Social and Behavioral Sciences Commons^™

Ua12/2/1 College Heights Herald, Vol. 83, No. 17, Wku Student Affairs

WKU Archives Records

WKU campus newspaper reporting campus, athletic and Bowling Green, Kentucky news.

“Happy Dancing Natives” Minority Film, Han Nationalism, And Collective Memory, Benjamin D. Shaffer

Independent Study Project (ISP) Collection

Cinematic representations of China’s ethnic minorities have been prominent in Chinese visual culture and collective memory since the 1950s. After the founding of the People’s Republic of China, the Chinese Communist Party led campaigns to classify China’s diverse range of ethnic groups. These social experiments inspired a number of documentary and narrative films about the ostensibly “exotic” and “colorful” non-Han peoples of China. The audience for these depictions of minorities in visual culture varied considerably. Some early documentaries fueled the rise of Han nationalism and political agendas within the Communist Party. Several narrative films had large audiences in mainstream Chinese …

Digital Technologies And The Future Of Radio: Lessons From The Canadian Experience., Brian O'Neill

Conference Papers

This paper examines the position of digital radio in Canada. It examines the Canadian experience of digital radio development from its introduction in 1995 to the present and asks whether the approach adopted and the lessons learned provide useful models for application elsewhere. Three main strands form the background to digital radio’s current stage of development: firstly, the introduction and early support for Digital Audio Broadcasting or (DAB) in the mid 1990s; secondly, the response of the radio industry to the internet and new media as complementary to traditional radio broadcasting provision; and thirdly, the more recent experience of the …

Filming Eugenics: Teaching The History Of Eugenics Through Film, Melissa Ooten, Sarah Trembanis

Women, Gender and Sexuality Studies Faculty Publications

In teaching eugenics to undergraduate students and general public audiences, film should be considered as a provocative and fruitful medium that can generate important discussions about the intersections among eugenics, gender, class, race, and sexuality. This paper considers the use of two films, A Bill of Divorcement and The Lynchburg Story, as pedagogical tools for the history of eugenics. The authors provide background information on the films and suggestions for using the films to foster an active engagement with the historical eugenics movement.

Digital Radio Policy In Canada: Fragmentation Or Evolution Of The Medium, Brian O'Neill

Conference Papers

In December 2006, the Canadian Radio-Television and Telecommunications Commission (CRTC) issued its review of Digital Radio Policy. This replaced the transitional digital radio policy of 1995, and sought to implement a framework designed to support multi-platform digital radio broadcasting in an increasingly complex technological environment for the medium. Drawing on policy analysis, interviews and expert group perspectives, this paper traces the background to the legislative provision for digital radio development in Canada. While Canada was an early adopter of the Eureka-147 or Digital Audio Broadcasting (DAB), the policy of DAB as a replacement technology approach proved to be mistaken. Subsequent …

Super Size Me And The Conundrum Of Race/Ethnicity, Gender, And Class For The Contemporary Law-Genre Documentary Filmmaker, Regina Austin

All Faculty Scholarship

According to director Morgan Spurlock, the idea for "Super Size Me," the hugely popular documentary that explored the health impact of fast food, originated from a news report about Pelman v. McDonald’s, one of the fast food obesity cases. Over the course of his month-long McDonald’s binge, Spurlock became the literal embodiment of fast-food’s ill-effects on the seemingly generic American adult physique. Spurlock’s take on the subject, however, ignores the circumstances that contributed to the overweight conditions of the Pelman plaintiffs who were two black adolescent females who ate their fast food in the Bronx. One of them was homeless …

New York Placenames In Film Titles, Jay H. Bernstein

Publications and Research

From 1914 to 2006, 396 feature films with titles containing New York place names were released. This pattern emerged during the silent era, peaked from the late 1920s to the early 1940s, and then dropped off steadily before rebounding in the 1970s. This article discusses the cinematic representation of cities and urban life in the movies and the special place of New York as an “imagined city” and a cultural icon. New York’s associations in the popular imagination help explain the frequent occurrence of themes of negativity, violence, nightlife, and grandiosity (royalty or divinity) in these titles. The use of …

"Everybody Else Ain't Your Father": Reproducing Masculinity In Cinematic Sports, 1975-2000, Marc A. Ouellette

English Faculty Publications

This essay stems from two cultural strands, which intersect in one cultural form, the sports film. The first of these is the figure of the "star," as opposed to hero, who is interested only in self promotion. The second strand, masculine nurturing, provides a direct counterpoint to the first. Sociologist Robert Connell explains that "In historically recent times, sport has come to be the leading definer of masculinity in mass culture" (54). In North America, sport plays an important and increasing role in our culture. Each of the four major sports leagues added teams in the last decade of the …

