Social and Behavioral Sciences Commons^™

Reflections Of A World In Crisis

Conversations

Photojournalism professor Robin Hoecker discusses teaching during a period of pandemic and social unrest, including the challenges of remote and trauma-informed teaching, and offers advice.

Spring 2020

Conversations

Dean's Letter: With Pride and Gratitude; Free Speech and the American Way; Engagement Takes Center Stage: The new Center for Communication Engagement wants to get students, faculty and the community talking; On a Mission to Diversify Advertising: Summer BRAND camp introduces diverse students to the advertising industry; Where the Action Is: Alumna Ximena Larkin finds excitement and fulfillment in the heart of Chicago; An In-Depth View of Black Student Protests; An Eye-Opening Experience: Journalism student Nikki Roberts turns her passion for writing into a career; Around the College; Accolades

Framing Death And Suffering: An Examination Of Photographs Of Dead And Dying During The U. S. Civil War, World War Ii, And The Vietnam War, Richard Anthony Lewis

Dissertations

The dissertation analyzes photographic images of dead bodies that appeared in news settings related to warfare in the United States in three distinct eras – the 1860s, the 1940s, and the 1960s. The primary subject of the analysis are photographs of corpses created in the context of the American Civil War (1861-1865), World War II including the immediate aftermath of the Holocaust (1939-1946), and conflict and war in Vietnam (1950-1975). While the sample represents a partial catalogue of images of the dead in the context of warfare since photography emerged in the 1840s as a medium for disseminating news, the …

America's Last Great Newspaper War [Table Of Contents], Mike Jaccarino

Cinema & Media Studies

A from-the-trenches view of New York Daily News and New York Post runners and photographers who would stop at nothing to break the story and squash their tabloid arch rivals.

When author Mike Jaccarino was offered a job at the Daily News in 2006, he was asked a single question: “Kid, what are you going to do to help us beat the Post?” That was the year things went sideways at the News, when The New York Post surpassed its nemesis in circulation for the first time in the history of both papers. Tasked with one job—crush the …

Local-Global Tensions: Professional Experience, Role Perceptions And Image Production Of Afghan Photojournalists Working For A Global Audience, Saumava Mitra

Electronic Thesis and Dissertation Repository

There is growing academic recognition of the role of local news-makers who produce news for a global audience. Existing research has focused on local journalists and fixers engaged in international news-making, but not local professional photojournalists. This thesis explores the work of local photojournalists in Afghanistan who produce images for a global audience in Afghanistan. Eighteen such Afghan photojournalists were interviewed. Through thematic analysis of the interview data, local-global tensions were located in the perceptions of the photojournalists regarding three aspects of their work – professional experiences, professional roles, and image production. Regarding the first, the Afghan photojournalists perceived that …

Adoptability And Acceptability Of Peace Journalism Among Afghan Photojournalists: Lessons For Peace Journalism Training In Conflict-Affected Countries, Saumava Mitra

Media Studies Publications

In this article, I seek to inform Peace Journalism (PJ) edu­cation and training in conflict-affected countries in par­ticular. Based on a case study of the professional expe­riences of Afghan photojournalists, I offer insights into the acceptability and adoptability of PJ practice by jour­nalists from conflict-affected countries. I present six key findings of a larger study on Afghan photojournalists in this article and discuss the lessons they hold for PJ train­ing in conflict-affected countries. In sections 1, 2, 3, 4 and 5, I provide some important theoretical, contextual and methodological background. In section 6, I discuss three professional adversities faced by …

Display-Through-Foregrounding By Photojournalists As Self-Reflexivity In Photojournalism: Two Case Studies Of Accidental Peace Photojournalism, Saumava Mitra

FIMS Publications

This article explores media self-reflexivity as understood within Peace Journalism (PJ) in the case of photojournalists and photojournalism. Carrying forward the discussion started by Allan (2011) for research into ‘peace photography’ to be extended to ‘tacit, unspoken rules’ underlying photojournalistic images, the article shows, through two examples of mainstream news images, how photojournalists can and may break from diktats of ‘news values’ to advertently or inadvertently critique the myths of the very practice they function within. Such self-reflexive, synecdochic images which display media’s own role in covering conflict are examples from which PJ can take lessons for a new visual …

Gilded Age Visual Media As The Impetus For Social Change: Jacob Riis's Reform Photography And The Antecedents Of Documentary Film, Denitsa Yotova

UNLV Theses, Dissertations, Professional Papers, and Capstones

This thesis examines the birth and evolution of the social documentary genre in visual media. It proposes that a mixture of ideology, technology, and social awareness are necessary for a successful social reform. Its review and study of related primary and secondary sources determines that despite the limitations of technology during the nineteenth century, social documentaries were produced long before they were part of the genres of photography and film. By focusing on the work of Danish photographer Jacob Riis and tracing the emergence of the film medium through time, this thesis demonstrates a strong connection between documentary film and …

High Stakes Of Media Messages: Decoding Visual Narratives From The Iraq War In The U.S. And British Presses, Jennifer Liese

UNLV Theses, Dissertations, Professional Papers, and Capstones

This research analyzes media coverage of the Iraq War from the perspective of the invading forces, the United States and the United Kingdom. The New York Times and The Guardian were chosen to represent news from their respective countries because of their high circulation rates and international prestige for journalistic reporting. The study focuses on how the Iraq War was visually represented after the Iraq invasion of 2003, examining periods in 2006 and 2011. There were significant differences in how The New York Times and The Guardian visually portrayed the war in 2006, especially in terms of Iraqi civilian and …

