripts & Folklife Archives
Clarke, Kenneth Wendell, 1917-2012 (Mss 635), Manuscripts & Folklife Archives
Manuscript Collection Finding Aids
Finding aid only for Manuscripts Collection 635. Manuscripts, notes, publisher’s correspondence, and photographs relating to the scholarly work of WKU English and folklore professor Kenneth W. Clarke, principally "Bud Long: The Birth of a Kentucky Folk Legend" and "The Harvest and the Reapers." Also includes reel-to-reel tape discussing home burial and casket - coffins, African American discussing race relations, singing in Barren County, Kentucky. See also digitized reel-to-reel tape T (T) -7-71-16 discussing cockfighting.
Racial Condition Of America Through ‘Uncle Tom’S Cabin’, Ellerie Ann Freisinger
Racial Condition Of America Through ‘Uncle Tom’S Cabin’, Ellerie Ann Freisinger
2018 Award Winners
No abstract provided.
Sounding The Congregational Voice, Marissa Glynias Moore
Sounding The Congregational Voice, Marissa Glynias Moore
Yale Journal of Music & Religion
Congregational singing is a participatory vocal practice undertaken by Christians across a wide range of denominations, yet the specific qualities and active capacities of the congregational voice have yet to be investigated. Drawing on recent musicological and philosophical perspectives on voice, I theorize the congregational voice as an active practice, illuminating its abilities to do something in worship through sound.
Taking Brian Kane’s model of the voice as a circulation of content (logos), sound (echos), and source (topos), I explore how these categories are redefined through an active-based theorization of congregational singing. I argue that …
On Being Trans: Narrative, Identity, Performance, And Community, Chloe Jo Brown
On Being Trans: Narrative, Identity, Performance, And Community, Chloe Jo Brown
Masters Theses & Specialist Projects
This thesis focuses on various topics related to transgender identity and culture. Through a combination of ethnographic and secondary research, I studied transgender coming out narratives, trans media representation, transgender performance and identity, and conceptualizations of group and chosen family in a community of trans students, the WKU Transgender and Non-Binary Student Group.
The three chapters of my thesis address some of the traditional milestones of a trans person’s acculturation: coming out, constructing one’s newly discovered trans identity, and finding community. Chapter 1 explores coming out as transgender, and the way in in which coming out is valued and discussed …
The Multi-Vocal Trailscape Of The Natchitoches Trace: A Trail Of Tears, Trade And Transformation, Jade L. Robison
The Multi-Vocal Trailscape Of The Natchitoches Trace: A Trail Of Tears, Trade And Transformation, Jade L. Robison
Landscapes: the Journal of the International Centre for Landscape and Language
This paper demonstrates how individuals have inscribed the Natchitoches Trace trailscape with meaningful narratives via oral traditions, historical accounts and material evidence, and considers how descendent populations curate their heritage in such a landscape. Beginning at the mouth of the Missouri River near St. Louis, the Natchitoches Trace stretches southwest through the Ozark region in Missouri and Arkansas, and onto Natchitoches, Louisiana. Created by pre-Columbian groups for trading purposes, the trail was later utilised by early European pioneer families for westward expansion. The 1830 Indian Removal Act forced the repurposing of the trail as a route of exile for displaced …
Archbold, Annie And Barbara Dubczak (Fa 379), Manuscripts & Folklife Archives
Archbold, Annie And Barbara Dubczak (Fa 379), Manuscripts & Folklife Archives
Folklife Archives Finding Aids
Finding aid only for Folklife Archives Project 379. A reel-to-reel audiotape recording of a program titled “Documents in Sound: A Sample in Folk Arts,” which was sponsored by the Barren River Regional Arts Council with funds from the Kentucky Folklife Foundation. According to the tape summary, the program includes five separate features, which can be played as individual vignettes or as a full 29-minute program. Features include traditional artists and cover topics such as woodworking, broom making, basket making, weaving, and drawn work.
Cederquist, Nancy (Fa 378), Manuscripts & Folklife Archives
Cederquist, Nancy (Fa 378), Manuscripts & Folklife Archives
Folklife Archives Finding Aids
FFinding aid and full-text scan of paper (Click on “Additional Files” below) for Folklife Archives Project 378. Multiple interviews with Mrs. James Hall conducted by Nancy Cederquist on 22 February 1985, 1 April 1985, and 22 April 1985. Hall, a resident of Bowling Green, discusses her passion for quilting, her preferred patterns, fabric care, and her experiences with a local quilting group.