Social and Behavioral Sciences Commons^™

Emerald Fennell's Promising Young Woman (2020): A Psychoanalytic Review Of Masculinity And Rape Culture, Marjorie A. Briones

Access*: Interdisciplinary Journal of Student Research and Scholarship

TW: mentions of sexual violence and rape

When it comes to the subject of sexual violence, there are systemic and cultural effects that prevents assaulters from being properly prosecuted. In the U.S., perpetrators of sexual violence largely consists of heterosexual, white men (RAINN, 2022). So, we begin to question the ways in which sexual violence and masculinity are interconnected. By conducting a psychoanalytic analysis of Emerald Fennell’s 2020 film Promising Young Woman, the ideas of toxic masculinity and “rape culture” will be deconstructed in regard to Cassie’s–the protagonist–story. Theories by Sigmund Freud and Carl Jung will be connected to real-life …

Pants On Fyre: Parasitic Masculinity And The Fyre Festival Documentaries, Kristen Hoerl, Casey Ryan Kelly

Department of Communication Studies: Faculty Publications

The documentaries Fyre Fraud and FYRE: The Greatest Party that Never Happened recount the fraudulent and imprudent decision-making process that led up to the ill-fated Fyre Fest. These documentaries represent the music festival’s failure through depictions of white masculinity that seek parasitic attachment and proximity to the hegemonic ideal of masculine authority in the neoliberal marketplace. We argue that these movies map the operations of an imitative form of white masculine subjectivity that thrives in precarity, even as they recuperate the status of late-stage neoliberalism by symbolically removing parasitic masculinity from the neoliberal social order that it feeds on.

"Because It’S 2015!": Justin Trudeau’S Yoga Body, Masculinity, And Canadian Nation-Building, Jennifer Musial, Judith Mintz

Journal of Feminist Scholarship

In 2015, Canadian Prime Minister Justin Trudeau told reporters he chose a gender-balanced cabinet “because it’s 2015,” a sentiment that resonated with Leftists and feminists. Trudeau showed he was a different kind of male politician through his yoga practice. Through candid yoga photographs, Trudeau represented himself as a sensitive new age guy who challenged hegemonic masculinity through wellness, playfulness, and a commitment to multiculturalism. Using discourse analysis, we examine visual, print, and social media texts that feature Trudeau’s connection to yoga, masculinity, and nation-building. We argue that Trudeau’s yoga body projects a “hybrid masculinity” (Bridges 2014; Demetriou 2001) that constructs …

Hollywood Media And The Model Minority Myth: The Representation Of Asian American Masculinity And Its Effects, Khanhlinh Le

Master's Projects and Capstones

Asian Americans are becoming one of the largest growing minority groups in the United States, almost surpassing the Latinx community. Asian Americans, however, are rarely ever represented in Hollywood films and are limited to stereotypical roles. Asian American actors have a difficult time finding roles playing characters that are three-dimensional and complex. While both Asian American men and women face this challenge, it seems that in Hollywood films and television shows, Asian American males are even less represented than females and are typically portrayed as the quiet nerd, sexy doctor, martial arts expert, or the villain. These media stereotypes impact …

God Of War: Masculinity And Fatherhood Through Procedural Rhetoric, Andrew A. Morgan

University of the Pacific Theses and Dissertations

Video games and academia have a long history with one another. Academic researchers have continued to debate the extent to which video games can materialize real world effects. In this thesis, I employ procedural rhetoric and feminist scholarship to analyze the rhetorical power of God of War. I focus on the game’s immersive procedures and the performances of masculinity from Kratos, Atreus, and Baldur. These three characters all perform different masculinities, and their interactions with one another inform the game’s portrayal of masculinity and fatherhood. By engaging in violence and depicting nuanced performances of masculinity, God of War positions the …

Redefine: Messages About Masculinity, Anna Leonidovna Goryachikova, Mason Mitchell Montgomery, Hannah Jayne Martell

Communication Studies

REDEFINE: Messages about Masculinity was held in the Berg Gallery on May 7th, 2019. REDEFINE’s story began on an evening of Fall Quarter of 2018 at Barrelhouse in Downtown San Luis Obispo. The overarching goal of the event was to start a conversation about masculinity and to educate. As communication students, we studied the value of building relationships and communicating effectively. We believe that listening to personal narratives of diverse interpretations through monologues, music, and video is a great way to learn about masculinity. As audience members and performers, we came to understand how crucial it is to create a …

