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Gender and Sexuality

Ray Browne Conference on Cultural and Critical Studies

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Full-Text Articles in Social and Behavioral Sciences

It's Just A Toy, Lauren Strauss Apr 2018

It's Just A Toy, Lauren Strauss

Ray Browne Conference on Cultural and Critical Studies

Each and every one of us experiences gender stereotyping, whether we realize it or not. It is such a simple concept and something people don't tend to think about. Although, from a young age, we are exposed to our parents' and societies' views on gender and the toys we should play with, which then stick around for generations. The color pink and dolls are for girls and trucks and the color blue are for boys, right? Well, not necessarily. Toys are also expressed through the idea that women have to be the stay at home mom and take care of …


The Social Dynamics Of Women Policing In Nigeria: Back Door To Equality, Dickson Ogbbonnaya Igwe Apr 2018

The Social Dynamics Of Women Policing In Nigeria: Back Door To Equality, Dickson Ogbbonnaya Igwe

Ray Browne Conference on Cultural and Critical Studies

The culture of patrimony in pollicising is increasingly failing acceptance test in developing world as clamour inclusiveness in law enforcement continue to gain grounds. Although the topic of women police has been fairly marginal in police studies in Nigeria, however, many of the problems of modern law enforcement corruption, excessive force and neglect of victims are closely associated with the male dominated nature of police work. The available research evidence supports the idea that policing would be considerably improved in many areas were the proportion of women police much more representative of their proportion in the general population. The research …


Postcolonial Disability In Mohesen Makhmalbaf’S Kandahar, Sukshma Vedere Feb 2015

Postcolonial Disability In Mohesen Makhmalbaf’S Kandahar, Sukshma Vedere

Ray Browne Conference on Cultural and Critical Studies

Kandahar (2001), an Iranian film directed by Mohsen Makhmalbaf, details the journey of the protagonist, Nafas, to Kandahar to save her sister from committing suicide on the day of the solar eclipse. The film has gained recent attention by disability studies scholars for the representation of disability in Afghanistan; scholars have discussed the significance of prosthetics and international aid for the disabled in post-war zones of the Third World, but little has been said about disability as a postcolonial embodiment. I argue that Kandahar represents the postcolonial state as a disabled space both literally and metaphorically. It projects the veil …