Social and Behavioral Sciences Commons^™

Pictorial Bionomics: Santa Ana River Record And Survey, Caleb Lachelt

Student Scholar Symposium Abstracts and Posters

Intense conflict is unfolding in Southern California, and it runs right through our cities every day. It goes unnoticed by most, but its outcome will decide the future for humans and nature alike. This conflict is between human development and the natural majesty of our waterways. The foundation of Orange and surrounding areas is historic wetlands, which have caused massive flooding that destroys human lives and buildings. In response to this destruction, we have unleashed our own damage, paving entire sections of our rivers and erecting dams and levees wherever we can. Through this process we have successfully protected those …

Unveiling Existentialism And Self-Expression: Utilizing The Arts, Raquel Eduardo Nunez

Undergraduate Honors Theses

This analysis is an exploration of identity through the examination of art as a means of self-expression and societal critique. It delves into existentialism to explain the impacts of art on both positive societal experiences and negative interactions unique to the immigrant and Mexican American community. The artist, Raquel Eduardo Nuñez, examines their own art to dissect their position in life as a Mexican-born individual living in a foreign country. This method was chosen to allow a space of self-reflection and awareness to explore the components that shape identity and reveal art as a medium for interpretation of links between …

Photography, Architecture, And Environment: An Architectural Analysis Of Edward Ruscha’S 26 Gasoline Stations, Rebecca Tonguis

Belmont University Research Symposium (BURS)

This presentation explores Edward Ruscha’s photobook 26 Gasoline Stations through an architectural lens. Specifically, it treats Ruscha’s work as historic evidence of how consumption, industry, and commodity have infiltrated all kinds of environmental contexts through architectural manifestations. Known for being the first artist’s book, 26 Gasoline Stations ambiguously exists as both fine art and documentation of everyday conditions, with the overall graphic character highlighting its perceived focus on overarching narrative. Since gasoline stations are the primary subject of each of the 26 photographs, the subject of this work is arguably architecture, suggesting that the historic relationship between mass gas consumption—or …

Through The Lens Of Time: Capturing The Ephemeral Magic Of The Circus, Rebecca Fitzsimmons

Faculty and Staff Publications – Milner Library

Images in the Charles Clarke Circus Photographs Collection document the Ringling Bros. and Barnum & Bailey Circus in the 1920s. Clarke, a leaper in the world-renowned aerial act, The Clarkonians, would have been in a relatively unique position to capture views of the circus from the vantage point of an insider. The resulting images carry the weight of that perspective. The photographs document important aspects of the circus, showing performers like Lillian Leitzel and May Wirth, spectacle wardrobe, practices and performances in the ring, and quieter moments behind the big top.

The images document a particular point in time, freezing …

Ua1c11/125 Arndt Stickles Photo Collection, Wku Archives

WKU Archives Collection Inventories

Photographs removed from Arndt Stickles personal papers.

Ua1c11/122 Wku Panhellenic Council Photo Collection, Wku Archives

WKU Archives Collection Inventories

Photographs removed from Panhellenic Council scrapbooks.

Ua1c11/127 Stephen Flora Photo Collection, Wku Archives

WKU Archives Collection Inventories

Photographs donated by WKU alumnus Stephen Flora, taken for class and College Heights Herald.

Ua1c11/128 Lucian Flora Photo Collection, Wku Archives

WKU Archives Collection Inventories

Photographs and postcards removed from Lucian Flora's World War II scrapbook.

Archaeological Photography: The United Kingdom, Madeline Scholten

WWU Honors College Senior Projects

Archaeological photography is an interdisciplinary aspect of archaeological endeavors that is key in allowing archaeological finds to be accessible to a general audience. This facet is key in data collection and distribution within the field as it is to the general public.

Photography is something that people are exposed to, possibly even partaking in, on a daily basis, but photography goes a lot deeper than simply capturing a still image. The history of photography, and the ways photography has improved so many disciplines are things that are just as important as the camera itself, and yet not necessarily needed to …

Magic Mirrors, Jamie Ho

School of Art, Art History, and Design: Theses and Student Creative Work

When a beam of bright light hits the convex and polished surface, an image is reflected back onto the wall. This is a description of a magic mirror, an object from the Han Dynasty (206 BC -24 AD), that embodies how Euro-America views China: both technically advanced and shrouded in mystery. The magic mirror also points to the history of photography, as this term was often used in the Victorian era to describe a camera. The image created by a camera is a mimic of reality, both all too familiar and unfamiliar.^[1] Like magic mirrors, the GIFs I create …

Ua1c11/124 Charles Taylor Photo Collection, Wku Archives

WKU Archives Collection Inventories

Photographs removed from Charles Taylor's personal papers.

