Social and Behavioral Sciences Commons^™

Cinematographic Language Concept And Its Peculiarities, Mekhrigiyo Shokirovna Shirinova

Scientific reports of Bukhara State University

The article lists the concept of cinematic language and its specific features. In order to translate scripts into the language of cinema - screen language, it is necessary to train a specialist called a film editor. A film editor should be aware of both the art of filmmaking and directing, as well as literature and language norms. Only then will the language of cinema be polished and achieve its purpose. Linguistics plays an important role in achieving this goal. Based on these features, it was also suggested that the language of cinema should be studied from a linguistic point of …

Our Greatest Weapon: The Rhetoric Of Invasion In Arrival And Independence Day, Emma G. Schilling

Student Publications

Inside of every alien invasion story is a central ‘us vs. them’ mentality that carries the thematic and moral weight of the story. Because of this, alien invasion films can be viewed through a postcolonial lens that reveals the destructive implications of colonialism, including a fear of the foreign and the figure of the white savior. Roland Emmerich’s Independence Day (1996) and Denis Villeneuve’s Arrival (2016) are no exception to this. Although both films are about aliens coming to Earth, the perspectives they follow in telling the story, their depictions of the military and scientists, their commentary on the role …

A Vermont Romance Turns One Hundred: Vermont's Earliest Surviving Photoplay, Martin L. Johnson, Frederick Pond

University Libraries Faculty and Staff Publications

In 2016, a hundred-year-old film spent the year touring the northern half of Vermont, drawing audiences to refurbished opera houses and picture palaces. But the picture being celebrated for its centenary year was not D. W. Griffith's Intolerance or Lois Weber's Shoes, two of the best-known films made in 1916. Instead, Vermonters were watching what they believed to be the first feature film made in their state, the fetchingly titled photoplay A Vermont Romance.

But A Vermont Romance is not a conventional feature picture. None of the people who appeared in the film had previous movie acting experience, …

Men, Women And Witchcraft: The Feminist Reclamation Of The Witch In The Modern Horror Film, Brian Joseph Hadsell

Theses and Dissertations

The witch as a figure possesses a powerful and enduring legacy in Euro-American culture; she is both a victim of patriarchal persecution and the natural enemy of a deeply-gendered society. Recent horror films that employ the witch, however, have generally done so in the form of reclaimed feminist icon: a violently retributive figure avenging the wrongs done to women both past and present. The purpose of this research is to provide insight about our acutely gendered society and culture in the times during and preceding the #MeToo movement through a semiological analysis of three recent horror films that center on …

“It’S My Metier”: The Failed Hero In Chinatown, Ann C. Hall

Heroism Science

Roman Polanski’s Chinatown (1974) presents one of film’s most memorable failed heroes, Jake Giddes. Because of its grim ending, critics tend to conclude that it is an existential noir or a reflection on Polanski’s life and times, his escape from the Holocaust as a child, the death of his wife Sharon Tate, or political events such as Watergate and Vietnam. By examining the film as through the genre of tragedy, Giddes becomes a tragic, not failed, hero, a character who can show us how to suffer nobly.

Creatively Exploring Self: Applying Organic Inquiry, A Transpersonal And Intuitive Methodology, Larisa J. Bardsley Phd

The Qualitative Report

This article explores the merit of using Organic Inquiry, a qualitative research approach that is most effectively applied to areas of psychological and spiritual growth. Organic Inquiry is a research approach where the psyche of the researcher becomes the instrument of the research, working in partnership with the experiences of participants and guided by liminal and spiritual influences. Organic Inquiry is presented as a unique methodology that can incorporate other non-traditional research methods, including intuitive, autoethnographic and creative techniques. The validity and application of Organic Inquiry, as well as its strengths and limitations are discussed in the light of the …

You've Gotta Read This: Summer Reading At Musselman Library (2020), Musselman Library

You’ve Gotta Read This: Summer Reading at Musselman Library

Each year, Musselman Library asks Gettysburg College faculty, staff, and administrators to help create a suggested summer reading list. We hope to inspire students and the rest of our community to take time in the summer to sit back, relax, and read or watch a memorable film.

