Social and Behavioral Sciences Commons^™

Viewing The World Through The Prism Of Cross-Cultural Romances: Film Review Of Christmas As Usual (2023) And Further Reflections, Raja Ramanathan

Markets, Globalization & Development Review

No abstract provided.

How Film Influences And Reflects States Of Consciousness - Through Films Of Julian Sands, Leila Kincaid

Journal of Conscious Evolution

Film, as a multivalent art form, uses archetypal themes and symbols that have the power to affect the consciousness of its viewers. The stories that play out on the screen through plot, setting, character, and the elements of storytelling through film carry rich and deep archetypal meaning for our culture and our psyches. This is how film can impact us on deep, subconscious levels and influence and change our consciousness, for good or ill. A look at two key films with the actor Julian Sands illustrates the way we, as viewers, experience a shift and even transformation in consciousness through …

This Is The Way: Christian Asceticism Alive In The Star Wars Universe, David Allen Osb

Obsculta

This article is a creative reflection on how the Desert Fathers, especially St. Antony, could be compared in a pastoral way to the Jedi Masters found in the Star Wars Film and Television Canon.

Minari: The Invincible, Soonkwan Hong

Markets, Globalization & Development Review

No abstract provided.

When We See Us: Coming 2 America And The Intricacies Of Black Representation And Diasporic Conversation, Terri Bowles

Markets, Globalization & Development Review

This is a review essay of the film Coming 2 America (2021) by Craig Brewer, a follow-up to the 1988 comedy classic Coming to America , which stars Eddie Murphy as a newly crowned African king confronted with shifting family dynamics and evolving challenges to his royal authority. The review examines the cultural space occupying the 30 years that separate the first film and its sequel, and interrogates the structures of popular film and comedy that situate representational discourses of gender and diasporic Black representation.

By And For Jewish Women Only: The Musical Film "The Heart That Sings", Celia E. Rothenberg

Journal of Religion & Film

The musical film, “The Heart that Sings” (2011), written and directed by Robin Saex Garbose, is part of a genre of films created by and for Orthodox Jewish women. Heart provides a case study that illustrates the depth and breadth of Lubavitch Rebbe Menachem Mendel Schneerson’s (1902-1994) influence on Jews and Jewish life well beyond his own community members. Schneerson’s outreach work via his shlichim, or emissaries, to unobservant Jews is well-recognized. The extent and nuance of his influence on a broad cross-section of Jews, however, has yet to be fully traced. Heart tells its viewers that Jewish women …

Creatively Exploring Self: Applying Organic Inquiry, A Transpersonal And Intuitive Methodology, Larisa J. Bardsley Phd

The Qualitative Report

This article explores the merit of using Organic Inquiry, a qualitative research approach that is most effectively applied to areas of psychological and spiritual growth. Organic Inquiry is a research approach where the psyche of the researcher becomes the instrument of the research, working in partnership with the experiences of participants and guided by liminal and spiritual influences. Organic Inquiry is presented as a unique methodology that can incorporate other non-traditional research methods, including intuitive, autoethnographic and creative techniques. The validity and application of Organic Inquiry, as well as its strengths and limitations are discussed in the light of the …

Water Avengers And Their Endgame, David M. Boje

Markets, Globalization & Development Review

No abstract provided.

Crazy Rich Asians: A Tale Of Immigration, Globalization And Consumption In East Asia, Giana M. Eckhardt, Finola Kerrigan

Markets, Globalization & Development Review

We review the 2018 film Crazy Rich Asians in order to highlight its relevance for debates on immigration, globalization and consumption. In doing so, we argue that a new model of immigration for East Asians, distant and distinct from the American Dream, a “pull yourself up by the bootstraps” narrative infused with an Asian ethic, is being valorized in the film. We also illuminate the complexities of East Asian representation on screen, as evidenced by varying receptions to the film in America and in various regions of Asia. And, finally, we note that while the film celebrates excess in consumption …

Crazy Rich Asians: Exploring Discourses Of Orientalism, Neoliberal Feminism, Privilege And Inequality, Devi Vijay