Ua1c11/123 E.H. Canon Photo Collection, Wku Archives

WKU Archives Collection Inventories

Photographs removed from E.H. Canon's personal papers.

A Photo Documentary: Exploring Queer Identities In Kwazulu-Natal, Nicholas Graves

Independent Study Project (ISP) Collection

Media can be a powerful tool in examining the structures of power that both hinder and advance LGBTQIA+ representation and subsequently, lived experiences. Therefore, being able to understand the varying feelings that everyday South Africans feel towards queer people, will be measured through the media that people consume. For the vast majority of South Africans, this would look like movies, TV soap operas, and discussions that take place on the radio. Understanding the role media plays within the country is vital to understanding the overall progress that has been made.

The media’s ability to reflect lived experiences within gay and …

Ua12/2/2 Talisman: Forge, Wku Student Affairs

WKU Archives Records

Fall 2022 Talisman:

• Our Mission
• Hunter, Leah. Forge
• Coles, Jack. Fakes
• Richer, Caily. Trailblazers – Kiara Braxton-Davis, Ashley Garrett, Torales Guadalupe
• Clifton, Zachary & Audrey Plescia. Built By Discipline – Bodybuilders, Meg Boshaw, Michelle Jones
• Jones, Michelle. Healthy Fried Rice
• Booth, Pandora. A Silent Strike – Quiet Quitting
• Moore, Emily. Strawberry Sun
• Fleshman, McKenna. Humans of WKU – Sada Jewel, Alaina Webber, Michael Ballard, Amara Danturthi
• Sandlin, Ellie. Forged in Fire – Zechariah Nelson
• Price, Devon. Not Too Pretty – Women in New Roles
• Whitsitt, Ashley. Ghost in Training
• Meyers, Jeffrey. Identity in Ink – Tattoos
• Hunter, Leah. After the …

Automated Identification Of Astronauts On Board The International Space Station: A Case Study In Space Archaeology, Rao Hamza Ali, Amir Kanan Kashefi, Alice C. Gorman, Justin St. P. Walsh, Erik J. Linstead

Art Faculty Articles and Research

We develop and apply a deep learning-based computer vision pipeline to automatically identify crew members in archival photographic imagery taken on-board the International Space Station. Our approach is able to quickly tag thousands of images from public and private photo repositories without human supervision with high degrees of accuracy, including photographs where crew faces are partially obscured. Using the results of our pipeline, we carry out a large-scale network analysis of the crew, using the imagery data to provide novel insights into the social interactions among crew during their missions.

Emotional Geographies: Head, Heart, Time, And Place, Grace C. Conroy

Montserrat Annual Writing Prize

This paper is modelled on a study and paper by Kamila Klingorová and Banu Gökarıksel which used auto-photography to examine examined emotional geographies. The author takes the position of an independent participant by selecting and describing photos of seemingly non-descript places and then offering reflections on reasons why these photos elicited strong emotions.

Can Joy Be Racialized? Analyzing How Ghanaians Conceptualize Joy, Zakiyyah (Zaza) Jones

Independent Study Project (ISP) Collection

The racialization of joy is one’s own experience of joy being tied to their racial, and ethnic identity. Inspired by the concept of Black joy, which is an example of the racialization of joy, this paper aims to understand how Ghanaian university students conceptualize joy and whether they would consider their experience of joy to be influenced by their racial/ethnic identity. 18 semi-structured interviews were conducted at Kwame Nkrumah University of Science and Technology (KNUST) and the University of Health and Allied Sciences (UHAS). In addition, photography was used as a methodology to capture images of Black people experiencing joy …

Sensing Brownness: On Racialization, Perception, And Method, Amber Jamilla Musser

Publications and Research

Maureen Catbagan’s Dark Matter (2020) photography series invites us into sensing brownness. In these images of museum passages and stairwells, silhouettes of museum guards, and evocative shadows, Catbagan presents the landscape of the museum. However, this may not be immediately recognizable because the photographs draw focus to the parts of museums to which we rarely pay attention. In particular, Catbagan’s attention to the presence of guards allows us to perceive dynamics of racialized and gendered labor and laborers who, in an echo of their architectural focus on minor, peripheral spaces and shadows, hover between the underrecognized and oft-neglected, thereby allowing …

Ua1c11/121 Susan Mason Photo Collection, Wku Archives

WKU Archives Collection Inventories

Photographs removed from a scrapbook probably belonging to Susan Mason.

