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Full-Text Articles in Social and Behavioral Sciences
Music Social Tagging As A Validation Tool For The Frbr Conceptual Model, Kabel Nathan Stanwicks
Music Social Tagging As A Validation Tool For The Frbr Conceptual Model, Kabel Nathan Stanwicks
Legacy Theses & Dissertations (2009 - 2024)
The International Federation of Library Associations developed its Functional Requirements for Bibliographic Records (FRBR) without performing user testing to ensure that the model would meet the needs of professionals and users. Analyzing user-generated social tags in relation to FRBR entities and attributes will help determine if the layperson describes objects in a manner that conforms to the FRBR conceptual model. Number one songs from the weekly Billboard Hot 100 charts from 1958 through 2013 were randomly sampled, tags associated with the sampled songs were pulled from the last.fm Web site, and tags were analyzed to determine their relation to FRBR …
Music Social Tagging As A Validation Tool For The Frbr Conceptual Model, Kabel Nathan Stanwicks
Music Social Tagging As A Validation Tool For The Frbr Conceptual Model, Kabel Nathan Stanwicks
Information Science Theses and Dissertations
The International Federation of Library Associations developed its Functional Requirements for Bibliographic Records (FRBR) without performing user testing to ensure that the model would meet the needs of professionals and users. Analyzing user-generated social tags in relation to FRBR entities and attributes will help determine if the layperson describes objects in a manner that conforms to the FRBR conceptual model. Number one songs from the weekly Billboard Hot 100 charts from 1958 through 2013 were randomly sampled, tags associated with the sampled songs were pulled from the last.fm Web site, and tags were analyzed to determine their relation to FRBR …
A Critical Historical Analysis Of The Public Performance Right, Louis J. D'Alton
A Critical Historical Analysis Of The Public Performance Right, Louis J. D'Alton
Electronic Thesis and Dissertation Repository
The legislation of a public performance right in musical works in the late 19th created the opportunity for the formation of an initial copyright collective within the Anglo-American legal tradition. The subsequent widespread expansion of Performing Rights organizations marked an early successful example of trans-national capital. Despite the widespread expansion and subsequent acceptance of copyright collectives since their inception, there has been very little scholarship in this area generally and almost none that attempt to critically pursue the issue beyond simple economic or legal analysis.
This thesis traces the historical establishment and expansion of the public performance right in musical …