Social and Behavioral Sciences Commons^™

Female Lawyers Don’T Need Pity; They Need A Paycheck, Meagan S. Bilodeau

Pell Scholars and Senior Theses

Whether it's pity or patronization female lawyers have often been criticized. They're visualized on the lower level of the patriarchal hierarchy system in the Hollywood courtroom. However, women that hold emotional intelligence don't need pity. Emotional intelligence encompasses how to set boundaries, stay motivated, hold healthy relationships inside and outside the courtroom, as well as maintain self-regulation. Through analysis of the biographical films Erin Brockovich, On the Basis of Sex, and The Mauritanian this study explores how extensively psychological resilience subfactors are depicted, proving whether or not female lawyers are emotionally prepared to succeed in their noteworthy cases.

The Yellow Qipao, Feibi Wang

Honors Projects

This is a creative project centered around the pre-production of a short film about queer Asian American Christianity and the research that went into it. The synopsis of the script written for the short film is a life in the day of Aspen. Aspen prepares for church and is indecisive of the clothes they want to wear, because they are gender non-conforming. They come out to their mom and there is conflict. My research going into this project consists of researching media representation of queerness, Asian American identity, and Christianity, and how the three identities intersect in Aspen’s life and …

Revolutionary Cinema: An Annotated Bibliography Of The 1989 And 1991 Revolutions Through The Lens Of Cinema, Christopher Shaffer, Olga Casey

Articles, Scholarship, and Creative Works by Faculty of University Libraries

The purpose of this paper is to expose librarians, scholars and other interested parties to the numerous films available concerning the 1989 and 1991 European revolutions. The films that are discussed can potentially be used as ancillary sources that will lead to a more in-depth understanding of these topics.

A total of 24 films from eight countries are presented in this annotated bibliography.

In researching this paper, the authors have been unable to find any similar works, which makes this work of particular value to those wanting to learn more about this period of change in Eastern Europe and the …

Constructing Memory In The Wake Of Tragedy: An Analysis Of Film As A Tool Of Collective Memory In The Aftermath Of The Dictatorships In Argentina And Chile, Megan C. Schneider

CMC Senior Theses

Acting as an audiovisual vector of catharsis, film has proved an innovative and effective tool in the process of reconstructing collective memory in the aftermath of traumatic events. This thesis focuses on the emergence of filmmakers and their movies in the post-dictatorial periods in Argentina and Chile as both nations sought to confront their violent pasts. A general overview of the process of memory construction is included to provide background for the subsequent analysis of film as a vector of collective memory following trauma. An examination and comparison of various films produced for both domestic and international audiences detail each …

Chinese Government’S Inability To Use Film – One Of The Most Powerful Cultural Tools Of Soft Power Expansion – To Achieve Its Soft Power Expansion Goals: Lessons For China To Tackle Its Soft Power-Deficit Problem, Kyungin Kim

International Political Economy Theses

Many scholars of Chinese soft power commonly believe that despite the fact that China has been working hard to achieve successful soft power expansion, one of the biggest factors that leads to Chinese soft power deficit or failure of the Chinese government to effectively trump “China threat” is its inability to use its cultural industries as a tool to fulfill its soft power expansion goals. This is a major obstacle to China in achieving its goal of successful Chinese soft power expansion, as it is said that culture is the most traditional and powerful source of soft power expansion. This …

Their Swords, Our Plowshares: "Peaceful" Nuclear Weapons, Propaganda, And Cold War Memory Expressed In Film: 1959-1989, Michael A. St. Jacques

Masters Theses, 2010-2019

During the Cold War, both the United States and the Soviet Union developed nuclear weapons as tools of warfare and diplomacy. Immediately following the Second World War, American attitudes toward the atomic bomb were overwhelmingly positive. Once the Soviet Union developed their own atomic bomb and the United States lost the atomic monopoly, attitudes started to shift. After the first hydrogen bombs tests, public sentiment, as demonstrated in film, became markedly negative. To counter these negative attitudes and portray their nuclear weapons as peaceful tools instead of weapons of mass destruction, both the United States and the Soviet Union developed …

"Brother," Enjoy Your Hypermodernity! Connections Between Gilles Lipovetsky's Hypermodern Times And Post-Soviet Russian Cinema, James M. Brandon

