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Full-Text Articles in Social and Behavioral Sciences
Larson's Musical Forces In Schlenker's Music Semantics, Mick De Neeve
Larson's Musical Forces In Schlenker's Music Semantics, Mick De Neeve
Baltic International Yearbook of Cognition, Logic and Communication
Larson’s musical forces of gravity, magnetism and inertia link music to metaphors of physical motion. Schlenker’s music semantics is based on similar physical world associations. Because Larson’s forces are about note movements towards harmonic stability, his framework implies note groupings at stable boundaries, given common cadential harmony. These groupings with forces assignments can then be viewed as musical events in Schlenker’s approach, and mapped to structure-preserving external (world) events as required for this author’s semantics. To this end, Schlenker’s truth definition, specifying when an event is ‘true of’ a musical expression, will be adapted. The synthesis amounts to what Schlenker …
Syntax And Semantics Of Music: Preface, Philippe Schlenker, Jurgis Skilters
Syntax And Semantics Of Music: Preface, Philippe Schlenker, Jurgis Skilters
Baltic International Yearbook of Cognition, Logic and Communication
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Sound: Dialogue, Music, And Effects, Hannah M. Chambers
Sound: Dialogue, Music, And Effects, Hannah M. Chambers
Journal of Applied Communications
Book review of Sound: Dialogue, Music, and Effects, edited by Kathryn Kalinak.