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University of Wollongong

Faculty of Creative Arts - Papers (Archive)

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Full-Text Articles in Social and Behavioral Sciences

All Night Silence: Live Experimental Sound In New Zealand Public Art Galleries, Su Ballard Jan 2012

All Night Silence: Live Experimental Sound In New Zealand Public Art Galleries, Su Ballard

Faculty of Creative Arts - Papers (Archive)

Since the late 19th century there have been issues with the presentation and reception of sound and music in New Zealand public art galleries. During the first New Zealand and South Seas Exhibition in 1889-1890 there were numerous musical events designed to prove New Zealand's position culturally and socially on the world stage. Audience members would spend the day traipsing around the enormous pavilions of the exhibition pausing to engage in a performance before blundering out to the next event. This mobile audience knew something about the relationship between music and art. Art was silent, static and contained within the …


All Stand For A Musical Match Made In Heaven, David C. Vance Jan 2012

All Stand For A Musical Match Made In Heaven, David C. Vance

Faculty of Creative Arts - Papers (Archive)

A review of the performance of renowned American mezzo-soprano Susan Graham partnered with the accompanist Malcolm Martineau on piano at the Opera House Studio, May 1, 2012.


It's A Small World After All: Susan Norrie's Enola, Su Ballard Jan 2005

It's A Small World After All: Susan Norrie's Enola, Su Ballard

Faculty of Creative Arts - Papers (Archive)

This essay explores the movements of cinema as it is refashioned within an art gallery space. In addition it charts a number of research ideas as they find themselves manifest alongside Australian artist Susan Norrie’s digital video installation ‘ENOLA’ (2004). The essay engages with a current argument in new media theory surrounding the influence and relevance of the cinematic apparatus for analysis of new media, and suggests that although both cinema and new media can be understood through shared aspects of movement, duration, and sound, to reference cinema directly in a digital gallery installation also introduces a number of problematic …