The Evolution And Impact Of Documentary Films, Amma Marfo

Senior Honors Projects

Long considered either high art or the bane of every student’s existence when a substitute teacher came to class, documentary film has developed into a popular and visible form of entertainment. As a result, they are starting to have a bigger effect on society, as they begin to address issues with the goal of informing the public and pushing for social change. This project will first address historical documentaries, the reasons that they were made, and what techniques were established that have carried through to documentary film today. My paper will then examine today’s documentary films, what techniques they use …

Lasser Voir: Experimental Film Revealing The Dichotomy Of The Mind, Valerie Kitchin

Senior Honors Projects

Lasser voir is a French term meaning to show; to allow to be seen. The film is meant to interpret the internal genesis from dual perspectives. Absolute Good and absolute Evil coexist fighting each other eternally. The challenge is to create a vision of the form of good and the form of evil, thus showing the interior and exterior struggle between the two. Good and Evil appear as the same individual: each opposing one another in ethereal battle through the channel of artistic interpretation. The concept originates from the writhing movement within the mind. It cannot live without Good, but …

Digital Radio In Canada: From Dab To Multi-Platform Approaches., Brian O'Neill

Conference Papers

This paper examines the position of digital radio in Canada. It examines the Canadian experience of digital radio development from its introduction in 1995 to the present and asks whether the approach adopted and the lessons learned provide useful models for application elsewhere. Three main strands form the background to digital radio’s current stage of development: firstly, the introduction and early support for Digital Audio Broadcasting or (DAB) in the mid 1990s; secondly, the response of the radio industry to the internet and new media as complementary to traditional radio broadcasting provision; and thirdly, the more recent experience of the …

[Review Of] Sports Cinema 100 Movies: The Best Of Hollywood's Athletic Heroes, Losers, Myths, And Misfits, Robert A. Aken

Library Faculty and Staff Publications

No abstract provided.

A Wave Of The Magic Wand: Fairy Godmothers In Contemporary American Media, Jeana Jorgensen

Scholarship and Professional Work - LAS

The increased personification of fairy godmothers in contemporary American media corresponds to an aspect of the American worldview that emphasizes "magical" quick fixes and solutions. The two fairy-tale pastiche works informing this study are a novel, The Fairy Godmother, by fantasy author Mercedes Lackey, and a movie, Shrek 2. Both of these works feature fairy godmother characters that depart from canonical folktale and fairy-tale depictions. Associated with fate and wisdom, fairy godmothers act much as folklorists do by rewarding traditional behavior with gifts. Recent fairy godmother roles are hybrid and multivocal, illuminating ideologies and power structures in both society and …

Balancing Bias In The Media, Sharon Beder

Faculty of Arts - Papers (Archive)

The news is presented to give the impression it is factual, uncoloured by journalistic bias, so each side of a controversy is accurately reported. This paper outlines the way that the influence of editors, owners, advertisers – as well as journalistic conventions – are more important to the final result of journalism than the reporting skills or biases of individual journalists.

Bridging The 'Generation Gap' : Understanding Cross-Generations' Views Through The Visual Media Of The 1960s, Kit Ling Luk

APIAS Working Paper 工作論文

This working paper is based on the findings of the 2002 film screening cum focus group discussions amongst the young and the old organized by APIAS. Using the visual media: Hong Kong film in the 1960s as a media, the present project intends to explore the family as the social arena in addressing parent and children’s contrasting views on love, marriage and its impact on their parent-child relationships. The project also aims to shed light on ways in promoting intergenerational communications via structured intergenerational programmes.

Project Objectives

1. To explore the ‘gap’ between the young (born in the 1980s) and …

Televising 9/11 And Its Aftermath: The Framing Of George W. Bush’S Faith-Based Politics Of Good And Evil, Gary Edgerton

Scholarship and Professional Work - Communication

For most of the four days following 9/11, TV viewers around the world were mesmerised by unthinkable images. Television brought home to Americans especially the polarising effects of the post-Cold War world, including the backlash of Islamic fundamentalism and the imminent threat of future terrorist attacks. A formulaic narrative quickly emerged; ordinary police and firefighters took the lead as America’s national heroes, while Osama bin Laden and the rest of al-Qaeda and the Taliban rose up as villains. On September 12, 2001, U.S. President George W. Bush gave voice to this mythic small-screen storyline as “a monumental struggle of good …

This Time He Moves! The Deeper Significance Of Hou Hsiao-Hsien's Radical Break In Good Men, Good Women, James N. Udden

Interdisciplinary Studies Faculty Publications

Following the recent success of Taiwanese film directors, such as Hou Hsiao-hsien, Edward Yang, Ang Lee and Tsai Ming-liang, Taiwanese film is raising its profile in contemporary cinema. This collection presents an exciting and ambitious foray into the cultural politics of contemporary Taiwan film that goes beyond the auterist mode, the nation-state argument and vestiges of the New Cinema.

Cinema Taiwan considers the complex problems of popularity, conflicts between transnational capital and local practice, non-fiction and independent filmmaking as emerging modes of address, and new possibilities of forging vibrant film cultures embedded in national (identity) politics, gender/sexuality and community activism. …