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Full-Text Articles in Social and Behavioral Sciences

Peak Oil And Transition: The Making Of A Documentary Video, John A. Duvall Oct 2015

Peak Oil And Transition: The Making Of A Documentary Video, John A. Duvall

John Duvall

Many scientists and academics have raised serious concerns regarding the depletion of fossil fuels—especially the peaking of oil production—and its impact upon society. According to these researchers, oil for transportation and production will soon become expensive and scarce, and known alternative sources of energy will be insufficient to make up the difference within the required time frame. Therefore, world civilization (and the United States in particular) will soon undergo a crisis in energy supply that will have significant impacts on the structure of community life, economic wellbeing, political organization, and individual lifestyles. One response to these threats is to attempt …


Denial And Concealment Of Unwanted Pregnancy: "A Film Hollywood Dared Not Do", Susan Ayres, Prema Manjunath Jul 2015

Denial And Concealment Of Unwanted Pregnancy: "A Film Hollywood Dared Not Do", Susan Ayres, Prema Manjunath

Susan Ayres

The actual cases and two films examined in this essay challenge stock narratives of mothers who deny or conceal unwanted pregnancy as a monster, or a victim, and also challenge "legal norms, logic and structures" pertaining to unwanted pregnancy and neonaticide. This essay draws on films because of their influential power to "reach enormous audiences by combining narratives and appealing characters with visual imagery and technological achievement, ... stir deep emotions and leave deep impressions." For these reasons, Orit Kamir asserts that films are more compelling than "theoretical legal texts or even judicial rhetoric." The two films examined -- Stephanie …


Pretty Woman: Twenty-Five Years Of Lies About Prostitution, Donna M. Hughes Dr. Apr 2015

Pretty Woman: Twenty-Five Years Of Lies About Prostitution, Donna M. Hughes Dr.

Donna M. Hughes

No abstract provided.


Pretty Woman: 25 Ans De Mensonges Au Sujet De La Prostitution, Donna M. Hughes Dr. Apr 2015

Pretty Woman: 25 Ans De Mensonges Au Sujet De La Prostitution, Donna M. Hughes Dr.

Donna M. Hughes

No abstract provided.


The “Babe” Vegetarians: Bioethics, Animal Minds And Moral Methodology, Nathan Nobis Mar 2015

The “Babe” Vegetarians: Bioethics, Animal Minds And Moral Methodology, Nathan Nobis

Nathan M. Nobis, PhD

Here I discuss the role the film “Babe” has played in helping people address these challenges and make this moral progress. It is thought that a significant number of young people (mostly girls, now young women) became vegetarians due to their seeing “Babe.” These people are often called “Babe Vegetarians,” influence by what has been called “The Babe Effect.” Many of their stories are found on the internet.


Graffiti Goes To The Movies: American Fictional Films Featuring Graffiti Artists/Writers And Themes, Jeffrey Ian Ross Ph.D. Dec 2014

Graffiti Goes To The Movies: American Fictional Films Featuring Graffiti Artists/Writers And Themes, Jeffrey Ian Ross Ph.D.

Jeffrey Ian Ross Ph.D.

Since the early 1980s, in addition to the increase in graffiti and street art in many urban contexts, a number of movies have been made that have either examined this phenomenon and the people who engage in this activity, or used graffiti and street art as a backdrop to tell a story. This article briefly reviews the scholarly literature that examines movies that portray criminals and criminal actions, and then analyzes seven American-produced fictional (drama) films using graffiti writers/artists as major characters and then draws generalizations about them. Although this is not a semiotic analysis of the films, to the …


Bridging The Political Deficit: Loss, Morality And Agency In Films Addressing Climate Change, Philip Hammond Sep 2014

Bridging The Political Deficit: Loss, Morality And Agency In Films Addressing Climate Change, Philip Hammond

Philip Hammond

This article examines the emotional rhetorical strategies of three films – The Day After Tomorrow (2004), An Inconvenient Truth (2006) and The Age of Stupid (2009) – which attempt to create engagements with the “post-political” problem of climate change. In all three films the experience of personal loss, the potential for future loss, and the emotions associated with loss are fundamental to affective engagement. The emotional loading of representations of environmental problems derives partly from concerns about human political agency and subjectivity. It is not so much that emotional or moral appeals are simply added on in order to bolster …