Constructing Lumbersexuality: Marketing An Emergent Masculine Taste Regime, Mark A. Rademacher, Casey R. Kelly

Department of Communication Studies: Faculty Publications

This article examines the online retailer Huckberry.com as a singular, centralized authority responsible for marketing “lumbersexuality” as an emergent, gender-normative taste regime. As an evolution of the devalued hipster marketplace myth, analysis reveals Huckberry promotes an adaptable taste regime to its young, educated, urban, White male clientele that unites goods, meanings, and practices across multiple fields of consumption that reconnect indie consumption and taste with a fantasy of “authentic” masculinity. We argue that Huckberry offers men semiotic resources that merge the urban with the outdoors in a way that enables the enactment of a fraught though seemingly durable masculine identity …

The Wounded Man: Foxcatcher And The Incoherence Of White Masculine Victimhood, Casey Ryan Kelly

Department of Communication Studies: Faculty Publications

American cinema has recently favored representations of white men as victims of socioeconomic and political change. Recent scholarship on white masculinity suggests that representations of male victimhood enable white men to disavow that hegemonic white masculinity still fundamentally structures society. This essay argues that Hollywood’s wounded man similarly provides white masculinity with stable footing. I illustrate how the unintelligibility of screen masculinity evades criticism and, further, how melancholic male dramas nurture a traumatic attachment to victimhood. Examining the film Foxcatcher (2014), I show how unmasked portraits of white male victimhood function as counterparts to the hard-bodied action hero. The filmmaker’s …

#Representationmatters: A Study Of Masculinity In The Avengers Movies, Lauren F. Cooke

Senior Projects Spring 2018

Senior Project submitted to The Division of Social Studies of Bard College

He Scores Through A Screen: Mediating Masculinities Through Hockey Video Games, Marc A. Ouellette, Steven Conway

English Faculty Publications

Hockey video games highlight the ways in which the video game medium shapes and conditions the experience of producing and/or performing the sport “in real life.” Indeed, the accumulation of advanced statistics in and through the constant evaluation, measurement, and surveillance which are inherent to video games—and increasingly seen as foundational for sport—reveals important contradictions not only in the way the embodied sport is played and understood, but also in terms of the proofs of masculinity upon which the sport is built. It then becomes clear that the building of masculinity and the empowerment of the character become one and …

The Minority Anti-Hero: Race And Behavioral Justification In Power, Claudia Hernandez

Scripps Senior Theses

This thesis explores the minority anti-hero on television as it relates to concepts of race and behavioral justification. Previous studies have addressed the ways in which whiteness functions advantageously for popular criminal anti-heroes on television, yet little is known regarding the effects of race for similar characters of color. I hypothesized that accessibility of the criminal stereotype does not allow men of color to inhabit the same immoral status as white characters without penalty. I subsequently analyzed the first season from the Starz series Power and conducted a textual analysis using theories of race and hegemonic masculinity to compare the …

Abstinence Cinema: Virginity And The Rhetoric Of Sexual Purity In Contemporary Film, Casey R. Kelly

Casey R. Kelly

Masculine Silence, Anthony Sis

Journal of Critical Scholarship on Higher Education and Student Affairs

Critical reflection on the importance of breaking the silence on issues related to injustice with young men of color.

“I’M Here To Do Business. I’M Not Here To Play Games.” Work, Consumption, And Masculinity In Storage Wars, Mark A. Rademacher, Casey Ryan Kelly

Department of Communication Studies: Faculty Publications

This essay examines the first season of Storage Wars and suggests the program helps mediate the putative crisis in American masculinity by suggesting that traditional male skills are still essential where knowledge supplants manual labor. We read representations of “men at work” in traditionally “feminine” consumer markets as a form of masculine recuperation situated within the culture of White male injury. Specifically, Storage Wars appropriates omnivorous consumption, thrift, and collaboration to fit within the masculine repertoire of self-reliance, individualism, and competition. Thus, the program adapts hegemonic masculinity by showcasing male auction bidders adeptly performing feminine consumer practices. Whether the feminine …

“I’M Here To Do Business. I’M Not Here To Play Games.” Work, Consumption, And Masculinity In Storage Wars, Mark A. Rademacher, Casey R. Kelly

Mark A. Rademacher

This essay examines the first season of Storage Wars and suggests the program helps mediate the putative crisis in American masculinity by suggesting that traditional male skills are still essential where knowledge supplants manual labor. We read representations of “men at work” in traditionally “feminine” consumer markets, as a form of masculine recuperation situated within the culture of White male injury. Specifically, Storage Wars appropriates omnivorous consumption, thrift, and collaboration to fit within the masculine repertoire of self-reliance, individualism, and competition. Thus, the program adapts hegemonic masculinity by showcasing male auction bidders adeptly performing feminine consumer practices. Whether the feminine …

Cooking Without Women: The Rhetoric Of The New Culinary Male, Casey R. Kelly

Casey R. Kelly

Casey Kelly's contribution to Communication and Critical/Cultural Studies, Volume 12, Issue 2.

