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Articles 1 - 8 of 8
Full-Text Articles in Social and Behavioral Sciences
Disorientations, Noah Greene-Lowe
Disorientations, Noah Greene-Lowe
MFA in Visual Art
The materials that make up the ordinary and mundane in the United States also reinforce and normalize a white spatial imaginary. Conventions of mapping, imaging of land and landscape, and elements of the built environment continue to orient us in a logic of space as property. In my sculptural work, I employ strategies of disorientation and creative repair, or reconstruction, to unsettle the spatial practices of whiteness and structures of power embedded in the mundane, the familiar, and the domestic. I consider the planned cohousing community where I grew up as an influence on my work, and my whiteness. By …
Dissonant Forms: Landscape, Nature-Love, And Art, Taylor F. Benoit
Dissonant Forms: Landscape, Nature-Love, And Art, Taylor F. Benoit
Masters Theses
As artists continue the long and storied lineage of Landscape, are there aesthetic responsibilities that come with representing the forces that afford you the capacity to do so? As we delineate spaces into places, endless interconnectivity into knowable “systems”, and living matter into thing based taxonomies, who do these delineations serve and with what intentions do we proceed? My studio art practice explores what it means to give form to our Former—the Former being that from which we came, the here and now, our explicit ecological reality, the stuff of what we call nature. …
Eggs, Hair, Seeds, Milk, Patrick West
Eggs, Hair, Seeds, Milk, Patrick West
Landscapes: the Journal of the International Centre for Landscape and Language
Short story
Solastalgia, Nostalgia, Exhilarating, Immersive: Landscapes: Heritage Ii, David F. Gray
Solastalgia, Nostalgia, Exhilarating, Immersive: Landscapes: Heritage Ii, David F. Gray
Landscapes: the Journal of the International Centre for Landscape and Language
Landscape: Heritage II presents the scholarly and creative contributions to Landscapes, Volume 9, Issue 1.
Complete Issue
Landscapes: the Journal of the International Centre for Landscape and Language
The complete issue 1 of volume 8, Landscapes Journal.
Shifting Rurality American Gothic, Iowa Nice, Biotech And Political Expectations In Rural America, William D. Nichols 890252
Shifting Rurality American Gothic, Iowa Nice, Biotech And Political Expectations In Rural America, William D. Nichols 890252
Landscapes: the Journal of the International Centre for Landscape and Language
This paper traces the linkage between heritage landscape within the context of the election of Donal Trump. Trump's invocations of heritage riled certain regions of the US which had a distinct connection to Regionalism, both as a political idea and as an aesthetic practice. Focusing on Iowa, home to the quintessential American painting, American Gothic, the paper looks at modernity and agriculture, and how the two categories seem to rely on (but also negate) heritage. By examining what a genetically modified landscape might mean in relation to the historical image of the pastoral/provincial farmer, a network of frictions and …
Vernal Pool: A Participatory Art Project About Place + Precipitation, Karen Miranda Abel, Jessica Marion Barr
Vernal Pool: A Participatory Art Project About Place + Precipitation, Karen Miranda Abel, Jessica Marion Barr
The Goose
Produced by Karen Miranda Abel with Jessica Marion Barr, Vernal Pool is an immersive, elemental water installation created as a participatory, contemplative inquiry into our transitory interrelationships with water and landscape. From November 2013 to April 2014, 114 individuals across Canada and abroad gathered snow samples as a form of extrinsic artistic practice about place and precipitation. With the arrival of spring, the reservoir of melted snow was convened for four days at Toronto’s historic Gladstone Hotel to create Vernal Pool.
Gelang: A Photography Of Belonging, Chase Clow
Gelang: A Photography Of Belonging, Chase Clow
Collected Faculty and Staff Scholarship
Gelang: A Photography of Belonging proposes a new category of landscape photography, one that moves away from emphasis upon imagery of particular kinds of landscape (such as wilderness, topographical, or wastelandscape) and also away from genres of photography (art, documentary, or scientific) and instead investigates the shared values and ethics among landscape and nature photographers and the kinds of awareness and knowledge that arise through outdoor, field-based photographic practice. An analysis of the writings of photographers and their published interviews, as well as the author's own photographic experiences in the field, reveals a common core of life-affirming values predicated on …