Social and Behavioral Sciences Commons^™

Genocidal Violence, Biopolitics, And Treatment Of Abducted And Raped Women In The Aftermath Of 1947 Partition In India, Nidhi Shrivastava

English Faculty Publications

As we reckon with the #MeToo movement, the gender-based violence that occurred during the 1947 Partition continues to remain forgotten in mainstream discourses and is an emotive and polarising issue within both India and its diaspora. Just like mainstream news in the United States covered the Gabby Petito case, causing a controversy as it led to the realisation that the rape and gender-based violence of missing indigenous women were not covered, it can be suggested that mainstream news channels both within India and in the diaspora construct narratives that privilege the stories of some over others – with issues of …

Section Iii: Gender-Based Violence And Society, Gavin Patrick Gray, Nidhi Shrivastava, Deepesh Nirmaldas Dayal

English Faculty Publications

This chapter is a transcript of an open-ended discussion that occurred between the authors when they met to discuss the subject matter of the third section of the book, which focuses on cultural and normative attitudes toward the problem of gender violence. As with the previous introductory dialogues, the discussion takes place after preliminary drafts have been completed and the authors share their thoughts on the subjects that they will each discuss in more detail in the following chapters. These include the culture of silence surrounding rape in India, the way masculine gender norms impact the treatment of women in …

India – Rape And The Prevalent Culture Of Silence In Indian Cinema And Television, Nidhi Shrivastava

English Faculty Publications

In this chapter, I explore two media texts, Imtiaz Ali's Highway and Alankrita Shrivastava's Netflix original series Bombay Begums (2021). I contend that recent filmmakers have begun to arguably reframe the narratives of rape victim-survivors and disrupting the cultural of silence described above. They offer progressive and multi-faceted representations of these experiences, such that there is an opportunity for a dialogue within both private and public spheres. What I mean when I say that they are ‘progressive representations’ is that the rape victim-survivors are not merely reduced to helpless women in distress, nor painted as vengeful, aggressive characters. Instead, their …

Section I: Gender-Based Violence, Gavin Patrick Gray, Nidhi Shrivastava

English Faculty Publications

This chapter is a transcript of an open-ended discussion that occurred between the authors when they met to discuss the subject matter of the first section of the book, which focuses on areas where serious ongoing problems of gender violence are receiving insufficient attention. The discussion took place after preliminary drafts had been completed and the authors share their thoughts on the subjects they will each discuss in more detail in the following chapters – including the cultural representation of historical gender violence in India, the treatment of women in Japan's sex industry and attitudes towards LGBTQ+ groups in South …

The Other Stares Back: Why “Visual Rupture” Is Essential To Gendered And Raced Bodies In Networked Knowledge Communities, Anita August

English Faculty Publications

This chapter addresses the Other’s Stare of gendered and raced bodies who visually rupture and resist their discursive formation in Networked Knowledge Communities (NKCs). New multimodal texts described as “texts that exceed the alphabetic and may include still and moving images, animations, color, words, music and sound” (Takayoshi & Selfe, 2007, p. 1), contribute greatly to the situated nature of knowledge production by NKCs in the postmodern “network society” (Castells, 1996). NKCs are learning communities that “proactively participate in building and advancing knowledges” (Gurung, 2014, p. 2). While NKCs are idealized as sites for progressive socio-political transformation, this chapter argues …

‘How Little I Cared For Fame’: T. Sparrow And Women’S Investigative Journalism At The Fin De Siècle, Laura Vorachek

English Faculty Publications

This article analyzes the work of an overlooked female journalist, T. Sparrow, arguing that her career reveals the difficulties female journalists faced when negotiating between the expectations of middle-class gentility and the demands of investigative journalism.

Sparrow asserted her gentility rhetorically, in part because female reporters who took up investigative reporting were vulnerable to criticism for assaying beyond domestic subjects. Moreover, incognito investigative reporting often brought celebrity to its practitioners, which challenged the convention of middle-class female modesty.

Sparrow, therefore, strove for a delicate balance in her career—assuming the stance of a middle-class woman who lived among the poor, someone …

The Leisured Testes: White Ball-Breaking As Surplus Masculinity In Jackass, Christina M. Tourino

English Faculty Publications

In Jackass: Number Two (2006), Bam Margera allows Ryan Dunn to brand his posterior with a hot iron depicting male genitalia. Bam cannot tolerate the pain enough to remain perfectly still, so the brand touches him several times, resulting in multiple images that seem blurry or in motion. Bam’s mother, who usually plays the role of game audience for his antics, balks when she learns that her son has been hurt as well as permanently marked. She asks Dunn why anyone would ever burn a friend. “Cause it was funny,” Dunn answers.[i]

Jackass mines the body in pain as …

Speculation And The Emotional Economy Of 'Mansfield Park', Laura Vorachek

English Faculty Publications

At the midpoint of Mansfield Park (1814), the Bertram family dines at the Parsonage, and card games make up the after dinner entertainment. The characters form two groups, with Sir Thomas, Mrs. Norris, and Mr. and Mrs. Grant playing Whist, while Lady Bertram, Fanny, William, Edmund, and Henry and Mary Crawford play Speculation, This scene is central not only because Speculation reveals certain characters' personalities, but also because another type of “speculation” occurs during the game as the players contemplate or conjecture about one another. Moreover, “speculation” in the sense of gambling functions as a metaphor for the vicissitudes of …

Mormonism And The Family (Forum), Terryl Givens

English Faculty Publications

When we speak of the family in Mormonism, the term can mean many things. There is an idealized Mormon family, the one described in church magazines, General Conference talks, and Mormon public service commercials. There is the family of the Mormon theological tradition, stretching endlessly off into the eternities, bound together with temple ordinances, the forever family of Mormon bumper stickers. There is another family, product of a more speculative bent in Mormon theology, which comes of an eschatological reading of the Abrahamic covenant, and which imputes to a temple-sealed Mormon couple the right to an endless seed, a posterity …

Dangerous Women: Vera Caspary’S Rewriting Of 'Lady Audley’S Secret' In 'Bedelia', Laura Vorachek

English Faculty Publications

Considering Vera Caspary's Bedelia as a reimagining of Mary Elizabeth Braddon's Lady Audley's Secret allows for a new critical interpretation that refutes the typical view of Bedelia as reinforcing traditional gender roles. Instead, Caspary critiques World War II America by bringing Victorian concerns with female roles into the twentieth century.

