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Full-Text Articles in Social and Behavioral Sciences
Don't Let The Sport And Rec Officer Get Hold Of It: Indigenous Festivals, Big Aspirations And Local Knowledge, Lisa Slater
Don't Let The Sport And Rec Officer Get Hold Of It: Indigenous Festivals, Big Aspirations And Local Knowledge, Lisa Slater
Faculty of Arts - Papers (Archive)
This paper discusses the findings of a three-year study that examined the role and significance of Australian Indigenous cultural festivals on community and youth wellbeing. The study found that Indigenous organisations and communities, funded by government and philanthropic agencies, are increasingly using festivals as vehicles to strengthen social connections, intergenerational knowledge transmission and wellbeing (Phipps & Slater 2010). However, at both a state and national level, Indigenous affairs routinely continue to assert social norms based upon non- Indigenous national ideals of experience and wellbeing. On the basis of the empirical findings, it becomes clear that there is a need to …
Cyber-Indigeneity: Urban Indigenous Identity On Facebook, Bronwyn L. Lumby
Cyber-Indigeneity: Urban Indigenous Identity On Facebook, Bronwyn L. Lumby
Faculty of Arts - Papers (Archive)
The indigenous use of Facebook reflects to some degree the instruments of Indigenous identity confirmation and surveillance, which operate in the "real" world of Indigenous community networks. Of interest to this article is what Michel de Certeau calls "ways of operating", that is, the uses made by consumers of various mechanisms for purposes removed from, or different to those intended by producers and the effects of these uses in maintaining vigilance or discipline on subjects who identify as Indigenous. The aim is to open up for discussion the production of these effects in cyberspace to inform a broader interest in …
Calling Our Spirits Home: Indigenous Cultural Festivals And The Making Of A Good Life, Lisa Slater
Calling Our Spirits Home: Indigenous Cultural Festivals And The Making Of A Good Life, Lisa Slater
Faculty of Arts - Papers (Archive)
Speaking about the problems affecting Wik youth of Aurukun, Cape York, a local community health worker, Derek Walpo, lamented that ‘their spirits have wandered too far. We need to call them back’. The poignant reflection was made at a debriefing session following a social and wellbeing festival in Aurukun.1 The five‐day event culminated in a Mary G concert, in which almost all the township gathered to laugh and cheer the indomitable Broome ‘lady’. It was not just Mary G’s ribald humour that vitalised and galvanised the crowd, but also her performance that playfully reflected back and validated some of the …
Considering The Work Of Martin Nakata's "Cultural Interface": A Reflection On Theory And Practice By A Non-Indigenous Academic, Colleen Mcgloin
Considering The Work Of Martin Nakata's "Cultural Interface": A Reflection On Theory And Practice By A Non-Indigenous Academic, Colleen Mcgloin
Faculty of Arts - Papers (Archive)
This is a reflective paper that explores Martin Nakata's work as a basis for understanding the possibilities and restrictions of non-Indigenous academics working in Indigenous studies. The paper engages with Nakata's work at the level of praxis. It contends that Nakata's work provides non-Indigenous teachers of Indigenous studies a framework for understanding their role, their potential, and limitations within the power relations that comprise the "cultural interface". The paper also engages with Nakata's approach to Indigenous research through his "Indigenous standpoint theory". This work emerges from the experiential and conceptual, and from a commitment to teaching and learning in Indigenous …
Beyond Celebration: Australian Indigenous Festivals, Politics And Ethics, Lisa Slater
Beyond Celebration: Australian Indigenous Festivals, Politics And Ethics, Lisa Slater
Faculty of Arts - Papers (Archive)
In contemporary Australia public discourse about Indigeneity in general and remote Indigenous communities in particular has been circumscribed by a climate of crisis. This has awakened mainstream Australia to vast inequalities, but the discursive frame continues to disable, or severely limit, an engagement with Indigenous lived experience and values. It also protects non-Indigenous, primarily I speak of, white, settler, Australians from comprehending and taking responsibility for their/our role in re-producing Indigenous marginality. The very sovereignty of the good, white, liberal subject-citizen rests upon being the universal image of good and healthy. I argue that the resistance by white, settler Australians …
Leading The Way: Indigenous Knowledge And Collaboration At The Woolyungah Indigenous Centre, Colleen Mcgloin, Anne L. Marshall, Michael J. Adams
Leading The Way: Indigenous Knowledge And Collaboration At The Woolyungah Indigenous Centre, Colleen Mcgloin, Anne L. Marshall, Michael J. Adams
Faculty of Arts - Papers (Archive)
This paper derives from collaborative research undertaken by staff at theWoolyungah Indigenous Centre, into our own teaching practice. It articulates a particular strand of inquiry emanating from the research: the importance of Indigenous knowledges as this is taught at Woolyungah in the discipline of Indigenous Studies. The paper is a reflection of Woolyungah’s pedagogical aims, and its development as a Unit that seeks to embed other knowledges into the realm of critical inquiry within subjects taught at the Unit. It also reflects student responses to our pedagogy. The writers are Indigenous and non-Indigenous and have collaborated with all teaching staff …
