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Full-Text Articles in Social and Behavioral Sciences

Wow Cafe Theater Unveils 30th Anniversary Festival After Three Decades, Fierce Performers Prove The Show Will Go On, Esther Zinn Oct 2010

Wow Cafe Theater Unveils 30th Anniversary Festival After Three Decades, Fierce Performers Prove The Show Will Go On, Esther Zinn

Center for LGBTQ Studies (CLAGS)

WOW Cafe Theater, a collective for female and and trans performance artists, strutted its stuff during its Pearl festival in May by celebrating thirty years of producing risk-taking, genre-defying theatre during the entire month of May 2010. Featuring more than twenty performances and fifty artists spanning a broad spectrum of music, dance, and multi-media, the Pearl festival was arguably the biggest and longest running theatrical event for women in New York during this summer, made possible by a generous grant from the Lower Manhattan Cultural Council.


Director's Letter, Sarah Chinn Oct 2010

Director's Letter, Sarah Chinn

Center for LGBTQ Studies (CLAGS)

Dear Friends: CLAGS's mission to nurture LGBT scholarship means that we're often looking into the past and into the future at the same time, remembering the queer past as we encourage cutting-edge scholarship. This feels especially true right now, since we're preparing for our 20th anniversary and putting the finishing touches on our historic (in all senses of the word) conference, "In Amerika They Call Us Dykes: Lesbian Lives in the 1970s."


International Resource Network (Irn) News–Middle East Participates In The 5th Annual Anti-Homophobia Conference In Turkey, Naveed Alam Oct 2010

International Resource Network (Irn) News–Middle East Participates In The 5th Annual Anti-Homophobia Conference In Turkey, Naveed Alam

Center for LGBTQ Studies (CLAGS)

"No disenfranchised minority is free unless all disenfranchised minorities are free." With this introductory statement Judith Butler went on to draw the links between precarity, performativity, and sexual politics as she delivered the keynote lecture during the 5th Annual Anti-Homophobia Conference at Ankara University on May 15, 2010.


Black Lesbians In The 70s, Shawn(Ta) Smith-Cruz Oct 2010

Black Lesbians In The 70s, Shawn(Ta) Smith-Cruz

Center for LGBTQ Studies (CLAGS)

During the initial planning session for In Amerika They Call Us Dykes: Lesbian Lives in the 70s Spring Series, there was lack of clarity about the activity of Black Lesbians in the early part of the 1970s. The aim for Black Lesbian Herstory in the 70s: An At Home Tour and Guide to the Black Lesbian Herstory of the Collection was to present information to the lesbian community and increase Black Lesbian invisibility.


The Robert Giard Foundation Fellows Enlighten Our World, Carl Sylvestre Oct 2010

The Robert Giard Foundation Fellows Enlighten Our World, Carl Sylvestre

Center for LGBTQ Studies (CLAGS)

This spring, the Robert Giard Foundation's partnership with CLAGS completed the first of what is anticipated to be an annual event in both organizations' calendars.


Lesbians In The 1970s, Sarah Chinn Oct 2010

Lesbians In The 1970s, Sarah Chinn

Center for LGBTQ Studies (CLAGS)

The 1970s was a period of intense excitement, change, activism, and activity for lesbians. As lesbian feminism redefined what qualified as a "political issue" and challenged every assumption about gender, race, class, ability, sexuality, and any number of other social categories, lesbians of all kinds created cultural, social, political, economic, and regional organizations and networks.


The Robert Giard Fellowship, Sarah Chinn Oct 2010

The Robert Giard Fellowship, Sarah Chinn

Center for LGBTQ Studies (CLAGS)

For several years we at CLAGS had wanted to work with the Robert Giard Foundation on a project for LGBT artists, but couldn't come up with the right vehicle. Eventually we hit on a perfect project: a fellowship for photographers and video artists working on queer and trans themes that would honor Robert Giard's legacy while directly supporting emerging and mid-career artists.