Reading Music: Representing Female Performance In Nineteenth-Century British Piano Method Books And Novels, Laura Vorachek

English Faculty Publications

The editorial content of piano method books published in the nineteenth century contributed to the gendering of the domestic piano by targeting a middle-class female audience. At the same time, these tutorials circumscribed the ability and ambition of female pianists, cautioning women against technical display or performing challenging pieces in company, thereby reinforcing the stereotype of the graceful, demure woman who played a little. However, this effort was complicated by both the tutorials themselves and contemporary fiction. The middle-class women reading these tutorials also read novels—a fact the method books occasionally acknowledge—which often presented a very different picture of women’s …

Is Feminist Humor An Oxymoron?, Janet M. Bing

English Faculty Publications

Is the subject of feminist humor male oppression or a celebration of the female experience? This paper argues for the latter and suggests that inclusive jokes can be more effectively subversive than divisive ones. As long as women's jokes focus on men, male definitions, and male behavior, women are marginalizing females, even if their jokes target males. In addition, divisive jokes can strengthen prevailing beliefs about essential female-male differences. However, when straight feminists make jokes and laugh about the shared experiences of females rather than on oppressive male behavior, then feminist humor, like lesbian humor, becomes an agent for change.

Passing As Danzy Senna, Bertram D. Ashe, Danzy Senna

English Faculty Publications

Caucasia, written by Danzy Senna, is part of a growing sub-genre of African-American novels, some of which announce their themes by their titles: White Boys, by Reginald McKnight; The White Boy Shuffle, by Paul Beatty; The Last Integrationist, by Jake Lamar; and Negrophobia, by Darius James, to name a few. Caucasia is a "Post-Soul" novel that explores the world of "mullatos" - both cultural and racial. But even though artists such as Kara Walker, photographer Lorna Simpson, and essayist Lisa Jones also explore the vicissitudes of post-Civil Rights Movement Black identity, in Black fiction its …

"Hair Drama" On The Cover Of "Vibe" Magazine, Bertram D. Ashe

English Faculty Publications

This study consists of a cultural reading of the cover photograph of the June-July 1999 issue of Vibe magazine. It explores the relationship between Mase, an African-American male rap star, and the three anonymous African-American female models that surround him. The study interprets the cover through the long, straightened hair of the models, locating the models' hair in a historically-informed context of black hair theory and practice. The study argues that the models' presence on the cover, particularly their "bone straight and long" hair, "enhances" Mase in much the same way breast-augmented "trophy women" "enhance" their mates. Ultimately, the study …

Crossing Boundaries: Land And Sea In Jane Austen's 'Persuasion', Laura Vorachek

English Faculty Publications

Jane Austen suggests in Persuasion the pressures that the increased mobility of the middle class placed on the established aristocratic society in her time. Anne Elliot especially brings to light the inherited assumptions of her society. She can marry within her social rank (Mr. Elliot or Charles Musgrove) or marry below her (Wentworth at age 23), but either is a choice within the limits established by her society. One owns land or one does not. But when Wentworth returns a man of name and wealth, he is not a member of the landed gentry nor is he below Anne in …

"Why Don't He Like My Hair?": Constructing African-American Standards Of Beauty In Toni Morrison's "Song Of Solomon" And Zora Neale Hurston's "Their Eyes Were Watching God", Bertram D. Ashe

English Faculty Publications

African-Americans, with their traditionally African features, have always had an uneasy coexistence with the European (white) ideal of beauty. According to Angela M. Neal and Midge L. Wilson, "Compared to Black males, Black females have been more profoundly affected by the prejudicial fallout surrounding issues of skin color, facial features, and hair. Such impact can be attributed in large part to the importance of physical attractiveness for all women" (328). For black women, the most easily controlled feature is hair. While contemporary black women sometimes opt for cosmetic surgery or colored contact lenses, hair alteration (i.e., hair-straightening "permanents," hair weaves, …

Dismantling Stereotypes: Interracial Friendships In Meridian And A Mother And Two Daughters, Suzanne W. Jones

English Faculty Publications

When pondered together, these mediations on difference raise some perplexing questions. How do we discover a shared humanity without erasing difference? How do we use difference to enrich our vision if we fear it? How can we come to understand difference differently? When Zora Neale Hurston wrote "What White Publishers Won't Print" in 1950 before the civil rights movement began, she believed literature could help reduce white prejudice by proving blacks to be "just like everybody else" (171). When Audre Lorde called for new patterns of relating across differences at Amherst College in 1980, she ended her powerful plea with …

Penguins Can't Fly And Women Don't Count: Language And Thought, Janet M. Bing

English Faculty Publications

Many people object to sexist and racist language partly because they assume that language not only reflects, but somehow affects attitudes. A one-to-one relationship between language and thought seems obvious to those who never question it, but the issue of whether language influences thought and behavior has been a matter of debate in philosophy even before Berkeley and Wittgenstein. Literary critics, particularly those who call themselves deconstructionists, are still debating to what extent language constructs reality.