Open Access. Powered by Scholars. Published by Universities.®

Social and Behavioral Sciences Commons

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 18 of 18

Full-Text Articles in Social and Behavioral Sciences

Imprinting-Like Effects Of Early Adolescent Music, Jiayu Fu, Lynn K. L. Tan, Norman P. Li, Xiao Tian Wang Apr 2023

Imprinting-Like Effects Of Early Adolescent Music, Jiayu Fu, Lynn K. L. Tan, Norman P. Li, Xiao Tian Wang

Research Collection School of Social Sciences

This research examines the hypothesis that music experienced during puberty in early adolescence imprints on individuals to promote the pursuit of friendships and mating. We conducted an online survey with samples from the United States and China (Study 1) and a within-subject experiment (Study 2). Results suggest that most songs and poems identified as “favorites” were learned during early adolescence. Furthermore, compared with recently acquired songs and poems, those from early adolescence reminded participants more about friendship and induced more emotional reactions. In the Chinese sample, the shared preference for similar songs from early adolescence increased friendliness perception. Music from …


From Roadman To Royalties: Inter-Representational Value And The Hypercapitalist Impulses Of Grime, Orlando Woods Mar 2022

From Roadman To Royalties: Inter-Representational Value And The Hypercapitalist Impulses Of Grime, Orlando Woods

Research Collection School of Social Sciences

This paper explores how digital media can cause the representational value of rap artists to be transformed. Ubiquitous access to digital recording, production and distribution technologies grants rappers an unprecedented degree of representational autonomy, meaning they are able to integrate the street aesthetic into their lyrics and music videos, and thus create content that offers a more authentic representation of their (past) lives. Sidestepping the mainstream music industry, the digital enables these integrations and bolsters the hypercapitalist impulses of content creators. I illustrate these ideas through a case study of grime artist, Bugzy Malone, who uses his music to narrate …


Does Bedtime Music Listening Improve Subjective Sleep Quality And Next-Morning Well-Being In Young Adults? A Randomized Cross-Over Trial, Nadyana M. Majeed, Verity Y. Q. Lua, Jun Sen Chong, Zoey Lew, Andree Hartanto Dec 2021

Does Bedtime Music Listening Improve Subjective Sleep Quality And Next-Morning Well-Being In Young Adults? A Randomized Cross-Over Trial, Nadyana M. Majeed, Verity Y. Q. Lua, Jun Sen Chong, Zoey Lew, Andree Hartanto

Research Collection School of Social Sciences

Previous research has found that young adults exhibit patterns of poor sleep and that poor sleep is associated with a host of negative psychological consequences. One potential intervention to improve sleep quality is listening to music at bedtime. Although there exist previous works investigating the efficacy of listening to music as a form of sleep aid, these works have been hindered by statistically weak designs, a lack of systematic investigation of critical characteristics of music that may affect its efficacy, and limited generalizability. In light of the limitations in the existing literature, a 15-day randomized cross-over trial was carried out …


Music Securities: Crowdfunding For Positive Impact, Singapore Management University Mar 2020

Music Securities: Crowdfunding For Positive Impact, Singapore Management University

Perspectives@SMU

If an investment crowdfunding platform is created to help disaster-struck companies, should a typhoon-hit electric company that pollutes the environment receive help to raise funds?


The Beat Goes On: Arthur Choo, Ishan Singh Jan 2019

The Beat Goes On: Arthur Choo, Ishan Singh

Social Space

Meet Arthur Choo, 31, artiste and founder of BEAT’ABOX Group, a cajon school in Singapore.Besides performing and conducting workshops for companies and schools, Arthur and his team hope to make the cajon (pronounced “kah-hone”, a wooden box played like a drum) the bridge between society and marginalised groups, including at-risk youth, senior citizens and people with disabilities. There are no barriers to taking up this art form at BEAT’ABOX—there are cajons specially designed for the hearing-impaired (they light up when struck), smaller-sized cajons that can fit into the laps of the wheelchair- bound, and so on. ISHAN SINGH speaks to …


Whose Blue Heaven? Musicality In The Early Japanese Talkies, Richard M Davis Mar 2018

Whose Blue Heaven? Musicality In The Early Japanese Talkies, Richard M Davis

Research Collection School of Social Sciences

This article focuses on the advent of synchronized sound production in Japan in 1931 – three years later than the United States – and the generative ambiguities of how sound and music’s relationship to film was figured in that year’s anxious discourse. I argue that this ‘belatedness’ is echoed in relationships of on-screen image and offscreen sound, noise, and music in two important early sound films, The Neighbor’s Wife and Mine (Gosho 1931) and A Tipsy Life (Kimura 1933).


