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Full-Text Articles in Social and Behavioral Sciences
Experimental Music And Collaboration: Developing Artistry Through Performance Practice, John Lambert
Experimental Music And Collaboration: Developing Artistry Through Performance Practice, John Lambert
LSU Doctoral Dissertations
This project locates collaboration and collaborative performance as a potential site for artistic growth. This study analyzes six collaborative projects: composed pieces for electric guitar accompanying a staged performance of collaged texts, an audio-visual installation, the preparation of several short pieces to accompany choreographed dances, a 90-minute soundtrack to a performance mixed live, an ongoing improvisational duo, and a live visuals performance to accompany Sunburned Hand of the Man at Duke University. It traces the growth of my artistry while also providing a method for both doing and writing about collaboration. In addition, it offers a model for understanding collaborative …
Modes Of Cartoon Corporeal Performance, Gregory Langner
Modes Of Cartoon Corporeal Performance, Gregory Langner
LSU Doctoral Dissertations
This dissertation project works to introduce and interrogate a phenomenon I am calling cartoon corporeality. The phenomenon refers to the varied ways in which cartoons “escape” their usual two-dimensionality through performance, appearing to manifest in physical environments in ways that should be understood as culturally impactful. Cartoon corporeality encompasses different modes of performance wherein the explicit visual presence of a cartoon subject informs an immediately observable physical impact through the body of the performer. I interrogate the phenomenon by focusing on four select modes of cartoon corporeal performance: videogame play, cosplay, theatrical adaptation, and the active weaving of cartoons …
There’S A Skid Row Everywhere, And This Is Just The Headquarters: Impacts Of Urban Revitalization Policies In The Homeless Community Of Skid Row, Douglas Mungin
There’S A Skid Row Everywhere, And This Is Just The Headquarters: Impacts Of Urban Revitalization Policies In The Homeless Community Of Skid Row, Douglas Mungin
LSU Doctoral Dissertations
This dissertation tracks the historical shift from containment strategies for managing homeless populations in Skid Row to current strategies of using police and the penal system to periodically sweep the street of these unwanted bodies. This shift hinges on the construction of homelessness as a crisis requiring immediate and ongoing intervention. First, the state produces and reproduces homelessness as a state of crisis by withdrawing or denying support and public services and disallowing alternative, subsistence modes of survival. Then, it issues the performative utterance of the area as unclean or unsanitary. Developers and city officials mobilize the police to erase …
Musicking New Orleans Street Musicians: A Methodology For Writing About Music, Savannah Cadi Rose Ganster
Musicking New Orleans Street Musicians: A Methodology For Writing About Music, Savannah Cadi Rose Ganster
LSU Doctoral Dissertations
This project argues for the use of performative writing as a methodology for writing about musical performances. An analysis of recent scholarship on music and musical performances written by performance studies scholars supports the use of performative writing in texts that address musical performances. In order to further this methodological claim, this study uses performative writing to document both historical and present day accounts of musical performances of street musicians in New Orleans. Utilizing Foucault’s theories on and Roach’s model of genealogy, Bruner’s notion of reflexive ethnography, and Small’s concept of musicking, I theorize, on a meta-methodological level, that performative …
Performing Joseph Cornell's Chronotopes Of Assemblage, Sarah Kathryn Jackson
Performing Joseph Cornell's Chronotopes Of Assemblage, Sarah Kathryn Jackson
LSU Doctoral Dissertations
In this project I study Joseph Cornell’s practices of art-making through a performative lens. Rather than focusing on his finished products, I am interested in his embodied processes of assemblage. I call on Mikhail Bakhtin’s theory of the chronotope to articulate how time and space operate within Cornell’s finished works and his processes of assemblage art. In so doing, I conceptualize Cornell’s textual chronotope, métaphysique d’éphemera or “everyday magic,” as well as his chronotopes of assemblage: wandering, archiving, collaging, and assembling. I move from the finished work to the contingencies and strategies of the performance of assemblage. This project is …
Masada Performances : The Contested Indentities Of Touristic Spaces, Ariel Gratch
Masada Performances : The Contested Indentities Of Touristic Spaces, Ariel Gratch
LSU Doctoral Dissertations
Masada, a Herodian fortress and the site of an ancient struggle between Jews and Romans that culminated in a mass suicide by 960 Jews, is a symbolically important site for the country of Israel and for the Jewish people. Previous research on Masada has focused on how the story about the site, told through popular culture, in history books, and at the site, has been used to create and maintain a national Israeli and, more broadly, Jewish identity. Masada is the second most visited site in Israel, attracting over 800,000 people each year, and the number of visitors to the …
Performing Folk Punk : Agonistic Performances Of Intersectionality, Benjamin D. Haas
Performing Folk Punk : Agonistic Performances Of Intersectionality, Benjamin D. Haas
LSU Doctoral Dissertations
The overarching goal of this project is to argue that folk punk performances offer spaces where a listening audience is exposed to a radical and intersectional politics, and enable that audience to identify with those views. By considering the performances of Inky Skulls, Pussy Riot!, and Against Me!, this study looks to the ways in which these folk punk exemplars highlight elements of the radical politics of the American left and in the history of folk and punk music. In particular, this project considers the intersections of race and class, women and nonhuman animals, and queerness and anarchism, as intersecting …
A Critical Ethnography Of The Myrtles Plantation In St. Francisville, Louisiana With Ruminations On Hauntology, Holley Ann Vaughn