With the 2020 collection, 110 employees offer 215 recommendations of favorite books, films, and television programs. These selections touch on everything from living in the Alaskan wilderness to the human experience of being wrong.

The columns featured in this year's booklet are for Reading Without Walls and Fighting for Political Power: Women’s Inclusion …

Water Avengers And Their Endgame, David M. Boje

Markets, Globalization & Development Review

No abstract provided.

Parasocial Relationships Among Film Consumers: Can Film Celebrities Influence Purchase Intentions?, Melissa Ann Tucker

Theses - ALL

This thesis explored how film celebrities and the parasocial relationships they form with their fan bases influences the purchase intentions of consumers. Specifically, this research looked at parasocial relationships’ influence on box office revenue and streaming service subscriptions. This thesis also explored social media and how film celebrities’ usage influences parasocial relationships with audiences. The results of this study found that parasocial relationships had a significant influence on the survey participants’ purchase intentions. The goal was to help marketing and public relations professionals understand how parasocial relationships can benefit celebrity clients they may acquire or film studios they may represent.

Examining The Impact Of Climate Change Film As An Educational Tool, Brittany Bondi, Salma Monani, Sarah M. Principato, Christopher P. Barlett

Student Publications

Purpose: The aim of this paper is to evaluate the effectiveness of film in communicating issues related to climate change. While previous studies demonstrate an immediate effect of a film post-screening, this study also considered if a film can inspire long-term effects, and if supplemental educational information plays a role on participant understanding.

Design/methodology/approach: Using surveys, we assessed undergraduate students’ climate change responses pre-, immediately-post, and 9-weeks post watching the climate change documentary The Human Element (Prod. Earth Vision Institute, 2018). In the 9-week interim before the final survey, half of the participants received weekly information on climate change via …

Crazy Rich Asians: A Tale Of Immigration, Globalization And Consumption In East Asia, Giana M. Eckhardt, Finola Kerrigan

Markets, Globalization & Development Review

We review the 2018 film Crazy Rich Asians in order to highlight its relevance for debates on immigration, globalization and consumption. In doing so, we argue that a new model of immigration for East Asians, distant and distinct from the American Dream, a “pull yourself up by the bootstraps” narrative infused with an Asian ethic, is being valorized in the film. We also illuminate the complexities of East Asian representation on screen, as evidenced by varying receptions to the film in America and in various regions of Asia. And, finally, we note that while the film celebrates excess in consumption …

Crazy Rich Asians: Exploring Discourses Of Orientalism, Neoliberal Feminism, Privilege And Inequality, Devi Vijay

Markets, Globalization & Development Review

In this review of Crazy Rich Asians (2018), I examine elements of orientalism, neoliberal feminism, privilege and inequality that layer the film. Specifically, I interrogate the film’s American inflection of orientalism, surfacing a constant duel between essentialized Asian and American values, where what is American eventually wins out. Independent, entrepreneurial women are integral to this narrative of global capitalist accumulation. Yet, as the East meets the West in the globalized consumptive spaces of the super-rich, inequalities in the United States and Singapore are either repackaged under the myth of meritocracy, or conveniently erased. While the film demarcates a new Hollywood …

Crazy Rich Asians: When Representation Becomes Controversial, Yikun Zhao

Markets, Globalization & Development Review

Crazy Rich Asians (2018) has been hailed as a symbol of diversity representation, but it has also been challenged for the lack of representativeness. This review analyzes the controversy from two aspects. It traces how this film was made into a progressive symbol of diversity representation through riding sociocultural trends about the rise of Asia and the anti-whitewashing campaign. It also shows that this film tells a classic Cinderella story with a contextual twist of the reversed power balance between the ‘East’ and the ‘West’. Overall, although this movie contributes to bringing attention to the long-existing void of Asian-American representation …

On The Banality Of Transnational Film, Ian Reyes, Justin Wyatt

Markets, Globalization & Development Review

“Breakthrough” global blockbusters like Black Panther (2018) and Crazy Rich Asians (2018) create disturbances among critics and firms forced to wonder if such ripples of diversity will become waves of new cinema wiping out the hegemony of Hollywood and the global West. In this essay, we establish the context for this phenomenon in terms of film’s historical relationship to marketing. Through this context, we theorize a transnational aesthetic for global blockbusters, one that may serve to limit ripples of diversity, breaking waves of change against the rocks of a banal cinema of Americanized nothingness.

