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Su Ballard

Selected Works

2012

Digital

File Type

Articles 1 - 4 of 4

Full-Text Articles in Social and Behavioral Sciences

Mutable Aesthetics: Emergence In Digital Installation, Su Ballard Dec 2012

Mutable Aesthetics: Emergence In Digital Installation, Su Ballard

Su Ballard

In order to make the claim that the aesthetic specificities of digital art practices are about more than their technologies, this paper contends that the micro- and macrocosmic realms of information theory are applicable and useful in the field of art history. In his introduction to The Digital Dialectic, Peter Lunenfeld presents the impact of the digital on representational media as the recasting of 'everything' as 'digital information.' Consequently, everything can be 'stored, accessed, and controlled by the same equipment' (Lunenfeld 2000, xvi). For Lunenfeld, the digital does not merely represent an aesthetic, or a process, but operates from 'similarity …


Entropy And Digital Installation, Su Ballard Dec 2012

Entropy And Digital Installation, Su Ballard

Su Ballard

What would it mean if communication were exact? That, in spite of the real, material, spaces of message, channel, format, filters, modulations, mediation, and plain old error, it might be possible to exclude all noise and see through to some pure space of connection and transmission. Despite my curiosity, I suspect the result would be disappointingly dull, or simply redundant. The search for perfect communication is as pointless as trying to find an audio space not infected with electromagnetic waves, or a gallery space where only one work is apprehended at a time. Our communications spaces are always already determined …


Aotearoa Digital Arts Emerge, Su Ballard, Stella Brennan Dec 2012

Aotearoa Digital Arts Emerge, Su Ballard, Stella Brennan

Su Ballard

No abstract provided.


Embedded Ecologies: Teaching Digital Theory In Art And Design, Su Ballard, C Mccaw Dec 2012

Embedded Ecologies: Teaching Digital Theory In Art And Design, Su Ballard, C Mccaw

Su Ballard

We are both researchers in a traditional sense and also design and art practitioners. We work in an environment where our students make things as well as study theory. Our hypotheses surround our experiences, both as academic 'makers' and through our observations in the classroom. Our position is, that if practice and theory are integrated and embedded within art and design educational experience, meaning is brought to theory and thoughtful positioning to practice. There is a wide range of literature on the theory/practice relationship within art school environments. We draw on this material but in many ways diverge from it …