Communication and Theater Association of Minnesota Journal

In prominent French social philosopher Gilles Lipovetsky’s Hypermodern Times (2005), the author asserts that the world has entered the period of hypermodernity, a time where the primary concepts of modernity are taken to their extreme conclusions. The conditions Lipovetsky described were already manifesting in a number of post-Soviet Russian films. In the tradition of Slavoj Zizek’s Enjoy Your Symptom (1992), this essay utilizes a number of post-Soviet Russian films to explicate Lipovetsky’s philosophy, while also using Lipovetsky’s ideas to explicate the films. Alexei Balabanov’s 1997 film Brat (“Brother”) is examined in the context of Lipovetsky’s work, along with other films …

Between History And Fiction: Visualizing Contemporary Polish Cultural Identity, Dominique Castle

Honors Projects

In this study, Polish cultural identity as derived from shared cultural memories is explored. The persistence of a strong Polish cultural identity even throughout a turbulent history is examined during the Soviet era through the analysis of three films, Andrzej Wajda's Ashes and Diamonds, Agnieszka Holland's To Kill a Priest, and Andrzej Wajda's Katyn. Because viewing films can result in the adoption of prosthetic memory which contribute to support of cultural memory, and because the creation of film itself can be considered scriptotherapy, each film is a lens to better understand how reaction to traumas of World War II and …

Sensuality, Camels, And Islam: Disney Music And American Perception Of The Middle Eastern Experience, Laura Schildbach

Student Scholar Symposium Abstracts and Posters

In a world that is constantly changing and becoming more open to diversity and equality, filmmakers are faced with the challenge of presenting films and characters that embrace the ever-evolving world around us. In particular, Disney has been presented with this challenge; as a cinema powerhouse with an audience primarily made up of children, there is a perception that Disney has a moral responsibility to present accurate and unbiased representations of all cultures. This paper will analyze how Disney musically represents the Middle East in two Disney feature films, Aladdin and Prince of Persia, and how the musical choices affect …

“The Hitchcock Touch”: Visual Techniques In The Work Of Alfred Hitchcock, Paige A. Driscoll

International ResearchScape Journal

Since his beginning as a filmmaker in Britain, Alfred Hitchcock has become a household name not only in Britain and, later, the United States, but also internationally. Hitchcock’s unique auteur style has made his name recognizable even if one has not personally viewed one of his many films. How is it, then, that Hitchcock has accumulated such a distinct and well-known style? Using examples from his films, the research of other Hitchcock experts, and cinematic technique and terminology resources, this article illustrates the way Hitchcock’s visual techniques have contributed to the creation of this auteur style. The visual techniques examined …

A Brief Historical Account Of Trends In Contemporary Peruvian Cinema, Sebastián Pimentel

Journal of Global Initiatives: Policy, Pedagogy, Perspective

This essay is an overview of the thematic and stylistic tendencies in Peruvian cinema starting with the work of Armando Robles Godoy. It also focuses on the effect of the Law 19327 of 1973 , which was responsible for the formation of a group of influential filmmakers led by Francisco Lombardi. At the beginning of the 21st century, female directors like Claudia Llosa and Rosario Garcia Montero achieved recognition for their cinematic visions of a traumatic Peruvian past. The Vega brothers and Gianfranco Quatrinni also contribute with their styles to an existential sntdy of the Peruvian identity. From the provinces …

Audience Response To The Nature/Society Binary In Kurosawa’S Dersu Uzala: An Observational Online Ethnography, Laura L. Sharp

Theses and Dissertations--Geography

Geographers researching cinema have predominantly been interested in how geographic meaning is constructed and negotiated within film, but have been less productive in accounting for how these constructs are received by viewers. Using the method of observational online ethnography, I therefore investigate how fans in online reviews have interpreted the nature/society binary in the film Dersu Uzala. Working from a social constructionist view of nature I begin by deconstructing the binary as it appears in Dersu Uzala before proceeding to illustrate the way this constitutive absence is made up for by the visuality of the film’s landscapes and techniques of …

Collecting Stardust: Matter, Memory, And Trauma In Patricio Guzman's Nostalgia For The Light, Nora Szegvari