Globalization Tropes In Films: A Focus On Crazy Rich Asians, Nikhilesh Dholakia, Deniz Atik

Markets, Globalization & Development Review

No abstract provided.

Agglomeration Economies: How “Y’Allywood” Became The New Hollywood, Joseph Dugan Walker

Honors Theses

Agglomeration economies have gained special attention in recent decades. With the increasing connectivity of our world, specialized regional economies are stronger now than ever before. A specific agglomeration economy that has developed in recent years is the Georgia Film Industry. This region surpassed Hollywood as the premier filming location for the first time since the early 1900s when New York was number one. This thesis analyzes the reasons why Georgia was so successful in attracting the film industry and encouraging its development by comparing infrastructure, film tax incentives, population, and labor development to that of competing states like New York, …

Wombs, Wizards, And Wisdom: Bilbo's Journey From Childhood In The Hobbit, Rory W. Collins

Crossing Borders: A Multidisciplinary Journal of Undergraduate Scholarship

In The Hobbit, J. R. R. Tolkien constructs middle-aged Bilbo Baggins as a sheltered and emotionally immature ‘child’ during the opening chapters before tracing his development into an autonomous, self-aware adult as the tale progresses. This article examines Tolkien’s novel qua bildungsroman through both a literary lens—considering setting, dialogue, and symbolism, among other techniques—and via a psychological framework, emphasizing an Eriksonian conception of development. Additionally, Peter Jackson’s three-part film adaptation of The Hobbit is discussed throughout with ways that Jackson succeeds and fails at portraying Bilbo’s childlike attributes noted. I argue that Tolkien presents a sophisticated account of Bilbo’s …

Fascist Aesthetics From 1940 To Contemporary Times, Anna M. Gellerman

Publications and Research

Movies and literature all over the world share some common aesthetics: militarization, romanticization of death, beauty of perfection, and even purity. What most don't think about is how these tropes rose to popularity due to Nazi Germany's propaganda films. This work describes these fascist aesthetics, and uses famous publications from the 1940s until now to paint just how common these themes are.

Night Of The Witch: Alternative Spirituality, Identity And Media, Andreana Tarleton

LSU Master's Theses

This thesis works to understand the relationships witches and conjurors have with the film and television depictions of them. Employing the method of film critique, I argue that the witch stands as a cultural symbol in the US of women and femmes with power, and that their stories serve as lessons to these populations about what it means to be an acceptable woman or femme, while simultaneously creating and perpetuating stereotypes of magic practitioners. Then, using the combination of hashtag ethnography, in-person and video interviewing and internet surveys, I argue that #witchblr and #witchesofcolor, as well as the space of …

Rethinking The Monstrous: Gender, Otherness, And Space In The Cinematic Storytelling Of Arrival And The Shape Of Water, Edward Chamberlain

CLCWeb: Comparative Literature and Culture

Through comparing the Hollywood films Arrival and The Shape of Water, this article explicates the films’ similar portrayals of gender, social collaboration, and monstrosity. Although the mainstream media in the United States has linked the idea of the monstrous to larger global forces, the two films suggest that “the monster” exists much closer to home. Hence, this article makes the case that monstrosity occurs in a variety of formulations such as the actions of national authorities like governmental officials that oppress and endanger a myriad of American citizens as well as newcomers. Further, this article makes the case that …

Disney's Portrayal Of Women: An Analysis Of Female Villains And Princesses, Natalie S. Wellman

Concordia Journal of Communication Research

Abstract

This study was conducted to understand how our views of women are shaped by Disney films. Specifically, this paper looks at how female villains and princesses are portrayed in nine Disney movies. These films were studied and coded for similarities and differences within specific themes. Ultimately, this study concluded there were a number of similar themes in regard to appearance, nonverbals, interactions, and common female stereotypes. The study also noted a shift between older (four movies before 1990) and newer (five movies after 1990) Disney movies; however, many of the changes do not occur until the most recent Disney …