Seeking An Identity: The Portrayal Of Archivists In Film, Anne Daniel, Amanda Oliver Jun 2014

Seeking An Identity: The Portrayal Of Archivists In Film, Anne Daniel, Amanda Oliver

Anne Daniel

The image of archivists in media can sometimes seem nebulous. From descriptions of dusty, unorganized vaults and cardigan-clad gatekeepers, there appears to be many stereotypes perpetuated in media. Building upon previous research in this area, this study aims to investigate how archivists are portrayed in film. Films involving archives and archivists were selected and a content analysis of these films was conducted to address the following questions: is there an archivist in the film and how is the character portrayed? Can specific stereotypes be identified? Do archivists have their own distinct identities in films or is the archivist a non-descript …


Roll Out The Red Carpet: Australian Nurses On Screen, Cathy Bridgen, Lisa Milner Jan 2014

Roll Out The Red Carpet: Australian Nurses On Screen, Cathy Bridgen, Lisa Milner

Dr Lisa Milner

Cultural connections with caring and femininity have long been associated with the nursing profession, with mainstream media representations often reinforcing stereotypical depictions of nurses. Although more recent mainstream media portrayals increasingly depict nurses as strong, assertive professionals, little research has been conducted into films made by nurses. When nurses take on the filmmaking task, different outcomes are produced, and when their trade union is involved, unionist filmmaking becomes an organizing strategy. This qualitative study, using content and document analysis and interviews, analyzes a selection of films made by, for, and about Australian unionized nurses. We examine a generation of nurse-made …


Remarkable Synergistic Effects In A Mixed Porphyrin Dye-Sensitized Tio2 Film, Attila J. Mozer, Gordon G. Wallace, David L. Officer, Matthew Griffith, Pawel W. Wagner, Klaudia K. Wagner, George Tsekouras, Shogo Mori, Ying Dong Mar 2013

Remarkable Synergistic Effects In A Mixed Porphyrin Dye-Sensitized Tio2 Film, Attila J. Mozer, Gordon G. Wallace, David L. Officer, Matthew Griffith, Pawel W. Wagner, Klaudia K. Wagner, George Tsekouras, Shogo Mori, Ying Dong

Gordon Wallace

A remarkable 300% efficiency enhancement driven by a matching increase in the short circuit current was observed in a mixed porphyrin dye-sensitized solar cell constructed from two dyes in a 3:1 ratio. Absorbed photon-to-current conversion efficiency measurements indicate an improved charge injection yield for both dyes in the mixture. Several possible origins for the observed performance enhancement are discussed.


Power Of The Korean Film Producer: Dictator Park Chung Hee's Forgotten Film Cartel Of The 1960s Golden Decade And Its Legacy, Ae-Gyung Shim, Brian Yecies Feb 2013

Power Of The Korean Film Producer: Dictator Park Chung Hee's Forgotten Film Cartel Of The 1960s Golden Decade And Its Legacy, Ae-Gyung Shim, Brian Yecies

Dr Brian Yecies

After censorship was eliminated in 1996, a new breed of writer-directors created a canon of internationally provocative and visually stunning genre-bending hit films, and new and established producers infused unprecedented venture capital into the local industry. Today, a bevy of key producers, including vertically integrated Korean conglomerates, maintain dominance over the film industry while engaging in a variety of relatively near-transparent domestic and international expansion strategies. Backing hits at home as well as collaborating with filmmakers in China and Hollywood have become priorities. In stark contrast to the way in which the film business is conducted today is Korean cinema’s …


Power Of The Korean Film Producer: Dictator Park Chung Hee's Forgotten Film Cartel Of The 1960s Golden Decade And Its Legacy, Ae-Gyung Shim, Brian Yecies Feb 2013

Power Of The Korean Film Producer: Dictator Park Chung Hee's Forgotten Film Cartel Of The 1960s Golden Decade And Its Legacy, Ae-Gyung Shim, Brian Yecies

Dr Brian Yecies

After censorship was eliminated in 1996, a new breed of writer-directors created a canon of internationally provocative and visually stunning genre-bending hit films, and new and established producers infused unprecedented venture capital into the local industry. Today, a bevy of key producers, including vertically integrated Korean conglomerates, maintain dominance over the film industry while engaging in a variety of relatively near-transparent domestic and international expansion strategies. Backing hits at home as well as collaborating with filmmakers in China and Hollywood have become priorities. In stark contrast to the way in which the film business is conducted today is Korean cinema’s …