Ua1c11/119 Douglas Verdier Photo Collection, Wku Archives

WKU Archives Collection Inventories

Digital images of members of WKU Pershing Rifles.

3d Data Acquisition, Visualization, And Archiving Of Selected Lithics From The Caldwell Collection Of North African Stone Points, Michael J. Bennett

UConn Library Presentations

Presentation made on June 30, 2021 to UConn Library staff as part of a library strategic framework implementation working group final report. The overall aim of the project was to lead an interdisciplinary, cross-campus working group made up of faculty from the Anthropology Department, and staff from the Connecticut State Museum of Natural History, Office of the State Archaeologist, and the UConn Library. More specifically, the project's goal was to run 10 - 20 stone artifacts from the State Museum's Caldwell Collection through a newly developed, highly refined 3D digitization workflow that would produce 3D assets for eventual online classroom …

"Doing It For The 'Gram?" The Representational Politics Of Popular Humanitarianism, Orlando Woods, Siew Ying Shee

Research Collection School of Social Sciences

This paper explores how digital photography – the practice of taking pictures and sharing them via social media – can give rise to representational politics. These politics are pronounced when disadvantaged people and places are the objects of digital representation, as they become (dis)empowered by being implicated in the affective economy of difference. Empirically, we examine the representational practices that Singaporean voluntourists, and companies that organise overseas humanitarian projects, engage in. We highlight how their motivations for engaging with these projects can be obfuscated by the opportunity to generate influence on Instagram, which can then shape the practice of popular …

What Moves You?: Georges Didi-Huberman’S Arts Of Passage And Pittsburgh Stories Of Migration, Alexandra Irimia

Languages and Cultures Publications

Contemporary art historian, critic, and theorist Georges Didi-Huberman thinks of images not as static objects, but as movements, passages, and gestures of memory and/or desire. For the French “historian of passing images,” as he has been called, “all images are migrants. Images are migrations. They are never simply local” (D2017). His book, Passer, quoi qu'il en coûte ("To Pass at Any Price"), co-written with the Greek poet and director Niki Giannari, takes on precisely the visual dynamics of passages, passengers, and passageways in the context of contemporary migration flows. In April 2018, only several months after the launching of the …

Ua1c11/111 Field Mcchesney Photo Collection, Wku Archives

WKU Archives Collection Inventories

Photographs created by Field McChesney.

Ua1c11/115 J. Lewie Harman Photo Collection, Wku Archives

WKU Archives Collection Inventories

Artificial collection of photographs related to J. Lewie Harman, president of the Bowling Green Business University. Images removed from various scrapbooks he created.

Ua1c11/13 Paul Garrett Photo Collection, Wku Archives

WKU Archives Collection Inventories

Photos removed from WKU President's Office - Paul Garrett papers.

Ua1c11/117 Charley Farley Photo Collection, Wku Archives

WKU Archives Collection Inventories

Photographs donated by Charley Farley.

Mapping The Light Fantastic At Newgrange, Frank Prendergast, Clare Tuffy, John Lalor, Claire Breen, Sinéad Gargan

Articles

THE WORLD HERITAGE PROPERTY of Brú na Bóinne attracts thousands of visitors from Ireland and around the globe, many drawn by the remarkable winter solstice phenomenon, when the rising sun’s rays illuminate the burial chamber. During 2020 it became clear that public health measures to combat the global pandemic were going to preclude visitor access to the chamber of the Great Mound of Newgrange, including during the annual winter solstice celebrations. When the government agencies OPW and NMS discussed how to manage Newgrange and the solstice during the restrictions, Clare Tuffy, Manager of Visitor Services at Brú na Bóinne, suggested …

Ua1c11/110 Frank Pittman Photo Collection, Wku Archives

WKU Archives Collection Inventories

Photographs of guitar building workshop.

Ua1c11/114 Carol Braddy Photo Collection, Wku Archives

WKU Archives Collection Inventories

Photos of Hilltoppers Quartet exhibit.