A Critical Ethnography Of The Myrtles Plantation In St. Francisville, Louisiana With Ruminations On Hauntology, Holley Ann Vaughn
LSU Doctoral Dissertations
This study examines how ghosts perform and are performed in southern Louisiana, particularly in the eclectic Baton Rouge enclave of Spanish Town and at The Myrtles Plantation in St. Francisville. Although The Myrtles, considered “one of the most haunted locations in the United States,” served as the genesis for this project, I explore the continuities and discontinuities of the histories and historicities of these two distinct places and my journeys between them over a five year period. Using critical ethnography as a grounding framework, the study draws from literature in tourism studies, performance studies, and other related areas of research, …
Writing William Burroughs, Performing The Archive, John Lebret
Writing William Burroughs, Performing The Archive, John Lebret
LSU Doctoral Dissertations
Between 1958 and 1972, author William S. Burroughs undertook a series of radical experiments with alternative compositional modes based on the aleatory form of the Cut-up. Burroughs sold the entirety of his work from the period, assembled into an archive, to a collector in 1972. This study uses performative writing to document a year of archival research in Burroughs' collection, currently housed by The Henry W. and Albert A. Berg Collection of English and American Literature at the New York Public Library. Melding Bakhtin's theories of the chronotope and the grotesque body with creative writing and experimental modes of scholarly …
When The Saints Go Marching In: An Ethnography Of Volunteer Tourism In Post-Hurricane Katrina New Orleans, Jennifer Lea Erdely
When The Saints Go Marching In: An Ethnography Of Volunteer Tourism In Post-Hurricane Katrina New Orleans, Jennifer Lea Erdely
LSU Doctoral Dissertations
This original study examines a new phenomenon in New Orleans tourism. Since Hurricane Katrina hit in late August 2005, droves of individuals and groups have come to New Orleans to help rebuild the city. Through conducting fifty interviews with these individuals from 2008-2009, the author traces the steps of volunteer tourists in post-Hurricane Katrina New Orleans. This study investigates the experiences of volunteer tourists. Additionally, the author immersed herself with volunteer tourism groups to experience volunteering and the groups herself. Through careful inspection of original interviews with volunteer tourists, the author discovers how the volunteer tourists contribute to the city …
Landscape, Mobilities, And Performance: An Autoethnographic And Visual Engagement With Public Protests In Washington, Dc, Paul Ronald Watts
Landscape, Mobilities, And Performance: An Autoethnographic And Visual Engagement With Public Protests In Washington, Dc, Paul Ronald Watts
LSU Doctoral Dissertations
This dissertation examines how geography’s traditional approach to studying cultural landscapes, which has been largely reliant upon vision, should also include the embodied practices: the customary and habitual actions that inform human engagement. Using public protests in Washington, DC as an extended case study, I reveal an underlying tension between protest participants’ embodied practices and material objects in the built environment. I accomplish this by drawing from over one year’s fieldwork in Washington, where I used qualitative approaches, including—but not limited to—participant observation and autoethnography, to engage in public protests as an embodied participant. To support my empirical data, I …
"It's Not Just About The Buildings, It's About The People": Architecture Practice, And Preservation In Post-Katrina New Orleans, Bethany W. Rogers
"It's Not Just About The Buildings, It's About The People": Architecture Practice, And Preservation In Post-Katrina New Orleans, Bethany W. Rogers
LSU Doctoral Dissertations
Drawing on the legacy of architectural studies in cultural geography, this dissertation integrates traditional approaches to built environments that take seriously the physical form and presence of buildings with more recent scholarship that employs performance and practice theory to address the embodied, contingent, and ongoing practices through which buildings are endowed with meaning by those who use, inhabit, or identify with them. Using ethnographic and architectural-documentation methods to carefully apprehend the interrelationships between architecture and embodied practices, this dissertation presents a set of ethno-material case studies – four buildings and their community of users that were central to New Orleans’ …
Under Construction: Recollecting The Museum Of The Moving Image, AndrÉe Elise Comiskey Betancourt
Under Construction: Recollecting The Museum Of The Moving Image, AndrÉe Elise Comiskey Betancourt
LSU Doctoral Dissertations
On February 27, 2008 the Museum of the Moving Image launched its $65 million renovation and expansion with a digital groundbreaking. Since opening its doors in Astoria, New York in 1988, the museum, originally devoted to film and television, has embraced digital media. From its “Hollywood East” Astoria Studio historic landmark site to its popular website, the Museum of the Moving Image provides a unique setting for studying the museumification of moving image culture, particularly the production and consumption of moving images. In response to the Museum of the Moving Image’s domestication of moving image culture in its core exhibition, …
The Operational Aesthetic In The Performance Of Professional Wrestling, William P. Lipscomb Iii
The Operational Aesthetic In The Performance Of Professional Wrestling, William P. Lipscomb Iii
LSU Doctoral Dissertations
This study analyzes the relationship between professional wrestling as performance and its fans. For decades, professional wrestling has been characterized as a fraudulent sport of scams and illusion rather than actual and fair competition between athletes. Why then is wrestling so popular? I pursue the question by taking a close look at professional wrestling in four different cultural venues or sites of production: the historical archive, the live wrestling event, the televised event, and the Internet. In each site, I focus on what components define professional wrestling, how they operate, and what appears to be their purpose. Drawing on Neil …