Consuming Nature: Mass Media And The Cultural Politics Of Animals And Environments, Carrie Packwood Freeman, Jason Jarvis Dec 2012

Consuming Nature: Mass Media And The Cultural Politics Of Animals And Environments, Carrie Packwood Freeman, Jason Jarvis

Carrie P. Freeman

The commercially-driven mass media package human identity and all our surrounding environment for daily consumption in the public sphere. It is of critical importance whether media choose to ignore humanity’s responsibility toward the natural world and simply have us consume it as a product, or whether they actively cultivate ecological responsibility and newfound respect toward animals as fellow sentient beings. This chapter explores the necessity, potential, and challenges of relying on the media (journalism, television, advertising, film, radio, internet, etc.) to inspire the social change needed to reverse the destructive behaviors and beliefs that are contributing to our global ecological …


Tolerance Is Law: Remixing Homage Parodying Plagiarism, Mathias Klang, Jan Nolin Aug 2012

Tolerance Is Law: Remixing Homage Parodying Plagiarism, Mathias Klang, Jan Nolin

Mathias Klang

Three centuries have passed since copyright law was developed to stimulate creativity and promote learning. The fundamental principles still apply, despite radical developments in the technology of production and distribution of cultural material. In particular the last decades’ developments and adoption of ICTs have drastically lowered barriers, which previously prevented entry into the production and distribution side of the cultural marketplace, and led to a widening of the base at which cultural production occurs and is disseminated. Additionally, digitalisation has made it economically and technically feasible for users to appropriate and manipulate earlier works as method of production. The renegotiation …


Korean Post New Wave Film Director Series: Kim Ki-Duk, Brian M. Yecies, Aegyung Shim Yecies Nov 2011

Korean Post New Wave Film Director Series: Kim Ki-Duk, Brian M. Yecies, Aegyung Shim Yecies

Dr Brian Yecies

Shortly after the release of his new film Bad Guy (Korea 2001), KIM Ki-Duk announced that he was not giving any more interviews. He took a vow of silence, because many of his critics had been criticizing him. I decided to ask him for an interview anyway. He accepted my invitation right away. I reviewed his website (www.kimkiduk.com), which includes my harsh criticism about his films, and I read his past interviews. There were 21 interviews and 37 reviews about his new film Bad Guy. I printed 184 articles written by his fans and harsh opponents and read them randomly.


Film Policy And The Coming Of Sound To Cinema In Colonial Korea, Brian M. Yecies Nov 2011

Film Policy And The Coming Of Sound To Cinema In Colonial Korea, Brian M. Yecies

Dr Brian Yecies

During the transition between silent and sound cinema in Korea (1929-1939), Japanese colonial film policies established stringent market barriers for local Hollywood distribution exchanges and simultaneously increased opportunities for domestic Korean and Japanese film productions. The Government-General of Korea enacted regulatory initiatives, including film censorship, as part of Japan's larger imperial agenda aimed at strengthening and expanding its Empire. In turn, the domestic film industry in Korea was invigorated and modernized by a number of Korean film people (younghwa-in) who gained valuable experience and training while travelling back and forth between Korea and Japan. Korean film pioneers innovated local solutions …


What The Boomerang Misses: Pursuing International Film Co-Production Treaties And Strategies, Brian M. Yecies Nov 2011

What The Boomerang Misses: Pursuing International Film Co-Production Treaties And Strategies, Brian M. Yecies

Dr Brian Yecies

This refereed paper illustrates some of the dynamic ways that members of the Korean, Australian, New Zealand and Chinese creative and cultural industries have engaged with international instruments such as co-production treaties. Strategies, benefits returned and lost costs, that is, sacrifices that are made in the process of producing a film or digital media program in more than one country, and/or with an international team are investigated to reveal how creators are engaging with the demands of different governments' policies. It is hoped that this paper and the larger research project to which it is attached will assist scholars, creative …


Cinematic Hooks For Korean Studies: Using The ‘Apache’ Framework For Inspiring Students About Korea In And Through Film, Brian M. Yecies, Ben Goldsmith Nov 2011

