Social and Behavioral Sciences Commons^™

Documentary Review: Broken Trust- Ending Athlete Abuse, Caitlin Williams

Feminist Pedagogy

This media review summarizes and provides general implications about the documentary, Broken Trust: Ending Athlete Abuse, in the feminist classroom. This review uses film examples to argue for both the documentary's accomplishments and limitations As a film that features multiple stories from a variety of athletes and coaches in different sport fields, it is not only an alternative, visual learning tool for students, but also a potential vehicle to pursue justice and sexual abuse prevention aims.

Frederick Wiseman's Essene (1972): The Duality Of Mary And Martha, Nilita Vachani

Journal of Religion & Film

America’s legendary documentary filmmaker Frederick Wiseman shot Essene 50 years ago at the height of the commune movement in the United States. Unlike his previous institutional films which showcase an insane asylum, a public high school, an inner city police force, a hospital, and a military training school, Essene's canvas is the far less turbulent terrain of a serene and austere Benedictine monastery devoted to the love and service of God and the divine spirit. This paper undertakes a close textual and hermeneutic analysis of Essene alongside an appraisal of Wiseman’s working methodology, his cinematic portrayals of character and dramaturgy, …

Films For The Colonies: Cinema And The Preservation Of The British Empire, Thomas Barker

Journal of Religion & Film

This is a book review of Tom Rice, Films for the Colonies: Cinema and the Preservation of the British Empire (University of California Press, 2019).

Steven Soderbergh, Contagion (2011), Aras Ozgun

Markets, Globalization & Development Review

No abstract provided.

Apocalypse And Eschatology In John Ford's The Grapes Of Wrath (1940), Nancy Wright

Journal of Religion & Film

John Ford’s The Grapes of Wrath (1940) visualizes conventions of the apocalypse genre to represent not simply a particular historical setting, the Great Depression, but also a vision of history to be interpreted in terms of eschatology. Expressionistic photography transforms the characters’ experiences into enigmatic visions that invite and guide interpretation. A comparison of montage sequences in Ford’s The Grapes of Wrath and Pare Lorentz’s The Plow That Broke The Plains (1936), a Farm Security Administration documentary, clarifies how Ford’s narrative film aligns spectators within and outside the mise-en-scène.

Down But Not Out: Tara And George And The Boundaries Of Subjectivity., Hamish Sewell

RadioDoc Review

Set on the streets of London, amidst the snarl of traffic and the clip of passers by, this work is a biographical sound portrait of two homeless people, Tara and George. It is a testament to the parlous state of homelessness in the UK today and is masterful in its execution.

To this work, producer and host Audrey Gillan brings a quality of frank disclosure and decency. Relationships between producers and their subjects are contentious, due to an inherent power differential. Gillan neither portrays Tara and George as archetypes nor as helpless and needy. She knows she is the one …

Recovering The Past: A Photographic Documentary Exploring Post-Conflict Reconciliation, Ian Alderman

The Journal of Conventional Weapons Destruction

I am a London-based photographer whose great grandfather was shot at the Battle of the Somme in 1916. With this family history and the then fast-approaching centenary commemorations of the First World War in mind, in 2011 I embarked on developing a complex but unique photographic project to be entitled Recovering The Past. Since its completion, Recovering The Past has been exhibited both at the United Nations in Geneva and currently as a component of the centenary commemorations to the Battle of Passchendaele at the In Flanders Fields Museum, in Ypres, Belgium, as part of the Total War display.

The …

Rocky Road To Dublin: The Influence Of The French Nouvelle Vague On Irish Documentary Film, Isabelle Le Corff

Irish Communication Review

Rocky Road to Dublin was certainly one of the first, if not the very first Irish film ever selected for inclusion in the worldwide famous Cannes festival. Unfortunately, this was in 1968 and Jean-Luc Godard, along with other nouvelle vague filmmakers, insisted on closing down the festival after only a few days. We will examine the exchanges that occurred between Irish and French culture in the making of this independent documentary film, how it was received, and the film’s notoriety in Ireland and in France from 1968 until today. We will question Lennon’s ‘personal attempt to reconstruct with a camera …

Suing The Pope And Scandalising The People: Irish Attitudes To Sexual Abuse By Clergy Pre-And Post-Screening Of A Critical Documentary, Michael J. Breen, Hannah Mcgee, Ciaran O'Boyle, Helen Goode, Eoin Devereux

Irish Communication Review

No abstract provided.

Captured In Time

SIGNED: The Magazine of The Hong Kong Design Institute

Photographer and academic Tse Ming Chong's visual archive of Hong Kong's rapid development

Male Gender Role Messages Pada Tokoh "Hero" Dalam Episode "Cahaya Hati" Di Program "Zero To Hero" Metro Tv, Nisa Imawati Hidayat

Informasi

Abstract
The research purpose is to determine how the television documentary producer "Zero to Hero" program on Metro TV classify male gender role messages in the cast of "hero" in that program. Researcher used social semiotics method Theo van Leeuwen with multimodal analysis procedure and 24 of male gender role theories from Ian M. Harris, that have been categorized into 5 classification: standard bearers, lovers, workers, bosses and rugged individuals. The result of this study revealed that the television documentary producer "Zero to Hero" program, construct the male gender role messages in the cast of "hero" to the category of …

Green Documentary: Environmental Documentary In The 21st Century By Helen Hughes, David M. Lawrence

The Goose

David M. Lawrence reviews Green Documentary: Environmental Documentary in the 21st Century by Helen Hughes.