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Articles 1 - 3 of 3
Full-Text Articles in Social and Behavioral Sciences
« Les Celles Qui Sont Pas Contentes » : Françoise Durocher, Waitress D’André Brassard Et De Michel Tremblay (1972), Maxime Blanchard
« Les Celles Qui Sont Pas Contentes » : Françoise Durocher, Waitress D’André Brassard Et De Michel Tremblay (1972), Maxime Blanchard
Présence Francophone: Revue internationale de langue et de littérature
More relevant than ever, Françoise Durocher, waitress, a 1972 short film directed by André Brassard (based on a screenplay by Michel Tremblay), keeps highlighting the current political alienation of the Québécois people within Canada. By analyzing the main character, Françoise Durocher, this article reveals the contradictions of a cultural, social, and feminist struggle against imperialism and domination.
Tanger : Géocritique D’Un Espace Intermédiaire, Cheikh M.S. Diop
Tanger : Géocritique D’Un Espace Intermédiaire, Cheikh M.S. Diop
Présence Francophone: Revue internationale de langue et de littérature
Tangier is a city with several faces that oscillates between reality and imagination. Intermediate space between Africa and Europe, it occupies a geostrategic position which has aroused the covetousness of the East (with the Phoenicians then the Arabs). Novelistic city, it fascinates for its syncretic mythology, its economic stake, its role of civilizational bridge and its appearance of “coquettish” land. We propose here to carry out a geocritical analysis of this Tangier evocated by Tahar Ben Jelloun, Driss Chraibi and Amin Maalouf, to the prisms of the foundations of the concept and other theories of space.
Poétique De La Ville-Symptôme Dans Le Roman Maghrébin, Hassan Moustir
Poétique De La Ville-Symptôme Dans Le Roman Maghrébin, Hassan Moustir
Présence Francophone: Revue internationale de langue et de littérature
Postcolonial city is at the heart of maghrebian fictions so that it can be approached as a fundamental element of its particular poetics. In their novels Triptyque de Rabat and Le chien d’Ulysse, Khatibi and Bachi respectively link space as an explicative matrix of the national present and even of what goes beyond characters consciousness. This fact helps to understand the way history figures as a virtual paradigm coming down to space, sometimes threw separate facts, and being part of the personal perception of reality. The concept of reality itself becomes problematic regarding this endless past, we mean the impact …