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Is Music The Barometer Of Society? Exploring How Music Mirrored Society From The Ancient World, China To Central Europe In The 21st Century, Bibi Pelić

Comparative Civilizations Review

“If one should desire to know whether a kingdom is well governed, if its morals are good or bad, the quality of its music will furnish the answer.” ― Confucius

“What music do you listen to?” Would this be a valid question to ask a presidential candidate or person looking for a high political office today? If mankind had followed the advice of Confucius, many disastrous episodes in history might have been prevented.

Music is one of the most wonderful achievements of mankind. As far back in history as we know, music has been part of man’s life. Whether it …

Gunnar Johansen: The Gentlemanly Dane, Solon Pierce

The Bridge

It is about three score and five years ago now since a certain Dane came to Dane County, Wisconsin-a decisive step, he later recounted on many occasions, "that I have never regretted." To this native Midwestern observer, it was a perfect fit. There was something homespun and authentic in the nature of the man -a sense that he was cut from the same cloth.

Hans Christian Andersen In Musical Translation, Jean Christensen

The Bridge

Those of us who work in two cultures are fascinated by the peculiar demands and limitations of translating the sensual and intellectual qualities of one language to those of another, and by the challenges of transferring ideas from one historical time to another. A similar challenge exists for today's composers who set out to transform a text into music, but this is a process that also involves other considerations, for music has the additional potential to project multidimensional time and space. H.C. Andersen was no stranger to musical renditions of his work during his lifetime. In fact, because of his …

The Impact Of American Jazz On Denmark: From The 1950s To The 1970s, Merete Von Eyben

The Bridge

This is how Leonard Malone, an American writer who lived in Denmark until his death in 1998, described Dexter Gordon's first appearance at Jazzhus Montmartre. "Harold Goldberg had arranged for Dexter to appear at the Montmartre, beginning the first week in October ... On the ninth of October 1962, Dexter finally appeared .. .late. Thin. Very thin. Tall. Very tall. Charismatic...When he finished playing ... the audience was in a state that could best be characterized as a delightful state of shock.Dexter was in town and was burning! From that evening on, Dexter became "' our man in Copenhagen."'