The Colored Pill: A History Film Performance Exposing Race Based Medicines, Wanda Lakota

Electronic Theses and Dissertations

Of the 32 pharmaceuticals approved by the FDA in 2005, one medicine stood out. That medicine, BiDil®, was a heart failure medication that set a precedent for being the first approved race based drug for African Americans. Though BiDil®, was the first race specific medicine, racialized bodies have been used all throughout history to advance medical knowledge. The framework for race, history, and racialized drugs was so multi-tiered; it could not be conceptualized from a single perspective. For this reason, this study examines racialized medicine through performance, history, and discourse analysis.

The focus of this work aimed …

Shifting The Anthropocentric Paradigms Embedded In Film And Classification (Ratings) Systems That Impact Apex Species, Akkadia Ford, Zan Hammerton

Animal Studies Journal

Human interactions with nature reveal contradictions and misunderstandings based upon anthropocentric colonising behaviours. Cultural forms such as film and media have played a key role in creating and perpetuating negative affect towards nonhuman species, particularly apex species, shark, crocodile, bear, and snake. From early Hollywood films through to contemporary online series, these majestic species have been subjected to vilification and denigration onscreen, resulting in speciesism, subjugation and colonisation of animals, whilst simultaneously extending human ‘authority’ over nature and perpetuating fear – particularly of apex species. A range of hybrid genre textual examples from screen and media, from fictional (feature) and …

Best Leadership Practices Of Female Film Directors, Sara Carraway

Theses and Dissertations

Female film directors are highly underrepresented within the U.S. film industry, especially within narrative film (S.L. Smith, Pieper, & Choueiti, 2013). In 2019, only 12% of directors in the top 100 grossing films were female (Lauzen, 2020). There are several obstacles female directors face in their careers. Financing is more difficult to obtain for female directors due to stereotypes of women as risky investments (P. Smith et al., 2013). Closely tied to financing, gendered networks and homophily can prevent women from making relationships with gatekeepers and accessing the same opportunities as men (Jones & Pringle, 2015; Wing-Fai et al., 2015). …

Edward Said’S Orientalism: Trapped In Time, Samantha Glass

Capstone Showcase

Edward Said developed his theory of Orientalism in 1978. His theory looked at how Western cultures have treated the East, which includes Asia, the Middle East, and parts of Africa. There is differentiation on what parts of the Occident view the Orient, as the United States has become more tied with the Middle East. In contrast, Europe’s vast history of trade and colonization has connected them with Africa and Asia. The image that has been created has belittled cultures, taken away their meaning, and risks the people in the culture from abandoning it altogether. When power becomes a significant part …

The Evolution Of Revenge: Genre, Feminist Theory And Jennifer’S Body, Sophia Birks

Capstone Showcase

The representation and proliferation of violence against women in media, when applying genre theory, reflects the social climate of rape culture and the social response to sexual violence. Looking at the Rape-Revenge genre through the scope of Feminist Theory, the only way to reintroduce female agency into a trauma led narrative is to reclaim the tropes used to perpetuation female exploitation and a popular culture ambivalent to male on female violence. Within this subversion and deconstruction, a genre benefiting from female trauma finally includes an honest artistic retelling of that female experience. With the intention of the creator in line …

Through The Lurking Glass: A Qualitative Media Analysis Of Traditional Gender Norms And Stalking Depictions In Film, Alexandra Baril

Theses and Dissertations (Comprehensive)

This thesis examines to what extent traditional gender norms are adhered to by the depiction of stalkers within films. Stalking has only recently been recognized as a social problem. Due to the relatively new attention, there has been a lack of research surrounding the way in which stalkers and stalking behaviours are being portrayed within popular media, particularly film media. This paper uses a qualitative ethnographic content analysis approach to examine these stalking depictions. Twenty films that had a high level of stalking portrayed behaviours, and thriller genres rather than horror genres, were collected and analyzed. It was found that …