Open Access. Powered by Scholars. Published by Universities.®

Social and Behavioral Sciences Commons

Open Access. Powered by Scholars. Published by Universities.®

PDF

2010

Film

Discipline
Institution
Publication
Publication Type

Articles 1 - 15 of 15

Full-Text Articles in Social and Behavioral Sciences

Ua19/16/5 Athletic Media Relations - Film/Video/Audio File, Wku Archives Dec 2010

Ua19/16/5 Athletic Media Relations - Film/Video/Audio File, Wku Archives

WKU Archives Collection Inventories

Film, video and dvd's created by and about the Athletics Department. Files are arranged in the following sub-series:

  1. Athletic Music
  2. Athletics
  3. Basketball, Mens
  4. Basketball, Womens
  5. Cheerleading
  6. Coaches
  7. Football
  8. Golf
  9. Halftime Shows
  10. PSA's
  11. Press Conferences
  12. Sportsline


The Post-Nuclear Family And The Depoliticization Of Unplanned Pregnancy In Knocked Up, Juno, And Waitress, Kristen Hoerl, Casey Ryan Kelly Dec 2010

The Post-Nuclear Family And The Depoliticization Of Unplanned Pregnancy In Knocked Up, Juno, And Waitress, Kristen Hoerl, Casey Ryan Kelly

Department of Communication Studies: Faculty Publications

This essay explores three films from 2007, Knocked Up, Juno, and Waitress, which foreground young women’s unplanned pregnancies. These movies depoliticize women’s reproduction and motherhood through narratives that rearticulate the meaning of choice. Bypassing the subject of abortion, the women’s decisions revolve around their choice of heterosexual partners and investment in romantic relationships. Although they question the viability of the nuclear family for single pregnant women, these films represent new iterations of post-feminism that ultimately restore conservative ideas that valorize pregnancy and motherhood as women’s imperatives. We conclude by addressing how these movies present a distorted and …


The Psychopathology Of Cinema: How Mental Illness And Psychotherapy Are Portrayed In Film, Lauren Beachum Oct 2010

The Psychopathology Of Cinema: How Mental Illness And Psychotherapy Are Portrayed In Film, Lauren Beachum

Honors Projects

No abstract provided.


Vignetwork: An Exquisite Corpse Network Of Short Films, David Scott Calhoun Aug 2010

Vignetwork: An Exquisite Corpse Network Of Short Films, David Scott Calhoun

Electronic Theses and Dissertations

Vignetwork (www.Vignetwork.com) is the name for an online system of interconnected short films that comes from the combination of the terms vignette and network. By developing Vignetwork as an experiment in narrative structure, it is possible to analyze what a hypertext is and what it means as a tool, environment, and model for understanding the world. By comparing it to various other films, projects, and ideas, Vignetwork emerges as a parable for how individuals define themselves in a shared, crowded world.


You've Gotta Read This: Summer Reading At Musselman Library (2010), Musselman Library Jul 2010

You've Gotta Read This: Summer Reading At Musselman Library (2010), Musselman Library

You’ve Gotta Read This: Summer Reading at Musselman Library

Each year Musselman Library asks Gettysburg College faculty, staff, and administrators to help create a suggested summer reading list to inspire students and the rest of our campus community to take time in the summer to sit back, relax, and read. These summer reading picks are guaranteed to offer much adventure, drama, and fun!


Ideological Endzones: Nfl Films And The Countersubversive Tradition In American Politics, Nicholas R. Archer May 2010

Ideological Endzones: Nfl Films And The Countersubversive Tradition In American Politics, Nicholas R. Archer

Open Access Dissertations

This study examines the role of propaganda and popular culture in constituting the American political tradition through the study of NFL films by employing a decidedly overlooked theoretical conception of the American political tradition—the countersubversive tradition thesis. Originally put forth by Michael Rogin, the countersubversive tradition is defined as “the creation of monsters as a continuing feature of American politics by the inflation, stigmatization, and dehumanization of political foes.” It is my belief that in looking at what constitutes the individual characteristics of the countersubversive tradition in a text like a sports film it is easier to see how it …


A History Of The American Film Institute, Deborah Jae Alexander May 2010

A History Of The American Film Institute, Deborah Jae Alexander

Dissertations

The American Film Institute (AFI) is a highly politicized, powerful organization. To date, most historical documentation and recording of AFI events and activities has been disseminated to the mass media from within the organization through its own publications or in other historical documentation as incidental history in relation to another topic. This dissertation, written as an overview, is the first comprehensive, independent historical examination of the AFI. The examination begins with an exploration of the development, activities and decline of the American Council on Education‟s original AFI and other film organizations that existed prior to the present day AFI. It …