"I Am", Sonali Gulati Oct 2010

"I Am", Sonali Gulati

Center for LGBTQ Studies (CLAGS)

It was the summer of 1999 in Toronto at my very first public screening of my film titled "sum total" that someone asked me what my next film project was. And I had barely formalized my ideas in my head but I spoke from my heart and spoke of this film about parents of gay and lesbian youth living in India. It had only been a year and a half since my mother had passed away and that feeling of regret of not having come out to her before she died was on my mind.


A Beautiful People, Arianne Benford Apr 2010

A Beautiful People, Arianne Benford

Center for LGBTQ Studies (CLAGS)

We are a beautiful people. People of the drum and open spirit. People with the strength to live our lives that bring us one-step closer to whole. We are beautiful when we constantly push and pull at the traditional American social fabric by just being ourselves.


Director's Letter, Sarah Chinn Apr 2010

Director's Letter, Sarah Chinn

Center for LGBTQ Studies (CLAGS)

Dear Friends: Welcome to our redesigned CLAGSNews! As you can see, CLAGS is going through a number of chances, both stylistic and substantial. We've moved CLAGSNews to a mostly electronic format, in part to save precious resources, but also to take advantage of the endless possibilities of web-based text. We'll also be updating our logo and the CLAGS website to make it a real resource for LGBT Studies.


International Resource Network (Irn) Presents Seminars In The City, Naveed Alam Apr 2010

International Resource Network (Irn) Presents Seminars In The City, Naveed Alam

Center for LGBTQ Studies (CLAGS)

One of the major achievements of the IRN this year was our collaboration with CLAGS's ongoing Seminars in the City series. The Seminars in the City series is part of CLAGS's mission to make scholarly research in Queer Studies accessible to the general public.


Focusing On Black Queer Writing: Clags At The Fire & Ink Cotillion Iii In Austin Texas, Shawn(Ta) Smith-Cruz Apr 2010

Focusing On Black Queer Writing: Clags At The Fire & Ink Cotillion Iii In Austin Texas, Shawn(Ta) Smith-Cruz

Center for LGBTQ Studies (CLAGS)

On October 8-11th, 2009, an historic event occurred in Austin, Texas. The Fire & Ink III: Cotillion brought together LGBT writers and artists of African descent from around the nation and beyond. In 2002, its founding year, Thomas Glave, editor of Our Caribbean: A Gathering of Lesbian and Gay Writing from the Antilles (Duke University Press) and author of The Torturer's Wife (fiction), provided the keynote, later published in both his essay collection, Words to our Now as well as the Summer 2003 issue of Callaloo (literary journal) under the name: "Fire and Ink: Toward a Quest for Language, History …


An Excerpt From The 2009 Kessler Lecture: Ties That Bind: Familial Homophobia And Its Consequences, Sarah Schulman Apr 2010

An Excerpt From The 2009 Kessler Lecture: Ties That Bind: Familial Homophobia And Its Consequences, Sarah Schulman

Center for LGBTQ Studies (CLAGS)

Despite the emphasis on gay marriage and parenthood that has overwhelmed our freedom vision, how gays and lesbians are treated IN families, is far more influential on the quality of individual lives and the larger social order, than how we are treated AS families. Tonight I will try to articulate how and why systems of familial homophobia operate and more importantly, how they can be changed.


Gloria E. Anzaldúa’S Decolonizing Ritual De Conocimiento, Sarah S. Ohmer Jan 2010

Gloria E. Anzaldúa’S Decolonizing Ritual De Conocimiento, Sarah S. Ohmer

Publications and Research

Gloria E. Anzaldúa’s work makes up one of the many Chican@ works that contribute another history, a history repressed by the national discourses on both sides of the border. Influenced by antecedents of U.S. Hispanic Literature who superposed “official” history with another history, Chicano activists had already enacted a retrieval of pre-conquest histories to revive their people’s historical consciousness. As Saldívar-Hull states in “Mestiza Consciousness and Politics: Gloria Anzaldúa’s Borderlands/ La frontera,” the publication of Borderlands/ La Frontera distinguished itself from the Chicano movement’s as it unveiled the curtain that hid the Aztec goddesses and kept aspects of pre-conquest history …