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Faculty of Creative Arts - Papers (Archive)

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Making News Today: Literacy For Citizenship, David R. Blackall, Philip Reece Jan 2007

Making News Today: Literacy For Citizenship, David R. Blackall, Philip Reece

Faculty of Creative Arts - Papers (Archive)

This paper is a report on an evaluation of the Making News Today project. This project is a partnership involving the University of Wollongong, Apple Computers, WIN Television and participating schools, supported with a grant from the Australian Research Council.

Schools participating in the project are involved in the analysis and creation of news items for television. This evaluation focuses specifically on the potential of the Making News Today project as a vehicle for teaching literacy for citizenship.


Orbophone: A New Interface For Radiating Sound And Image, Damien Lock, Gregory M. Schiemer Jan 2006

Orbophone: A New Interface For Radiating Sound And Image, Damien Lock, Gregory M. Schiemer

Faculty of Creative Arts - Papers (Archive)

The Orbophone is a new interface that radiates rather than projects sound and image. It provides a cohesive platform for audio and visual presentation in situations where both media are transmitted from the same location and localization in both media is perceptually correlated. This paper discusses the advantages of radiation over conventional sound and image projection for certain kinds of interactive public multimedia exhibits and describes the artistic motivation for its development against a historical backdrop of sound systems used in public spaces. One exhibit using the Orbophone is described in detail together with description and critique of the prototype, …


Long Distance Composing For Computer Controlled Microtonal Acoustic Instruments, Warren A. Burt Jan 2005

Long Distance Composing For Computer Controlled Microtonal Acoustic Instruments, Warren A. Burt

Faculty of Creative Arts - Papers (Archive)

From mid 2004 until early 2005, I was involved in a project to compose works for a series of computercontrolled acoustic instruments, some of which are microtonal, built by Godfried Willem Raes and associates at the Logos Foundation in Gent, Belgium. However, I was in Wollongong. I composed for these works by long distance, using the internet, in a slow, non-real time manner. Further, I composed the music for these instruments using a series of over two dozen mathematical functions that I implemented for John Dunns ArtWonk and SoftStep Windows algorithmic composing environments. The pieces then, are the product of …