“I’M Here To Do Business. I’M Not Here To Play Games.” Work, Consumption, And Masculinity In Storage Wars, Mark A. Rademacher, Casey R. Kelly

Casey R. Kelly

This essay examines the first season of Storage Wars and suggests the program helps mediate the putative crisis in American masculinity by suggesting that traditional male skills are still essential where knowledge supplants manual labor. We read representations of “men at work” in traditionally “feminine” consumer markets, as a form of masculine recuperation situated within the culture of White male injury. Specifically, Storage Wars appropriates omnivorous consumption, thrift, and collaboration to fit within the masculine repertoire of self-reliance, individualism, and competition. Thus, the program adapts hegemonic masculinity by showcasing male auction bidders adeptly performing feminine consumer practices. Whether the feminine …

Feminine Purity And Masculine Revenge-Seeking In Taken (2008), Casey Kelly

Casey R. Kelly

The 2008 film Taken depicts the murderous rampage of an ex-CIA agent seeking to recover his teenage daughter from foreign sex traffickers. I argue that Taken articulates a demand for a white male protector to serve as both guardian and avenger of white women's “purity” against the purportedly violent and sexual impulses of third world men. A neocolonial narrative retold through film, Taken infers that the protection of white feminine purity legitimates both male conquest abroad and overbearing protection of young women at home. I contend that popular films such as Taken are a part of the broader cultural system …

Cooking Without Women: The Rhetoric Of The New Culinary Male, Casey Ryan Kelly

Department of Communication Studies: Faculty Publications

Between their detailed instructions, measurements, and helpful hints, cookbooks provide directives about the proper management of household space. Cookbooks establish rules that govern intimate habits, helping readers to make sense of how cooking rituals fit within the domestic division of labor. They cultivate, naturalize, and sometimes resist domestic habits as they pass into the realm of unconscious investments that ideological critics call “common sense.” However, Isaac West argues that while cookbooks “invite readers into specific subject positions, some of which are more attainable than others,” they provide cooks with “opportunities for communicating who they are and who they might want …

Masculindians: Conversations About Indigenous Manhood By Sam Mckegney, P. Kelly Mitton

The Goose

Review of Sam McKegney’s Masculindians: Conversations About Indigenous Manhood.

“I’M Here To Do Business. I’M Not Here To Play Games.” Work, Consumption, And Masculinity In Storage Wars, Mark A. Rademacher, Casey R. Kelly

Scholarship and Professional Work - Communication

This essay examines the first season of Storage Wars and suggests the program helps mediate the putative crisis in American masculinity by suggesting that traditional male skills are still essential where knowledge supplants manual labor. We read representations of “men at work” in traditionally “feminine” consumer markets, as a form of masculine recuperation situated within the culture of White male injury. Specifically, Storage Wars appropriates omnivorous consumption, thrift, and collaboration to fit within the masculine repertoire of self-reliance, individualism, and competition. Thus, the program adapts hegemonic masculinity by showcasing male auction bidders adeptly performing feminine consumer practices. Whether the feminine …

Cooking Without Women: The Rhetoric Of The New Culinary Male, Casey R. Kelly

Scholarship and Professional Work - Communication

Casey Kelly's contribution to Communication and Critical/Cultural Studies, Volume 12, Issue 2.