Markets, Globalization & Development Review

In this review of Crazy Rich Asians (2018), I examine elements of orientalism, neoliberal feminism, privilege and inequality that layer the film. Specifically, I interrogate the film’s American inflection of orientalism, surfacing a constant duel between essentialized Asian and American values, where what is American eventually wins out. Independent, entrepreneurial women are integral to this narrative of global capitalist accumulation. Yet, as the East meets the West in the globalized consumptive spaces of the super-rich, inequalities in the United States and Singapore are either repackaged under the myth of meritocracy, or conveniently erased. While the film demarcates a new Hollywood …

Crazy Rich Asians: When Representation Becomes Controversial, Yikun Zhao

Markets, Globalization & Development Review

Crazy Rich Asians (2018) has been hailed as a symbol of diversity representation, but it has also been challenged for the lack of representativeness. This review analyzes the controversy from two aspects. It traces how this film was made into a progressive symbol of diversity representation through riding sociocultural trends about the rise of Asia and the anti-whitewashing campaign. It also shows that this film tells a classic Cinderella story with a contextual twist of the reversed power balance between the ‘East’ and the ‘West’. Overall, although this movie contributes to bringing attention to the long-existing void of Asian-American representation …

On The Banality Of Transnational Film, Ian Reyes, Justin Wyatt

Markets, Globalization & Development Review

“Breakthrough” global blockbusters like Black Panther (2018) and Crazy Rich Asians (2018) create disturbances among critics and firms forced to wonder if such ripples of diversity will become waves of new cinema wiping out the hegemony of Hollywood and the global West. In this essay, we establish the context for this phenomenon in terms of film’s historical relationship to marketing. Through this context, we theorize a transnational aesthetic for global blockbusters, one that may serve to limit ripples of diversity, breaking waves of change against the rocks of a banal cinema of Americanized nothingness.

Globalization Tropes In Films: A Focus On Crazy Rich Asians, Nikhilesh Dholakia, Deniz Atik

Markets, Globalization & Development Review

No abstract provided.

Night Of The Witch: Alternative Spirituality, Identity And Media, Andreana Tarleton

LSU Master's Theses

This thesis works to understand the relationships witches and conjurors have with the film and television depictions of them. Employing the method of film critique, I argue that the witch stands as a cultural symbol in the US of women and femmes with power, and that their stories serve as lessons to these populations about what it means to be an acceptable woman or femme, while simultaneously creating and perpetuating stereotypes of magic practitioners. Then, using the combination of hashtag ethnography, in-person and video interviewing and internet surveys, I argue that #witchblr and #witchesofcolor, as well as the space of …

Edward Said’S Orientalism: Trapped In Time, Samantha Glass

Capstone Showcase

Edward Said developed his theory of Orientalism in 1978. His theory looked at how Western cultures have treated the East, which includes Asia, the Middle East, and parts of Africa. There is differentiation on what parts of the Occident view the Orient, as the United States has become more tied with the Middle East. In contrast, Europe’s vast history of trade and colonization has connected them with Africa and Asia. The image that has been created has belittled cultures, taken away their meaning, and risks the people in the culture from abandoning it altogether. When power becomes a significant part …

Orientalism, Resistance Or Global Harmony? Entangled Strands In The Film Isle Of Dogs, Soonkwan Hong

Markets, Globalization & Development Review

No abstract provided.