USF Tampa Graduate Theses and Dissertations

This work situates Patricio Guzmàn's Nostalgia for the Light in the broader field of essay documentary film and unveils it as a locus of discursive resistance and the generative crux of diverse conventionally isolated academic dialogues. In doing so, it addresses the challenging and controversial questions of historical meaning-making, remembrance and oblivion, melancholia and mourning. My thesis also endeavors to detect the dynamic and anxiety-inducing threshold between singularity and collectivity, and the human and the cosmic. I lay the historically unprecedented common ground for trauma theory and the essayistic comportment and argue that bearing the clash of time planes, paradoxicality, …

The Orphan As Mirror: Postmodern Alienation And Societal Crisis In Japanese Film, Leann Wolley

Global Tides

This paper discusses the cultural significance of orphans in the post-modern media, using as a case study two Japanese films: Grave of the Fireflies and Nobody Knows. Through comparing the films and examining their approach to the orphan storytelling this paper attempts to gain insight into post-modern Japanese attitudes about social issues. By analyzing the appeal of the films to Japanese and international audiences, it also attempts to explain their popularity by drawing parallels between the main characters of each motion picture and the average postmodern citizen.

Pugnacité Et Pouvoir: La Représentation Des Femmes Dans Les Fi Lms D’Ousmane Sembène, Sheila Petty

Présence Francophone: Revue internationale de langue et de littérature

As a pioneer of African fi lmmaking, Ousmane Sembène has demonstrated a remarkable dedication to exploring the importance of women in African society. From the struggle against colonial oppression by Diouana in La Noire de… (1966) at the beginning of his career, to the character of Kiné and her struggle to build a life for her children in postcolonial Senegal in Faat Kiné (2000), Sembène has portrayed African women as agents of change and courage in their societies. This essay explores women’s representations in two fi lms from Sembène’s oeuvre, including Black Girl (1966) and Faat Kine (2000). Using narrative …

Cowboys And Shoguns: The American Western, Japanese Jidaigeki, And Cross-Cultural Exchange, Kyle Keough

Senior Honors Projects

No abstract provided.

Bent Familia De Nouri Bouzid : Enjeux De L’Amitié, De La Clairvoyance Féminine Et Du Questionnement, Hélène Tissières

Présence Francophone: Revue internationale de langue et de littérature

Bent Familia by the Tunisian filmmaker Nouri Bouzid breaks down silences by questioning norms and power structures, including patriarchal authority. Centered on an exceptional friendship between three women and examining their preoccupations as well as their needs, the film reveals the empowering forces of sharing, insightfulness and engagement. Through the character of Aïda and the intertwinement of arts – in particular music and painting – the film dismantles absolutes and illusions. It encourages deep questioning in order to trace new paths, valuing the clear-sighted contributions of women in a continuously changing society.

Désir Et Impuissance Dans Halfaouine Et Bye-Bye, Scott Homler

Présence Francophone: Revue internationale de langue et de littérature

The experience of adolescence and the trials of Arab and Beur masculinity are explored in the films of Férid Boughédir and Karim Dridi in order to reveal the psychology and the politics of masculinity in evolution. Studying two films, Halfaouine and Bye-Bye, as well as the autobiography of Abdelkébir Khatibi entitled La mémoire tatouée, we see that they reflect a number of discursive stages of an emergent identity of protest that is based on flight and self-destruction.

Entre Intertextualité Et Réécriture, Alexie Tcheuyap

Présence Francophone: Revue internationale de langue et de littérature

Aesthetic practices have become more and more diversified in contemporary cultures. Although rewritings and adaptations are most common from literature to film, from myth/epic to novels, African filmmakers have recently been inaugurating novelization, that is the literary rewriting of a film. This essay examines the case of the Algerian filmmaker Merzac Allouache, who has written Bab el-Oued City, based on his film Bab el-Oued, in order to escape the technical and practical limitations of cinema. In doing so, he best expresses the challenges of contemporary Algeria, which is permanently threatened by violence and Islamic fundamentalism.

Fresa Y Chocolate: The Rhetoric Of Cuban Reconcilliation, Enrico Mario Santí

Institute for Cuban & Cuban-American Studies Occasional Papers

No abstract provided.

Uncanny Performances In Colonial Narratives: Josephine Baker In "Princess Tam Tam", Elizabeth Coffman

School of Communication: Faculty Publications and Other Works

No abstract provided.