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- Keyword
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- African American authors (3)
- African American cultural theory (3)
- African American literature (3)
- Gender violence (2)
- India (2)
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- Japan (2)
- Post-Civil Rights era (2)
- Post-Civil Rights era movements and culture (2)
- Post-soul aesthetic (2)
- South Africa (2)
- African American beauty standards (1)
- African American hair (1)
- African American identity (1)
- African American music (1)
- African American studies (1)
- African American vernacular tradition in music (1)
- African Americans in academia (1)
- African-American hair (1)
- Audience participation in musical performance (1)
- Barack Obama (1)
- Beauty (1)
- Black hair theory (1)
- Cultural musical tradition (1)
- Danzy Senna (1)
- Discourse (1)
- Dreadlocks (1)
- Ethnic identity (1)
- Exploration (1)
- Gender norms (1)
- Hair and nonconformity (1)
Articles 1 - 14 of 14
Full-Text Articles in Social and Behavioral Sciences
Section Iii: Gender-Based Violence And Society, Gavin Patrick Gray, Nidhi Shrivastava, Deepesh Nirmaldas Dayal
Section Iii: Gender-Based Violence And Society, Gavin Patrick Gray, Nidhi Shrivastava, Deepesh Nirmaldas Dayal
English Faculty Publications
This chapter is a transcript of an open-ended discussion that occurred between the authors when they met to discuss the subject matter of the third section of the book, which focuses on cultural and normative attitudes toward the problem of gender violence. As with the previous introductory dialogues, the discussion takes place after preliminary drafts have been completed and the authors share their thoughts on the subjects that they will each discuss in more detail in the following chapters. These include the culture of silence surrounding rape in India, the way masculine gender norms impact the treatment of women in …
Section I: Gender-Based Violence, Gavin Patrick Gray, Nidhi Shrivastava
Section I: Gender-Based Violence, Gavin Patrick Gray, Nidhi Shrivastava
English Faculty Publications
This chapter is a transcript of an open-ended discussion that occurred between the authors when they met to discuss the subject matter of the first section of the book, which focuses on areas where serious ongoing problems of gender violence are receiving insufficient attention. The discussion took place after preliminary drafts had been completed and the authors share their thoughts on the subjects they will each discuss in more detail in the following chapters – including the cultural representation of historical gender violence in India, the treatment of women in Japan's sex industry and attitudes towards LGBTQ+ groups in South …
Afterlives Of Indigenous Archives: Essays In Honor Of "The Occom Circle" [Book Review], Drew Lopenzina
Afterlives Of Indigenous Archives: Essays In Honor Of "The Occom Circle" [Book Review], Drew Lopenzina
English Faculty Publications
(First paragraph) Afterlives of Indigenous Archives takes its title from Anishinaabe author Gerald Vizenor who is, in turn, repurposing a quote from French theorist Jacques Derrida who, in his 1995 work, Archive Fever, referred to the archive as that which gestures toward “an excess of life,” something that “resists annihilation” (183). This excess, or “afterlife,” of the archive remains, for Vizenor at least, an unexpected location of Indigenous survivance—a site from which, despite every violent attempt to colonially contain and collapse Native presence, it is still possible to carry something forward from the ruins of representation. With this in mind, …
Whitewash: Nationhood, Empire, And The Formation Of Portuguese Racial Identity, Manuela Mourao
Whitewash: Nationhood, Empire, And The Formation Of Portuguese Racial Identity, Manuela Mourao
English Faculty Publications
This article analyzes the origins and development of Portuguese racial identity as reflected in chronicles of the Portuguese first contacts with Africa and the East and in the context of the nation's cultural history. Starting in the late 1400s with the arrival of Vasco da Gama's ships in India, and continuing well into the sixteenth century with the establishment of commercial outposts along a number of coastal areas in the Indian Ocean, the interaction between the Portuguese and the non-Western world had a significant impact on the cultures of all nations involved and, this article contends, on the formation of …