Owu's First Asian Horror Film Festival, Kaitie Welch

Student Symposium

Under an apprenticeship with Dr. Sokolsky, I planned and hosted Ohio Wesleyan University's first "Asian Horror Film Festival." The project began after the realization that among OWU's various film festivals, which celebrate diversity and differing cultures, there were no East Asian or Asian film festivals to speak of. Together, Dr. Sokolsky and I prepared a course of action and settled on the horror genre. I spent my winter break watching many Asian horror films via Kanopy and narrowed down films from four different Asian countries and territories through a rubric of criteria that I created. The films I selected were …

Sustainable Messaging In Film: A Survey Of A College Community, Chelsea Faught

Mahurin Honors College Capstone Experience/Thesis Projects

The concept of sustainability encompasses environmental, social, and economic issues. A sustainable approach encourages a balanced earth in both well-being and resource conservation for the sake of future generations. Unfortunately, awareness of and participation in various dimension of sustainability are currently inadequate given the current projections of the negative impact of climate change to humanity. Therefore, this project was designed to research if there was a relationship between viewing sustainably themed films and becoming more sustainably-conscious as a way to explore a potential avenue for mental and behavioral change. Furthermore, this project examines audience perception of sustainable messaging and content …

Globalization Tropes In Films: A Focus On Crazy Rich Asians, Nikhilesh Dholakia, Deniz Atik

Marketing Faculty Publications and Presentations

Learning from and encouraged by the impacts of film film-based windows into globalization phenomena, in this issue of MGDR, we have focused on the film Crazy Rich Asians. In the popular press, the movie has been hailed as a major cultural point of departure for Hollywood as well as panned as just an Asian Asian-themed romantic comedy that celebrates the super-rich of Asia. The buzz around this movie does, however, indicate a slight bend in the curve of the geopolitics of the globalization discourse – and hence our decision to feature a number of academically insightful reviews of this movie …

Representasi Sipil-Militer Dan Konstruksi Maskulinitas Pada Film Jenderal Soedirman (2015), Hary Ganjar Budiman, Kunto Sofianto

Paradigma: Jurnal Kajian Budaya

Jenderal Soedirman (2015) is a historical film that reveals the story of General Soedirman during the guerrilla war to maintain the Indonesia’s independence. The film was sponsored directly by the army (Kartika Eka Paksi Foundation and TNI) and involved the army in its making process. Therefore, the historical representation of this film is a history from the army’s point of view. Referring to Gramsci, a film can be seen as a hegemonic apparatus that contributes to the process of negotiating the interests of dominant groups. This study attempted to elaborate such representations of civil-military relationships and masculinity construction contained in …

Yellow Fever: Asian Representation In Western Pornography, Chye Shoong Chin

Student Scholar Symposium Abstracts and Posters

This research project seeks to explore the various implications porn films make on Asians Orientalism. Generally, Asians in pornography are composed of multiple negative archetypes, all based on the underlining purpose of servitude. Characters are portrayed through stereotypes including the use of colonial language to misrepresent Asian men and women in both straight and gay porn videos. Referred to as Orientalism, this ideology exploits Asian characters to privilege the White, male viewer. My research project investigates the following question: How are Asians represented in gay and straight pornographic films and pornographic scenes?

I will be applying scholarly arguments to various …

Legacy- December 2018, South Carolina Institute Of Archaeology And Anthropology--University Of South Carolina

SCIAA Newsletter - Legacy & PastWatch

Contents:

A Tribute to Elizabeth “Betty” Hamilton Stringfellow (November 14, 1921-May 18, 2017..p. 1

Director’s Notes…p. 2

Sergeant York Battlefield Archaeology Study Published…p. 2

Please Welcome Stacey Young, New Director of the Applied Research Division at SCIAA…p. 3

Hidden Under Our Feet: The Broad River Trenching Project…p. 10

Animals Used at Spanish Mount…p. 12

Submerged: Underwater Archaeology of South Carolina: Hands-On Interaction with 8^th Graders…p. 15

6^th Annual Arkhaios Cultural Heritage and Archaeology Film Festival- Columbia, SC- October 12-14, 2018…p. 19

ART/SCIAA Donors Update August 2017-December 2018…p. 22

Black Panther: Thrills, Postcolonial Discourse, And Blacktopia, Giana M. Eckhardt

Markets, Globalization & Development Review

Black Panther challenges traditional depictions of African nations in film by showcasing the fictional African country of Wakanda as a global technological leader, its citizens as being comfortable in global settings, and by having Wakanda deliver social aid to the US, reversing the typical global flow of assistance. Wakanda is depicted as a Blacktopia, where societies thrive beyond the reach of white supremacy as they have not been subject to colonization.