Making Paper Talk: Writing Indigenous Oral Life Narratives, Michael Jacklin
Making Paper Talk: Writing Indigenous Oral Life Narratives, Michael Jacklin
Faculty of Arts - Papers (Archive)
How spoken words arc written is a corc concern in collaborative Indigenous life writing. Especially imporram, as Kimberly Blaeser notes in the citation above, are the efforts to present Indigenous narratives in a visual form that will facilitate their fe-speaking. Mindful of this goal, my argument will concentrate on (he panicular dilemma of presenting Indigenous narratives in paragraph form or formatting them in an arrangement resembling poetic lin es. While aware that this is bur one of many considerations in the process of transforming speech to writing, I argue that in a number of Indigenous li fe-writing publications it is …
Recontextualising The Award: Developing A Critical Pedagogy In Indigenous Studies, Colleen Mcgloin
Recontextualising The Award: Developing A Critical Pedagogy In Indigenous Studies, Colleen Mcgloin
Faculty of Arts - Papers (Archive)
In this paper, I evaluate the politics of teaching awards, and recontextualise the receipt of this accolade from within the framework of a collaborative and collegial teaching and learning environment. My aim is reflect critically about the relations of power that endorse and confer teaching awards. I address this in the context of a developing pedagogy that depends upon collaboration, the sharing of Indigenous knowledge and worldviews, and mutual respect, for the effective delivery of courses in the discipline of Aboriginal Studies in Australia to a diverse student body. Drawing from work in the area of critical pedagogy, the paper …
Consultation And Critique: Implementing Cultural Protocols In The Reading Of Collaborative Indigenous Life Writing, Michael Jacklin
Consultation And Critique: Implementing Cultural Protocols In The Reading Of Collaborative Indigenous Life Writing, Michael Jacklin
Faculty of Arts - Papers (Archive)
Anyone working towards the publication of indigenous life narratives is aware of the significance of cultural protocols to both the narrative exchange and the writing and editing process. In the telling and the writing of an indigenous life story, protocols determining what gets told – where, when, to whom, or for whom – influence and sometimes complicate decisions regarding the final published narrative. This is the case whether the subject of the life narrative is the writer or whether the narrative is mediated by others. Indigenous protocols – including authority and moral rights over indigenous narratives and culture, kinship rights …
My Island Home: Indigenous Festivals And Archipelago Australia, Lisa Slater
My Island Home: Indigenous Festivals And Archipelago Australia, Lisa Slater
Faculty of Arts - Papers (Archive)
It’s raining in sunny Queensland. Rain wasn’t on my mind when I left wintry Sydney; then I was wondering: why so many Indigenous festivals now? What are they doing? Where did they come from? To what effect? Having fled a chilly Sydney mid-morning, I arrive Friday afternoon (Day 1 of the Dreaming Festival): after an easy one-hour flight to Brisbane, a clean and surprisingly on-time train to Caboolture, a local school bus toWoodford, I shareWoodford’s only taxi to the festival grounds.My companions are a motley crew; only later do I appreciate that they are somewhat representative of the festivalgoer. John …
Collaboration And Closure: Negotiating Indigenous Mourning Protocols In Australian Life Writing, Michael Jacklin
Collaboration And Closure: Negotiating Indigenous Mourning Protocols In Australian Life Writing, Michael Jacklin
Faculty of Arts - Papers (Archive)
Examines 'indigenous mourning protocols, as they are negotiated in life writing texts and in all manner of public discourse in Australia...' (p.190)
Critical Injuries: Collaborative Indigenous Life Writing And The Ethics Of Criticism, Michael Jacklin
Critical Injuries: Collaborative Indigenous Life Writing And The Ethics Of Criticism, Michael Jacklin
Faculty of Arts - Papers (Archive)
The publication of collaborative Indigenous life writing places both the text and its production under public scrutiny. The same is true for the criticism of life writing. For each, publication has consequences. Taking as its starting point the recent critical concern for harm occasioned in life writing, this article argues that in the reading of collaborative Indigenous life writing, injury may eventuate from the commentary itself .... With particular regard to the collaborative texts Ingelba and the Five Black Matriarchs and [the Canadian work] Stolen Life: The Journey of a Cree Woman, this article argues that literary criticism can benefit …
Collaboration And Resistance In Indigenous Life Writing, Michael Jacklin
Collaboration And Resistance In Indigenous Life Writing, Michael Jacklin
Faculty of Arts - Papers (Archive)
Collaboration is marked by indeterminacy. It is, by nature, intermediary, interposing, intervening. In Australia, collaboration between Aboriginal and invader/settler subjects in the unfolding of colonial engagement is a topic that has received limited scholarly attention. Some studies have dealt with native police and Black trackers; others have examined local negotiations of power and discourse; but the only broad survey of collaboration is Henry Reynolds's With the White People (1990). In this work Reynolds traces the varied modes of collaboration existing between the Aborigines and the European colonists of Australia from first contact and early settlement through ro the First World …