Understanding Music Track Popularity In A Social Network, Jing Ren, Robert J. Kauffman Jun 2017

Understanding Music Track Popularity In A Social Network, Jing Ren, Robert J. Kauffman

Research Collection School Of Computing and Information Systems

Thousands of music tracks are uploaded to the Internet every day through websites and social networks that focus on music. While some content has been popular for decades, some tracks that have just been released have been ignored. What makes a music track popular? Can the duration of a music track’s popularity be explained and predicted? By analysing data on the performance of a music track on the ranking charts, coupled with the creation of machine-generated music semantics constructs and a variety of other track, artist and market descriptors, this research tests a model to assess how track popularity and …


What Makes A Music Track Popular In Online Social Networks?, Jing Ren, Jialie Shen, Robert John Kauffman Apr 2016

What Makes A Music Track Popular In Online Social Networks?, Jing Ren, Jialie Shen, Robert John Kauffman

Research Collection School Of Computing and Information Systems

Tens of thousands of music tracks are uploaded to the Internet every day through social networks that focus on music and videos, as well as portal websites. While some of the content has been popular for decades, some tracks that have just been released have been completely ignored. So what makes a music track popular? Can we predict the popularity of a music track before it is released? In this research, we will focus on an online music social network, Last.fm, and investigate three key factors of a music track that may have impact on its popularity. They include: the …


Freddie Aguilar [Philippines, Musician, Political Leader], Freddie Aguilar Apr 2015

Freddie Aguilar [Philippines, Musician, Political Leader], Freddie Aguilar

Digital Narratives of Asia

Freddie Aguilar is not just a Filipino musical icon but a political icon. Influencing people through his music, Freddie shares his frank take on political leadership in the Philippines and what he thinks leaders should do to move the country forward.


Influences Of Influential Users: An Empirical Study Of Music Social Network, Jing Ren, Zhiyong Cheng, Jialie Shen, Feida Zhu Jul 2014

Influences Of Influential Users: An Empirical Study Of Music Social Network, Jing Ren, Zhiyong Cheng, Jialie Shen, Feida Zhu

Research Collection School Of Computing and Information Systems

Influential user can play a crucial role in online social networks. This paper documents an empirical study aiming at exploring the effects of influential users in the context of music social network. To achieve this goal, music diffusion graph is developed to model how information propagates over network. We also propose a heuristic method to measure users' influences. Using the real data from Last. fm, our empirical test demonstrates key effects of influential users and reveals limitations of existing influence identification/characterization schemes.


K-Pop Live: Social Networking & Language Learning Platform, Thomas Chua, Chin Leng Ong, Kian Ming Png, Aloysius Lau, Houston Toh, Feida Zhu, Kyong Jin Shim, Ee-Peng Lim Feb 2013

K-Pop Live: Social Networking & Language Learning Platform, Thomas Chua, Chin Leng Ong, Kian Ming Png, Aloysius Lau, Houston Toh, Feida Zhu, Kyong Jin Shim, Ee-Peng Lim

Research Collection School Of Computing and Information Systems

K-Pop live is a social networking and language learning platform developed by an undergraduate student team from Singapore Management University. K-Pop live aims to combine social media together with gamification to promote Korean culture. It consolidates all relevant Tweets from Twitter as well as videos from YouTube. The platform allows the user to connect with his friends who share similar interests in terms of K-pop artists and music.