The Obama Effect On American Discourse About Racial Identity: Dreams From My Father (And Mother), Barack Obama's Search For Self, Suzanne W. Jones
The Obama Effect On American Discourse About Racial Identity: Dreams From My Father (And Mother), Barack Obama's Search For Self, Suzanne W. Jones
English Faculty Publications
During the 2008 presidential campaign, Joseph Curl reported that the Obama organization "would not answer when asked why the biracial candidate calls himself black," replying only that the question didn't "seem especially topical." Biracial ancestry and racial identity are still sensitive subjects in the United States, not suitable for sound bites. But they are perfect topics for the introspective musings of an autobiography, and Barack Obama must have thought he had answered this question in depth in Dreams from My Father (1995). In his introduction, Obama hesitates to use the term "autobiography" because it connotes, he says, "a certain closure"; …
Invisible Dread, From Twisted: The Dreadlock Chronicles, Bertram D. Ashe
Invisible Dread, From Twisted: The Dreadlock Chronicles, Bertram D. Ashe
English Faculty Publications
This excerpt traces the issues and process surrounding the dreadlocking of an African-American professor's hair. The personal history leading up to the decision to grow locks is briefly addressed, as is the experience of getting twisted for the first time and some reactions to the new hairstyle. Twisted discusses issues of cultural authenticity and academic nonconformity. It examines dreadlocks as a pathway to explore black identity, but in opposing ways: the act of locking ones hair does display unconventional blackness - but it also participates in a preexisting black style. To what extent, the excerpt asks, can the adoption of …
These - Are - The "Breaks": A Roundtable Discussion On Teaching The Post-Soul Aesthetic, Bertram D. Ashe, Crystal Anderson, Mark Anthony Neal, Evie Shockley, Alexander Weheliye
These - Are - The "Breaks": A Roundtable Discussion On Teaching The Post-Soul Aesthetic, Bertram D. Ashe, Crystal Anderson, Mark Anthony Neal, Evie Shockley, Alexander Weheliye
English Faculty Publications
We met at Duke University - mid-summer, in the mid Atlantic, at mid-campus - to talk about teaching courses that focused on the post-soul aesthetic. We met outside the John Hope Franklin Center, and soon enough we five youngish black professors were walking a hallway towards a conference room near the African and African American Studies program. Not at all surprisingly, the walls of the hallway were lined with framed photographs of the esteemed John Hope Franklin at various stages throughout his long and storied career. For me, given the topic I was about to raise among these professional colleagues, …
Theorizing The Post-Soul Aesthetic: An Introduction, Bertram D. Ashe
Theorizing The Post-Soul Aesthetic: An Introduction, Bertram D. Ashe
English Faculty Publications
It's time. Clearly, it's time. As I begin this introduction, in the spring of 2006, landmark anniversaries press in on me from every side: 20 years ago, Greg Tate wrote "Cult-Nats Meet Freaky-Deke: the Return of the Black Aesthetic" for the Village Voice in the fall of 1986. And Spike Lee's She's Gotta Have It - that totemic post-soul anthem - was released in the summer of 1986, as well. More personally, I first taught Trey Ellis's essay "The New Black Aesthetic" in 1991,15 years ago, and I inaugurated my post-soul aesthetic course in the Spring semester of 1996 - …
Interracial Love, Virginians' Lies, And Donald Mccaig's Jacob's Ladder, Suzanne W. Jones
Interracial Love, Virginians' Lies, And Donald Mccaig's Jacob's Ladder, Suzanne W. Jones
English Faculty Publications
The Old South's taboo against love between blacks and whites has cast a long shadow. No cross-racial relationship has been so pathologized by American society. Even in 1967, when the Supreme Court finally declared antimiscegenation laws unconstitutional in the case of Loving v. Virginia, sixteen states still prohibited interracial marriage, down from thirty states as recently as 1948. Not until 1998 and 2000 did ballot initiatives in South Carolina and Alabama finally eliminate the last of the antimiscegenation laws, although no one had tried to enforce them for years. Recent U.S. census figures show interracial unions increasing--up from 3 …