Cinematic Hooks For Korean Studies: Using The ‘Apache’ Framework For Inspiring Students About Korea In And Through Film, Brian M. Yecies, Ben Goldsmith

Dr Brian Yecies

Developing awareness of and maintaining interest in Korea and Korean culture for non-language secondary and tertiary students continues to challenge educators in Australia. A lack of appropriate and accessible creative and cultural materials is a key factor contributing to this challenge. In light of changes made to ‘fair use’ guidelines for the Digital Millennium Copyright Act in the United States in July 2010, and in order to prepare for a time in the near future when Australian copyright regulations might follow suit, this article offers a framework for utilizing film and digital media contents in the classroom. Case studies of …


Producing Filmed Entertainment, Alisa Perren Dec 2009

Producing Filmed Entertainment, Alisa Perren

Alisa Perren

No abstract provided.


Business As Unusual: Conglomerate-Sized Challenges For Film And Television In The Digital Arena, Alisa Perren Dec 2009

Business As Unusual: Conglomerate-Sized Challenges For Film And Television In The Digital Arena, Alisa Perren

Alisa Perren

No abstract provided.


Audience Interpretations Of "Crash", Debbie Owens Dec 2009

Audience Interpretations Of "Crash", Debbie Owens

Debbie Owens

As audience members make sense of media texts, they construct interpretations based on their individual perspectives. The film Crash portrays many instances that allowed for sustained audience discourse about culture and ethnicity, gender, and race and racism. The author analyses audiences' reactions to and interpretations of the 2005 Academy Award winning film.


Review Of Happy Endings, Donna M. Hughes Dr. May 2009

Review Of Happy Endings, Donna M. Hughes Dr.

Donna M. Hughes

Tara Hurley, the filmmaker, has testified before the RI House Judiciary Committee and said on talk shows that based on observations making the film, there is no sex trafficking in Rhode Island. This is the view that is conveyed by “Happy Endings?” There are serious omissions of information about the people in the film and political biases that the filmmaker does not acknowledge. 


Gaelic Games And “The Movies”, Seán Crosson Dr. Jan 2009

Gaelic Games And “The Movies”, Seán Crosson Dr.

Seán Crosson

From the earliest days of the cinema, sport was one of the most popular subjects of representation. Unsurprisingly, when film arrived in Ireland, Irish sport, including gaelic games, would soon feature. Gaelic games were exhibited in both actualities and newsreel, even if many of these, particularly between the wars, would emerge from foreign companies, often with a strong British bias. However, it is difficult to definitively identify a distinct genre of Irish sports film per se – outside of documentary - and indeed few Irish fiction films that feature sport at all, and still less that feature gaelic games. However, …


Introduction: Does The World Really Need One More Field Of Study?, Alisa Perren Dec 2008

Introduction: Does The World Really Need One More Field Of Study?, Alisa Perren

Alisa Perren

No abstract provided.


Scolding John Q.: Articulating A Normative Relationship Between Politics And Entertainment, Emily West Jan 2005

Scolding John Q.: Articulating A Normative Relationship Between Politics And Entertainment, Emily West

Emily E. West

The 2002 hostage drama John Q. triggered a discussion among journalists, the public, and the policy community about the proper relationship between politics and entertainment. In this debate the criteria for good journalism and good political discourse were frequently invoked to evaluate this Hollywood film. This discussion, which spilled out of the film criticism pages into news and commentary pages, shows how public sphere models of political discourse are privileged even though they may not be a good fit for fictional media. John Q.’s success in triggering public discussion and awareness about health policy issues seems to illustrate DeLuca & …


Review Of It's My Life, A Film By Brian Tilley, John Stephen Brantley Jan 2002

Review Of It's My Life, A Film By Brian Tilley, John Stephen Brantley

Steve Brantley

No abstract provided.


Review Of 6000 A Day: Account Of A Catastrophe Foretold, A Film By Philip Brooks, John Stephen Brantley Jan 2002

Review Of 6000 A Day: Account Of A Catastrophe Foretold, A Film By Philip Brooks, John Stephen Brantley

Steve Brantley

No abstract provided.


Review Of Searching For Hawa's Secret, John Stephen Brantley Jan 2000

Review Of Searching For Hawa's Secret, John Stephen Brantley

Steve Brantley

No abstract provided.