Music And Moral Geographies: Constructions Of "Nation" And Identity In Singapore, Lily Kong Feb 2006

Music And Moral Geographies: Constructions Of "Nation" And Identity In Singapore, Lily Kong

Research Collection School of Social Sciences

In this paper, I attempt to pull together sociological and geographical perspectives in the study of music to understand the ways in which pop and rock music are socio-cultural products with political and moral meanings and implications. I examine state engineering of moral panics, focusing on a case study of pop and rock music in post-independence Singapore. Such engineering is aimed at political and ideological ends, in particular, "nation"- building outcomes. In engineering moral panics through both discursive and legislative acts, the contours of a moral geography are delineated at various spatial scales. First, at the scale of the national …


Popular Music In A Transnational World: The Construction Of Local Identities In Singapore, Lily Kong Apr 1997

Popular Music In A Transnational World: The Construction Of Local Identities In Singapore, Lily Kong

Research Collection School of Social Sciences

As an area of geographical inquiry, popular music has not been explored to any large extent. Where writings exist, they have been somewhat divorced from recent theoretical and methodological questions that have rejuvenated social and cultural geography. In this paper, I focus on one arena which geographers can develop in their analysis of popular music, namely, the exploration of local influences and global forces in the production of music. In so doing, I wish to explore how local resources intersect with global ones in a process of transculturation. Using the example of English songs by one particular songwriter and artiste …


Ideology, Social Commentary And Resistance In Popular Music: A Case Study Of Singapore, Phua Siew Chye, Lily Kong Jun 1996

Ideology, Social Commentary And Resistance In Popular Music: A Case Study Of Singapore, Phua Siew Chye, Lily Kong

Research Collection School of Social Sciences

Popular music as a site of struggles over meaning is focused upon, where the social and political relations between different groups in Singapore society are mirrored. How ruling elites and everyday people make use of the same cultural form--popular music--for different purposes is examined.


Making "Music At The Margins"? A Social And Cultural Analysis Of Xinyao In Singapore, Lily Kong Jan 1996

Making "Music At The Margins"? A Social And Cultural Analysis Of Xinyao In Singapore, Lily Kong

Research Collection School of Social Sciences

Formalist critics and aestheticians have argued that music does not possess any kind of "extra-musical" significance, that there is no meaning beyond the form and structural relations of the notes. For them, music exemplifies the laws of mathematical harmony and proportion rather than the social and political contexts within which it is produced, reproduced and consumed. This view has been challenged by a number of social theorists: Max Weber, Theodor Adorno and Edward Said have all argued for an understanding of music within its social, cultural, economic and political contexts. Such analysis of popular music is now unquestioned. Indeed, it …


Popular Music And A Sense Of Place In Singapore, Lily Kong Jan 1996

Popular Music And A Sense Of Place In Singapore, Lily Kong

Research Collection School of Social Sciences

This paper illustrates how popular music written, produced, and performed by Singaporeans provides a means through which the culture and society of Singapore may be understood. Music with English language text conveys a sense of place and reflects a distinctively Singaporean spirit and identity. The paper examines four themes: the portrayal of Singapore's multiracial population which reflects a unique cultural synthesis; the Singaporeans' concept of urbanity, manifested as the simultaneous attraction and repulsion towards the city and the desire for nature and the rustic; the distinctive social engineering in Singapore; and the way in which global issues are imported into …


Popular Music In Geographical Analyses, Lily Kong Jun 1995

Popular Music In Geographical Analyses, Lily Kong

Research Collection School of Social Sciences

As an area of geographical inquiry, popular music has not been explored to any large extent. Where writings exist, they have been somewhat divorced from recent theoretical and methodological questions that have rejuvenated social and cultural geography (see, for example, Cosgrove and Jackson, 1987; Jackson, 1989; Cosgrove, 1989; 1990; Anderson and Gale, 1992; Bames and Duncan, 1992). In this article I will focus on the interface between geography and popular music, focusing specifically on the contributions of such exploration towards cultural and social understanding. In what follows, I will first discuss the reasons for geographers’ relative neglect of popular music …


Music And Cultural Politics: Ideology And Resistance In Singapore, Lily Kong Jan 1995

Music And Cultural Politics: Ideology And Resistance In Singapore, Lily Kong

Research Collection School of Social Sciences

This paper focuses on popular music written and produced by Singaporeans to illustrate the nature of social relationships based on ideological hegemony and resistance. Analysis is based on two groups of music: 'national' songs supported by the government in the 'Sing Singapore' programme; and songs brought together in Not the Singapore song book. Interviews with local lyricists and analysis of video productions provide supplementary information. Music is used by the ruling elite to perpetuate certain ideologies aimed at political socialization and to inculcate a civil religion that directs favour and fervour towards the nation. Music is also a form of …