Signs Of Wildness: Codes Of The “Primitive” In Masculine Commodity Culture, Matthew P. Ferrari

Doctoral Dissertations

This project broadly examines articulations of the “primitive” emerging from various sites of popular cultural production, considering their operation within the wider “semioscape”– defined by Thurlow and Aiello (2007) as “the globalizing circulation of symbols, sign-systems, and meaning-making practices.” Taking my lead from Kurusawa (2002, 2004), Torgovnik (1991, 1998), Chow (1995), and Di Leonardo (1998), who have demonstrated the importance of the “primitive” as an interpretive discourse, I add to this body of thought by extending its scope into the realm of popular media and cultural production, examining cases within film, television, advertising, sports, and associated lifestyle commodities. I pose …

Take Off Your Masc: The Hegemonic Gay Male's Gender Performance On Grindr, Duncan Shuckerow

Cultural Studies Capstone Papers

The hegemonic Grindr clone is a gay male Grindr user who enforces the privileging of traditional masculine gender performance and condemns effeminacy. Through this project’s own field work along with the website “douchebagsofgrindr,” the hegemonic Grindr clone is here within analyzed. Drawing upon the theory ofhegemony articulated by Gramsci, a historical analysis of the 1970s urban gay male clone, and contemporary analysis and research, the project argues that the hegemonic Grindr clones, while only a minority group of Grindr users, rules over the cyberspace as sexual gatekeepers. Hegemonic Grindr clones maintain their privileged status on the application through depicting and …

Feminine Purity And Masculine Revenge-Seeking In Taken (2008), Casey R. Kelly

Scholarship and Professional Work - Communication

The 2008 film Taken depicts the murderous rampage of an ex-CIA agent seeking to recover his teenage daughter from foreign sex traffickers. I argue that Taken articulates a demand for a white male protector to serve as both guardian and avenger of white women's “purity” against the purportedly violent and sexual impulses of third world men. A neocolonial narrative retold through film, Taken infers that the protection of white feminine purity legitimates both male conquest abroad and overbearing protection of young women at home. I contend that popular films such as Taken are a part of the broader cultural system …

Feminine Purity And Masculine Revenge-Seeking In Taken (2008), Casey Ryan Kelly

Department of Communication Studies: Faculty Publications

The 2008 film Taken depicts the murderous rampage of an ex-CIA agent seeking to recover his teenage daughter from foreign sex traffickers. I argue that Taken articulates a demand for a white male protector to serve as both guardian and avenger of white women’s “purity” against the purportedly violent and sexual impulses of third-world men. A neocolonial narrative retold through film, Taken infers that the protection of white feminine purity legitimates both male conquest abroad and overbearing protection of young women at home. I contend that popular films such as Taken are a part of the broader cultural system of …

Beauty-Ful Inferiority: Female Subservience In Disney’S Beauty And The Beast, Jeremy Chow

LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University

The ubiquity of Disney movies has certainly transformed the American cultural landscape. The Disney zeitgeist manifests itself as generations of children actively seek Prince Charmings, unrealistic fairy tale relationships and the omnipotent, happily-ever-after. One such Disney favorite, Beauty and the Beast (1991), reveals typical Disney themes such as the power of altruism, the transformation of the anthropomorphic, and the catharsis of true love. Yet, under these benevolent-seeming Disney themes lurk more sinister, subliminal messages. Beauty and the Beast promotes female subservience and subjugation in addition to the glorification of abusive relationships. Belle, the female protagonist, embodies these gendered disparities and …

A Symbolic Prison: A Prisoner's Story As Masculinity Crisis Narrative In Bronson, James Benjamin Shupe

Electronic Theses and Dissertations

For this project I analyze the film Bronson, focusing on its connection to the contemporary masculinity crisis discourse or the belief that traditional notions of masculinity are in peril due to changing gender norms and women's social progress. I argue Bronson privileges a narrow, violent conception of masculinity through its presentation of violence and domination over other men. I use Ernest Bormann's Symbolic Convergence Theory to analyze how the film makes sense of the real life events it is based on in a way that appeals to the contemporary masculinity crisis discourse. I argue that Bronson is a notable representation …

Slave To Fashion: Masculinity, Suits And The Masciste Films Of Italian Silent Cinema, Jacqueline Reich

CMS Faculty Publications

No abstract provided.

The World’S Most Perfectly Developed Man: Charles Atlas, Physical Culture, And The Inscription Of American Masculinity, Jacqueline Reich

CMS Faculty Publications

The major wave of Italian immigration between the nineteenth and twentieth centuries coincided with the growth of the physical culture movement in the United States. A principal participant in both phenomena was the Italian male, with a particularly fascinating case being that of the bodybuilder and fitness guru Charles Atlas. Born Angelo Siciliano in Calabria, Italy, Atlas provides an interesting window into how the Southern immigrant became American and how that Americanization was written on the muscled, male body. This article examines how Siciliano/Atlas transformed himself into the world’s most perfect white man at a time when Italians’ whiteness was …