Social and Behavioral Sciences Commons^™

Addressing Inaccessibility To Library Services: Perspectives Of Students With Visual Impairment In A Nigerian University, Ngozi Eunice Osadebe

New Librarianship Symposia Series: Fall 2021

The problem of access to library services for students with visual impairment in African countries has been noted by several authors (Ekwelem (2013), Ayoung, Baada & Baayel (2021) and Aubrey & Mapulanga, 2016)). In response to many of the problems people with visual impairment encounter in libraries, the International Federation of Library Associations (IFLA) in 2016 endorsed the Marrakesh treaty and encouraged other libraries to adopt it to minimize the key barriers to access to information experienced by people with visual impairment. In line with this, many academic libraries in Nigeria, notably, Nnamdi Azikiwe Library University of Nigeria, Nsukka modified …

Fostering Equity, Diversity, And Inclusion By Adopting Universal Design For Learning Principles In Academic Libraries, Stefanie Havelka, Rebecca Arzola

New Librarianship Symposia Series: Fall 2021

Academic librarians support the Ethical Code of Conduct and have always embraced students and patrons with various abilities. This paper draws together research on Universal Design for Learning (UDL) and showcases practical guidelines for academic library services. Since UDL is such a multifaceted framework, this article will not address all areas academic libraries can adopt it into their work practice. Instead, it will focus on the “traditional triad of public services: access, reference, and instruction.” (Coleman, Mallon, & Lo, 2015, p. 674)

The Universal Design for Learning (UDL) framework explores accessibility, assistive technology, attitudinal barriers, collaboration, equity, and proactively adjusting …

Moving Beyond World Music: An Exploration Of Non-Western Music Cataloging Practices In Higher Education And Where To Go From Here, Alastair L. Canavan

New Librarianship Symposia Series: Fall 2021

The term “world music” has been used for decades as a catchall genre to describe any form of music outside of Western classical. As a byproduct of the eurocentrism pervasive throughout academia, its use furthers a bubble that others or ignores Non-Western cultures and their music. By examining the public-facing catalogs of 13 university libraries across 10 different countries to determine to what extent Non-Western music is included in their collections, how it is cataloged, and if the term “world music” is used to do so, the specific cataloging practices and norms that perpetuate a bias toward Western classical music …