Open Access. Powered by Scholars. Published by Universities.®

Social and Behavioral Sciences Commons

Open Access. Powered by Scholars. Published by Universities.®

Faculty of Creative Arts - Papers (Archive)

Radio

Publication Year

Articles 1 - 4 of 4

Full-Text Articles in Social and Behavioral Sciences

The Affective Power Of Sound: Oral History On Radio, Siobhan A. Mchugh Jan 2012

The Affective Power Of Sound: Oral History On Radio, Siobhan A. Mchugh

Faculty of Creative Arts - Papers (Archive)

Using illustrative audio clips, this article offers insights into the historical symbiosis between oral history and radio and the relationship between orality, aurality, and affect that makes radio such a powerful medium for the spoken word. It does so through a discussion of the concept of affect as it applies to oral history on radio and through a description and analysis of crafting oral history for the radio documentary form. This article features audio excerpts from radio documentaries produced by the author. Listening to the audio portions of this article requires a means of accessing the audio excerpts through hyperlinks. …


The Art And Craft Of Radio Documentary: Some Australian Accents., Siobhan A. Mchugh Jan 2011

The Art And Craft Of Radio Documentary: Some Australian Accents., Siobhan A. Mchugh

Faculty of Creative Arts - Papers (Archive)

No abstract provided.


Radio Narrative: Considerations On Form And Aesthetic, Siobhan Mchugh Jan 2011

Radio Narrative: Considerations On Form And Aesthetic, Siobhan Mchugh

Faculty of Creative Arts - Papers (Archive)

No abstract provided.


Sibelius Cycle Preconcert And Radio Talks (4), Sydney Symphony/Ashkenazy, Sydney Opera House, Andrew N. Schultz Jan 2004

Sibelius Cycle Preconcert And Radio Talks (4), Sydney Symphony/Ashkenazy, Sydney Opera House, Andrew N. Schultz

Faculty of Creative Arts - Papers (Archive)

It Is interesting to consider the connection between hardship, suffering and turmoil in a composer's life and the capacity to create superb symphonic work. The three great symphonists of the early twentieth century show this even though they had radically different approaches to their work. Mahler was not crippled by his numerous personal tragedies but drew on them to create symphonies of transcendent scale. Shostakovlch lived through vast social and political upheaval and had to struggle to survive the Soviet system yet created public statements in his symphonies that are by turns bizarre, Ironic and triumphant. Sibelius also lived through …