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Full-Text Articles in Social and Behavioral Sciences
Virtual Affection: Bodies And Installation Spaces, Su Ballard
Virtual Affection: Bodies And Installation Spaces, Su Ballard
Su Ballard
Discourses of the digital and their central concerns with issues such as duration, sensation, interactivity, immersion and affect offer new positions from which to view and articulate contemporary installation art. The digital as used here refers broadly to installations that have passed through a digital environment (such as an editing suite or a computer), or are simply informed by digital presence. Digital installation involves many aspects, including - but not limited to - space, light, time, viewer, projection, apparatus, objects and shadows, and as such is a machine operating across different thresholds. Like Alice's experiences in Wonderland, or Dorothy in …
Emergence: The Generation Of Material Spaces In Anthony Mccall's "Line Describing A Cone", Su Ballard
Emergence: The Generation Of Material Spaces In Anthony Mccall's "Line Describing A Cone", Su Ballard
Su Ballard
Anthony McCall's solid light film Line Describing a Cone (1973)is about the emergence of dimensionality in space. This paper uses Line Describing a Cone to discuss emergence as a material algorithmic process occurring across the media of informatic systems and installation art. Evolutionary models of emergence trace patterns, whether behavioural, spatial or genetic. Line Describing a Cone suggests the emergence of a new kind of mobilized viewer within gallery spaces who does not necessarily 'evolve' but who (through interruption and noise)becomes an interactive emergent part of the material processes of the work. Noise travels and generates the excess dimensionality within …
Emergence: The Generation Of Material Spaces In Anthony Mccall's "Line Describing A Cone", Su Ballard
Emergence: The Generation Of Material Spaces In Anthony Mccall's "Line Describing A Cone", Su Ballard
Su Ballard
This paper begins from a belief that all media are material, and that in their specificity time-based media can introduce us to different kinds of relationships and experiences across material surfaces and forces within gallery spaces. To this end, it will demonstrate how a 16mm film installation within a gallery space presents materiality as emergent. The paper focuses on an artwork that draws on installation's cinematic legacy Line Describing a Cone by Anthony McCall (1973). Line Describing a Cone is currently undergoing a renaissance of sorts possibly because it invokes a particularly affective interactive experience that echoes many works being …
Old Noise, New Sounds: Sonic Explorations In Gallery Spaces, Su Ballard
Old Noise, New Sounds: Sonic Explorations In Gallery Spaces, Su Ballard
Su Ballard
Leon Narbey's electronic sound and light installation Real Time opened . New Plymouth's Govett-Brewster Art Gallery in February 1970. It was a noisy exhibition. Fluorescent and neon lights constructed flickering visual spaces, swathes of black polythene disguised all internal architecture, and recording microphones and movement triggers transferred sounds from one space to another. It was simultaneously disorientating and exhilarating. Real Time was a major installation in a minor location. Outside the centres of an already. peripheral country, Real Time raised the possibility of networked electronic installation transgressing the mainstreams of both "gallery art and media art." It did this by …