Distributed Cinema: Interactive, Networked Spectatorship In The Age Of Digital Media, Erik Wayne Marshall Jan 2010

Distributed Cinema: Interactive, Networked Spectatorship In The Age Of Digital Media, Erik Wayne Marshall

Wayne State University Dissertations

Digital media has changed much of how people watch, consume and interact with digital media. The loss of indexicality, or the potential infidelity between an image and its source, contributes to a distrust of images. The ubiquity of interactive media changes aesthetics of images, as viewers begin to expect interactivity. Networked media changes not only the ways in which viewers access media, but also how they communicate with each other about this media. The Tulse Luper Suitcases encapsulates all of these phenomena.


Review: Karen Ward Mahar (2008): Women Filmmakers In Early Hollywood, Sara Ross Jan 2010

Review: Karen Ward Mahar (2008): Women Filmmakers In Early Hollywood, Sara Ross

Communication, Media & The Arts Faculty Publications

Book review

Mahar, Karen Ward. Women Filmmakers in Early Hollywood. Baltimore: Johns Hopkins University Press, 2008.

This book will be a useful reference for feminist and film historians looking to expand their understanding of how film and business history can help to explain the gendering of filmmaking.


Prison Blockbusters: Relationships Between Prison Cinema And Student Perceptions, Jeremy Scott Mcqueen Jan 2010

Prison Blockbusters: Relationships Between Prison Cinema And Student Perceptions, Jeremy Scott Mcqueen

Online Theses and Dissertations

This study examined college students' perceptions, as they relate to prison cinema. It also discussed and analyzed reoccurring themes in prison cinema that perpetuates the prison culture in the United States. Specifically, this research addressed the following research question: How is exposure to prison cinema related to student perceptions of prisons, prisoners, and prison staff? By asking this question and analyzing the responses given by students, this study hopes to contribute to improved understanding of how popular cinema shapes the perceptions of prison culture in the United States.

The researcher utilized both quantitative and qualitative methods in gathering research data …


Cinematic Hooks For Korean Studies: Using The ‘Apache’ Framework For Inspiring Students About Korea In And Through Film, Brian M. Yecies, Ben Goldsmith Jan 2010

Cinematic Hooks For Korean Studies: Using The ‘Apache’ Framework For Inspiring Students About Korea In And Through Film, Brian M. Yecies, Ben Goldsmith

Faculty of Arts - Papers (Archive)

Developing awareness of and maintaining interest in Korea and Korean culture for non-language secondary and tertiary students continues to challenge educators in Australia. A lack of appropriate and accessible creative and cultural materials is a key factor contributing to this challenge. In light of changes made to ‘fair use’ guidelines for the Digital Millennium Copyright Act in the United States in July 2010, and in order to prepare for a time in the near future when Australian copyright regulations might follow suit, this article offers a framework for utilizing film and digital media contents in the classroom. Case studies of …


Burn After Viewing, Or, Fire In The Vaults: Nitrate Decomposition And Combustibility, Heather M. Heckman Jan 2010

Burn After Viewing, Or, Fire In The Vaults: Nitrate Decomposition And Combustibility, Heather M. Heckman

Faculty and Staff Publications

Although the fire risks associated with nitrate film stock are widely known, understanding of the relationship between nitrate decomposition and combustibility remains weak. This paper surveys the contradictory descriptions of decomposition and combustibility of motion picture film in current archival and safety literature, evaluates their sources, and compares them to descriptions by image stability researchers and chemists. Throughout, the author argues that the dialogue among the archival, safety, and scientific communities is inadequate and that no community has satisfactorily established the evolution of flammability as nitrate decomposes. The author concludes by outlining a plan for nitrate research and advocacy over …


Producing Filmed Entertainment, Alisa Perren Dec 2009

Producing Filmed Entertainment, Alisa Perren

Alisa Perren

No abstract provided.


Business As Unusual: Conglomerate-Sized Challenges For Film And Television In The Digital Arena, Alisa Perren Dec 2009

Business As Unusual: Conglomerate-Sized Challenges For Film And Television In The Digital Arena, Alisa Perren

Alisa Perren

No abstract provided.


Audience Interpretations Of "Crash", Debbie Owens Dec 2009

Audience Interpretations Of "Crash", Debbie Owens

Debbie Owens

As audience members make sense of media texts, they construct interpretations based on their individual perspectives. The film Crash portrays many instances that allowed for sustained audience discourse about culture and ethnicity, gender, and race and racism. The author analyses audiences' reactions to and interpretations of the 2005 Academy Award winning film.