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Articles 1 - 5 of 5
Full-Text Articles in Social and Behavioral Sciences
The Affective Power Of Sound: Oral History On Radio, Siobhan A. Mchugh
The Affective Power Of Sound: Oral History On Radio, Siobhan A. Mchugh
Faculty of Creative Arts - Papers (Archive)
Using illustrative audio clips, this article offers insights into the historical symbiosis between oral history and radio and the relationship between orality, aurality, and affect that makes radio such a powerful medium for the spoken word. It does so through a discussion of the concept of affect as it applies to oral history on radio and through a description and analysis of crafting oral history for the radio documentary form. This article features audio excerpts from radio documentaries produced by the author. Listening to the audio portions of this article requires a means of accessing the audio excerpts through hyperlinks. …
History And Postmemory In Contemporary Vietnamese Literature, Marsha Berry, Catherine Cole
History And Postmemory In Contemporary Vietnamese Literature, Marsha Berry, Catherine Cole
Faculty of Creative Arts - Papers (Archive)
In this paper we argue that there are many ways in which history is embedded in a country’s fiction—many of them offering questions rather than answers about a country’s creative practices. In Vietnam it seems inevitable that the war against America and her allies would shape the nation’s creative writing. But is this the case? And what of the ways in which later generations have reacted to the war? In Vietnam and Australia this shared history has played out differently, not least in a postmemory dialogue between a generation who remembers too much and a generation who remembers too little.
The Necessity Of (Un) Australian Art History: Writing For The New World, Ian A. Mclean
The Necessity Of (Un) Australian Art History: Writing For The New World, Ian A. Mclean
Faculty of Creative Arts - Papers (Archive)
The Australian artworld has never looked better. There are more art journals, exhibition spaces and art graduates than ever. Even globalisation has been a boon to local artists, especially indigenous ones. But there is a catch. There may be plenty of interesting artists from Australia but few aspire to make Australian art. If Rex Butler is right, the desire now is for 'unAustralian' art.
A Speculative Venture: Contemporary Art, History And Hill End, Amanda Lawson
A Speculative Venture: Contemporary Art, History And Hill End, Amanda Lawson
Faculty of Creative Arts - Papers (Archive)
Writing in his diary on 2 January 1949, Australian artist, Donald Friend (1915- 1989), describes the events of the night before: Last night there was an impromptu dance - I should say a drunken Breughel peasant romp - at the hall to celebrate the New Year. It was improvised suddenly on the spot by those who had not been invited, and were furious at being left out, to a dance in Sofala, to which the lucky ones went in a bus. Later they went round the village gate-stealing .. .. (Friend 633) Friend writes from Hill End, an old gold-mining …
The Limits Of Art History: Towards An Ecological History Of Landscape Art, A. Gaynor, Ian A. Mclean
The Limits Of Art History: Towards An Ecological History Of Landscape Art, A. Gaynor, Ian A. Mclean
Faculty of Creative Arts - Papers (Archive)
An ecological art history primarily concerns the relationship between the aesthetic and representational functions of landscape art, the environment it depicts and the ecology of this environment. Such investigation should enable us to determine whether particular aesthetic sensibilities or styles are more or less conducive to providing accurate ecological (Le. scientific) information, and what the limits of this information might be. An ecological art history would therefore, of necessity, engage with the science of ecology. Hence it requires an alliance with environmental and ecological historians as well as appropriate scientists. There are few examples of scholars drawing connections between the …