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From Tropes To Troupes: Misty Copeland And The Hyper-Whiteness Of Ballet, Emma D. Golden
From Tropes To Troupes: Misty Copeland And The Hyper-Whiteness Of Ballet, Emma D. Golden
Student Publications
In June of 2015, Misty Copeland became the first black woman promoted to a Principal Dancer in the American Ballet Theatre: a prestigious emblem of the institution of ballet, which is historically almost exclusively white. This stands in stark contrast with American sporting institutions like basketball and track and field, in which black athletes have achieved prominence. The immediately logical explanation is the financial inaccessibility of ballet to black Americans who live disproportionately in poverty and prefer athletic outlets where specialized equipment and one-on-one training are not required. However, this paper will present a second explanation for the persistent inaccessibility …