Passing As Danzy Senna, Bertram D. Ashe, Danzy Senna
Passing As Danzy Senna, Bertram D. Ashe, Danzy Senna
English Faculty Publications
Caucasia, written by Danzy Senna, is part of a growing sub-genre of African-American novels, some of which announce their themes by their titles: White Boys, by Reginald McKnight; The White Boy Shuffle, by Paul Beatty; The Last Integrationist, by Jake Lamar; and Negrophobia, by Darius James, to name a few. Caucasia is a "Post-Soul" novel that explores the world of "mullatos" - both cultural and racial. But even though artists such as Kara Walker, photographer Lorna Simpson, and essayist Lisa Jones also explore the vicissitudes of post-Civil Rights Movement Black identity, in Black fiction its …
"Under The Umbrella Of Black Civilization": A Conversation With Reginald Mcknight, Bertram D. Ashe
"Under The Umbrella Of Black Civilization": A Conversation With Reginald Mcknight, Bertram D. Ashe
English Faculty Publications
Talking to Reginald McKnight is like scanning an imaginary worldwide radio dial. At any given moment he can transform his pleasant speaking voice into a raspy, aged, Middle Eastern-by-way-of-New York accent - or a deep Southern drawl. In an instant he can switch from a precise West African dialect to hip, urban street lingo, and then effortlessly segue back to his normal voice. McKnight says he "hit the ground running" as a mimic, and his talent was broadened as he lived all over the United States as the son of an Air Force sergeant. His time spent on the road …
"Hair Drama" On The Cover Of "Vibe" Magazine, Bertram D. Ashe
"Hair Drama" On The Cover Of "Vibe" Magazine, Bertram D. Ashe
English Faculty Publications
This study consists of a cultural reading of the cover photograph of the June-July 1999 issue of Vibe magazine. It explores the relationship between Mase, an African-American male rap star, and the three anonymous African-American female models that surround him. The study interprets the cover through the long, straightened hair of the models, locating the models' hair in a historically-informed context of black hair theory and practice. The study argues that the models' presence on the cover, particularly their "bone straight and long" hair, "enhances" Mase in much the same way breast-augmented "trophy women" "enhance" their mates. Ultimately, the study …
On The Jazz Musician's Love/Hate Relationship With The Audience, Bertram D. Ashe
On The Jazz Musician's Love/Hate Relationship With The Audience, Bertram D. Ashe
English Faculty Publications
An assistant professor of English at the College of the Holy Cross, Bertram D. Ashe discusses how the intersection of an African American cool style with a black vernacular tradition and multi-racial audiences complicates audience-performer relations. In the vernacular tradition, performers play not "to" but "with" an audience, drawing on the call-response patterns that characterize the black aesthetic. Ashe notes that the vernacular tradition is not racial but cultural, and class can be as important a marker as race in determining audience expectations. Differing cultural backgrounds create, in Ashe's words, "competing realities," distinct sets of expectations that can shape a …
"Why Don't He Like My Hair?": Constructing African-American Standards Of Beauty In Toni Morrison's "Song Of Solomon" And Zora Neale Hurston's "Their Eyes Were Watching God", Bertram D. Ashe
English Faculty Publications
African-Americans, with their traditionally African features, have always had an uneasy coexistence with the European (white) ideal of beauty. According to Angela M. Neal and Midge L. Wilson, "Compared to Black males, Black females have been more profoundly affected by the prejudicial fallout surrounding issues of skin color, facial features, and hair. Such impact can be attributed in large part to the importance of physical attractiveness for all women" (328). For black women, the most easily controlled feature is hair. While contemporary black women sometimes opt for cosmetic surgery or colored contact lenses, hair alteration (i.e., hair-straightening "permanents," hair weaves, …