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Full-Text Articles in Social and Behavioral Sciences

An Addition To The History Of Psychoanalysis: An Encounter Between Z.V. Togan And S. Freud, Ibpp Editor Jun 1998

An Addition To The History Of Psychoanalysis: An Encounter Between Z.V. Togan And S. Freud, Ibpp Editor

International Bulletin of Political Psychology

This article was submitted to IBPP by Dr. H.B. Paksoy concerning the historian Z. V. Togan. It is taken--with appropriate permission--from Z. V. Togan's Hatiralar (Memoirs) as translated by Dr. Paksoy and published in Paksoy's Central Asia Reader: The rediscovery of history. (NY/London: M.E. Sharpe, 1994). (Ed.). ISBN 1-56324-201-X (hardcover)/ISBN 1-56324-202-8 (paperback). Dr. Paksoy's translation was developed to preserve Togan's syntax. What follows is brief introductory material about Dr. Paksoy and Z.V. Togan, then the article entitled A Poem of Mother's and Freud, and finally a brief commentary by IBPP.


A Psychological Task Of The Historian, Ibpp Editor May 1998

A Psychological Task Of The Historian, Ibpp Editor

International Bulletin of Political Psychology

This article employs the philosopher Martin Heidegger's juxtaposition of being and language to highlight a very difficult an often ignored task of the historian.


[Review Of] Lean'tin L. Bracks. Writings On Black Women Of The Diaspora: History, Language, And Identity. Crosscurrents In African American History, Vol I, Helen Lock Jan 1998

[Review Of] Lean'tin L. Bracks. Writings On Black Women Of The Diaspora: History, Language, And Identity. Crosscurrents In African American History, Vol I, Helen Lock

Ethnic Studies Review

In her "Preface" to this study, Lean'tin Bracks describes her purpose as being "to describe a model which may provide for today's black woman a means to take control of her destiny by retrieving her Afrocentric legacy from the obscured past" (xi). This model, which she applies through discussions of The History of Mary Prince, a West Indian Slave, Related by Herself (1831), Toni Morrison's Beloved (1988), Alice Walker's The Color Purple (1982, and Paule Marshall's Praisesong for the Widow (1984), is tripartite: "historical awareness, attention to linguistic pattern, and sensitivity to stereotypes in the dominant culture" (xi).