Savannah River Archaeological Research Program Debuts New Film, George Wingard

Faculty & Staff Publications

No abstract provided.

Work/Death, Of Each In Their Own, Micah H. Weber

Theses and Dissertations

Writings in support of my visual thesis, including some background, and bibliographic information: Oregon/Death/Animation/Vocation and the artist as an agent of potential.

Uncovering The Lost Knowledge Of The Imagination In Films, Seda, Daniel A.

Journal of Conscious Evolution

Films have forever changed the way in which humans perceive reality and have provided significant opportunities to spread knowledge in ways that are both entertaining and deceptive. Uncovering the lost knowledge of the imagination shifts an individual’s perceptions of a shared experience and exposes film’s persuasive power to penetrate the psyche. This paper explores the constitutions of reality and how humans are able to tap into other realms of consciousness through mediums of creative expression. Topics such as the origins of life, the hidden knowledge of secret societies, and the burgeoning full disclosure movement for truth are discussed as a …

Legacy - December 2017, South Carolina Institute Of Archaeology And Anthropology--University Of South Carolina

SCIAA Newsletter - Legacy & PastWatch

Contents:

Oemler Pottery: A Prehistoric Mystery.....p. 1
Director's Notes.....p. 2
Reconstructing Hawthorne: A New Documentary Film.....p. 3
Tracking Hernando de Soto.....p. 4
The Last Morning of the War: Archaeology on the Appomattox Court House Battlefield.....p. 7
Archaeology in South Carolina: Exploring the Hidden Heritage of the Palmetto State.....p. 9
The First Radiocarbon Dates from 38FA608.....p. 10
Port Royal Sound Stone Fleet Survey...p. 12
Update on Atlantic Offshore Wind Energy Development Project: Ground-Truthing Operations.....p. 15
ART/SCIAA Donors Update August 2016-December 2017.....p. 18 Please Support the New Stanley South Student Archaeological Research Endowment Fund.....p. 20

All In - And More! Gambling In The James Bond Films, Pauliina Raento

UNLV Gaming Research & Review Journal

Scholarly analysis of gambling in the James Bond films is rare, despite the multitude of topics in Bondology and the fictional agent’s global fame. The odd commentary in gambling scholarship criticizes the franchise from the perspective of harm prevention. This article counters both groups of scholars with a qualitative interpretation of Bond’s gambling habits and the role of gambling and risk taking in the film series. A basic toolkit of visual methodologies is applied to the 24 EON-produced Bond films released in 1962–2015. The examination shows the critical importance of gambling to character identity, power hierarchies and communication, atmosphere, and …

Behind The Lens: The Pride And Politics Of Filmmaking In Ghana, Farah Leigh Vickery

USF Tampa Graduate Theses and Dissertations

This research looks at the production of media in Ghana, specifically, film produced in the “Glamour” style or Western-style tradition that originates in its capitol of Accra. The film industry in Ghana, known as Ghallywood, is a vibrant and prolific field in which content is produced and distributed throughout the country for local consumption. Research on production practice, rather than content, can show cross-cultural differentiation in visual media production and also offers a lens through which to explore Ghanaian culture. The following research questions frame this study: What are the production practices of Ghanaian video films? How do …

A Tale Of Two Courses: Challenging Millenials To Experience Culture Through Film, Katie Kirakosian, Virginia Mclaurin, Cary Speck

Anthropology Department Faculty Publication Series

In this article, we discuss how adding a final film project to a revised 'Culture through Film' course led to deeper student learning and higher rates of student success, as well as increased student satisfaction. Ultimately, we urge social science educators to include experiential projects in their courses that connect to all learning styles. Such projects should also challenge students to 'create', a task that requires generating ideas, planning and ultimately producing something, which, according to Bloom's taxonomy, engages students in the highest cognitive process (Anderson and Krathwohl 2000). Although this class focused on the intersections of culture and film …