Open Access. Powered by Scholars. Published by Universities.®
Social and Behavioral Sciences Commons™
Open Access. Powered by Scholars. Published by Universities.®
Articles 1 - 3 of 3
Full-Text Articles in Social and Behavioral Sciences
Fatou Diome: Une Création Entre Les Arts, Sada Niang
Fatou Diome: Une Création Entre Les Arts, Sada Niang
Présence Francophone: Revue internationale de langue et de littérature
As she began her career in the 1980s, Fatou Diome inherited a rich tradition of literary texts and media productions, African cinema among them. Since she also hailed from a country known as "francophone", it is hardly surprising that her novels resonate with the style and narratives of African, French and other European writers. In this article, we propose to unveil a few of these artistic threads which may have informed and inspired Fatou Diome.
Espaces Topologique Et Phénoménologique Dans Le Mal De Peau Et Le Retour Au Village, Mahamadou Lamine Ouédraogo
Espaces Topologique Et Phénoménologique Dans Le Mal De Peau Et Le Retour Au Village, Mahamadou Lamine Ouédraogo
Présence Francophone: Revue internationale de langue et de littérature
Le mal de peau by Monique Ilboudo and Le retour au village by Kollin Noaga are two Burkinabè novels featuring Sibila and Catherine (for the first) and Tinga (for the second). The study questions the part of spatiality in the semantics of indexed texts: how does space mean in these novels? This problem is attacked from two angles. First, it is a matter of identifying the modes of meaning of the topos. Secondly, it is about seeing how the body, as a phenomenological space, can articulate meaning.
Entre Intertextualité Et Réécriture, Alexie Tcheuyap
Entre Intertextualité Et Réécriture, Alexie Tcheuyap
Présence Francophone: Revue internationale de langue et de littérature
Aesthetic practices have become more and more diversified in contemporary cultures. Although rewritings and adaptations are most common from literature to film, from myth/epic to novels, African filmmakers have recently been inaugurating novelization, that is the literary rewriting of a film. This essay examines the case of the Algerian filmmaker Merzac Allouache, who has written Bab el-Oued City, based on his film Bab el-Oued, in order to escape the technical and practical limitations of cinema. In doing so, he best expresses the challenges of contemporary Algeria, which is permanently threatened by violence and Islamic fundamentalism.