Gilded Age Visual Media As The Impetus For Social Change: Jacob Riis’S Reform Photography And The Antecedents Of Documentary Film, Denitsa Yotova

Graduate Research Symposium (GCUA) (2010 - 2017)

This study examines the birth and evolution of the social documentary genre in visual media. It suggests that a mixture of ideology, technology, and social awareness are necessary for a successful social reform. It finds that despite the limitations of technology during the nineteenth century, social documentaries were produced long before they were part of the genres of photography and film. By focusing on the work of Danish photographer Jacob Riis and tracing the emergence of film, this study demonstrates a connection between documentary film and Riis’s social documentary photography and public slide exhibitions. The study concludes that in order …

University Scholar Series: Kim Komenich, Kim Komenich

University Scholar Series

"Revolution Revisited"

On March 21, 2012, SJSU Assistant Professor Kim Komenich spoke in the University Scholar Series hosted by Provost Ellen Junn at the Dr. Martin Luther King, Jr. Library. Kim Komenich worked for 30 years as a photojournalist for the San Francisco Chronicle and San Francisco Examiner. He was awarded the 1987 Pulitzer Prize in Spot News Photography for photographs of the Philippine Revolution he made while on assignment for the Examiner. Komenich’s current creative project, “Revolution Revisited,” is a 25th Anniversary look back at the 1986 Philippine “People Power” Revolution. In 2012, he will publish the …

Understanding Involuntary Job Loss Among Former Newspaper Staff Photographers, Ryan K. Morris

USF Tampa Graduate Theses and Dissertations

This study examines former newspaper photographers' experience with being laid-off from their staff positions. The purpose was to identify emerging themes within the context of involuntary job loss, job satisfaction, and occupational identity via interviews with 8 photojournalists who experienced the phenomenon of being laid-off. The newspaper industry has long been considered both the starting point for young and aspiring photojournalism careers and the most consistent and stable venue for an income. Yet recent changes in the media landscape, particularly economic stress on traditional business models and rapid adoption of digital technology sway the occupational future of photojournalism within newsrooms. …

On The Road Again: Photo Students Search For The "Real" Nebraska, Bruce Thorson

College of Journalism and Mass Communications: Student Media

"Migrant Mother," a photograph by Dorothea Lange that showed a mother struggling to survive with her three children in a lean-to in a migrant camp, became the iconic picture that symbolized the Great Depression in the 1930s. Today, our nation's economy has fallen to a historic level not seen since that traumatic period. Financial and housing markets and automakers have crumbled; unemployment has soared. This national recession has touched every American, including those who live in Nebraska.

The objective of this project is to produce photographs, audio slideshows and video that document how this economic upheaval has affected Nebraskans. We …

Kosovo's Hope: Stories Of Renewal And Despair In An Independent Nation, Clay Lomneth, Michael Mason-D'Croz, Lindsay Demarco, Karen Schmidt, Vanessa Skocz, Shannon Smith, Kate Veik, Joel Gehringer, Bruce Thorson, Scott Winter

College of Journalism and Mass Communications: Student Media

During spring break of 2008, five photojournalists, one reporter, one videographer and two faculty members spent eight days in the newly independent state of Kosovo. The purpose of the trip was to document issues of poverty. What greeted them was a town with litter everywhere; roads pocked with potholes; power outages because the power plant is archaic; and residents who are dying from the pollution because they live near the power plant. But what the journalists discovered was Kosovo's people have big smiles, warm hearts and plates of great, great food. … And they love Americans.

Ua68/13/4 Potter College Of Arts & Letters Journalism & Broadcasting Publications, Wku Archives

WKU Archives Collection Inventories

Publications created by Journalism & Broadcasting. These include incomplete runs of departmental bulletins, newsletters such as the Link, AdViews, InSync and The Hilltopper Journalist, Bowling Green magazine, as well as program brochures. See the finding aid for a list of issues in WKU Archives. Please contact the WKU Archives using the Send Feedback option above if you have missing issues that you wish to donate.

Status Of The Shooter: News Coverage And Input From Photographers In Local Television News, David Ozmun

Articles

The rise of the 24-hour regional cable news channel has focused attention on "oneman bands-also called video journalists (Beacham, 1996; Colman, 1996; Lieberman, 1998). An increase in the number of journalists who report and shoot their own stories has been attributed to, among other things, economic pressures and technological advances (Sherer, 1994; RTNDF, 1995; Dickson, 1997). Television stations in very small markets have traditionally required reporters to make contacts, interview sources, record the video and sound, write the script, and edit the taped material into a finished product (Lindekugel, 1994). In most markets, however, the concept of a newsgathering team …

The Social Landscape: A Photojournalism Professor's Project, Gerald John Davey

Communication Faculty Research

Social landscape photography focuses upon aspects of our everyday environment and follows broadly in the tradition of straight, documentary photography. Significant digital manipulation acceptable in fine art photography, advertising, and increasingly in editorial photography, is out of place here. The social landscape photograph attempts to capture and replicate the initial visual experience or insight of the photographer. Such manipulation would undermine, over time, the fundamental believability of the image. On the other hand, the serendipitous nature of the subject matter and the widely varying conditions under which social landscape photographs are produced benefit greatly from the precise contrast control and …

Ua68/13/4 The Link, Vol. 2, No. 7, Wku Journalism

WKU Archives Records

Newsletter created by the WKU Department of Journalism for students and alumni regarding departmental events and activities.

Ua12/2/1 College Heights Herald Spring Fashions, Wku Student Affairs

WKU Archives Records

Special photojournalism issue regarding fashion.