Social and Behavioral Sciences Commons^™

Still Flying: The Communicative Constitution Of Browncoat Fandom As Culture, Jonathon Nicholas Lundy

Boise State University Theses and Dissertations

In contemporary western culture, fandom is common. Many academics and members of the general public alike conceive of fandom as outside the norms of spectatorship; to be a spectator is to enjoy an interest individually and passively. However, others contend that fandom is a more significant cultural achievement.

This study qualitatively investigated how Browncoats, or fans of the cancelled television series Firefly , communicatively construct their fandom culture. Methods included participant observation, semi-structured interviews, data analysis through Grounded Theory, and a comparative thematic analysis of the original Firefly source texts and Browncoat cultural data in order to discover meaningful themes …

Shock Rhetoric, David Robert Nelson

Dissertations

Social movements create a public perception of themselves through rhetorical messages and demonstrations. In order to gain the public's attention, some radical groups use any rhetorical means necessary, including offensive remarks and conduct. Groups, such as the Westboro Baptist Church and Bash Back!, rhetorically challenge the boundaries of prudence. The purpose of this study is to identify, depict, and provide insight regarding shock rhetoric. This study will compare protest methods, visual imagery, and language choices used by Bash Back! and the Westboro Baptist Church. This dissertation helps illuminate why and how groups or individuals use shock rhetoric.

Model Citizen: Exploring The Portrayal Of Unconventional Models On Television Shows In Relation To Women's Self Image, Nicole Jenelle James

All Capstone Projects

According to the renowned Mayo Clinic, having a low self-image can lead people to suffer harmful: physical, emotional, and behavioral consequences. Much of women’s selfimage is reliant on comparing themselves to the media’s perception of beauty. In an effort to bolster American women’s self-esteem, a workshop is proposed to explore the relation between portrayal of unconventional models on television shows and women’s/viewer’s self-image.

Effects Of The Emo Music Genre, Vincent Piccone Mazzaferro

Communication Studies

No abstract provided.

Traditional Musician-Centered Perspectives On Ownership Of Creative Expressions, Dick Kawooya

Doctoral Dissertations

Historically, traditional music in Africa was attributed to the collective society and not to individual musicians. Given the changing socioeconomic, cultural and political environments prevalent in most African societies, collective ethos are increasingly problematic to the very survival of expressive cultures like music. Individual musicians cannot effectively live off the traditional music they make without offending their traditional societies. Without meaningful incomes from traditional music, musicians cannot contribute to traditional music because it is difficult in a collectivist environment to exploit the opportunities of the global intellectual property regimes. This situation is likely to undermine the future of traditional expressive …

Solace In St. Louis: A Case Study In Heroic Cultural Nostalgia, Amanda J. Pinney

UNLV Theses, Dissertations, Professional Papers, and Capstones

This thesis examines the response of American popular culture to the terrorist attacks of September 11, 2001. By utilizing the September 17, 2001 pre-game ceremony, held at Busch Stadium as a case study example, larger generalizations are made about the role popular culture played in the days following the tragedy. In order to analyze this example, I have developed heroic cultural nostalgia, a framework that combines elements of myth, nostalgia and national identity. Heroic cultural nostalgia provides an explanation of how popular culture plays a role in crisis response. The framework highlights the role of individuals with heroic characteristics in …

A Spectrum Of Philosophies: The Rhetorical Framing Of Avant-Garde Art Manifestos Of The Early Twentieth Century, Alison Kara Falotico

Honors Capstone Projects - All

Studies of the manifesto genre are often based on an understanding of early political manifestos as exemplifying extreme left-wing political philosophies and argument typologies and utilizing the confrontational form. Many avant-garde artistic movements of the early twentieth century wrote manifestos to advocate for new approaches to art, design, and aesthetic education and production. Because there is a gap in present scholarship, these avant-garde art manifestos were incorrectly categorized under the preceded format of early political manifestos. This essay offers the argument that these early twentieth century avant-garde art manifestos actually lie across a spectrum (Rossiter’s Political Spectrum) and can exemplify …

"Rapping About Authenticity": Exploring The Differences In Perceptions Of "Authenticity" In Rap Music By Consumers.", James L. Wright

Doctoral Dissertations

Historically, social scientists have not only marginalized rap music as a viable unit of scholarly analysis, but failed at attempts to understand the thoughts and actions of rap music consumers. This study analyzes the connection between rap music’s (and the artists’) authenticity and how those perceptions of authenticity affect music consumers’ decision making process, thus providing a possible explanation as to why music fans purchase rap music. The goal of this research was to see if the reasons rap music fans provide explaining the rationale behind their purchases match the images and perceptions presumably held by the general public about …

Feminist Criticism: The Importance Of Sharing The Native Female Journey, Michelle Newfield

Communication Studies

The female Native American perspective is grossly neglected in mainstream media. Sadly, stereotypical images romanticize Native American women in a light that disallows them to be taken seriously in a modernized world. The fact is that the majority of women with American Indian ancestry do not live on reservations; they make up a considerable part of the general population.

There is an unfortunate “invisibility of Native women in comparison to men,” and “Native women are often represented by popular culture within the Plains Indian context, the generic Indian. Omnipresent is the ‘squaw’ who is portrayed as servant, concubine, beast of …

Communally Discerning A Covenant Of Hospitality For The Care Of Children At Westview Boys' Home, Ron Bruner

Doctor of Ministry Theses

This project addressed the lack of a covenant defining the practice of hospitality towards children for team members of Westview Boys’ Home. The purpose of the project was to facilitate the creation of such a covenant. The Westview ministry team already claimed hospitality as a strength; the hope was that reframing the ministry around this strength would improve the quality of care for children and the quality of life for the community. Invited into a communal discernment process (the methodology), the ministry team invested weeks in the examination of biblical texts, theological tradition, personal and communal narratives, cultural trends, psychological …

Conflicting Identities And Ideologies: A Rhetorical Analysis Of The National Japanese American Memorial To Patriotism During World War Ii, Kaori Yamada

Dissertations and Theses @ UNI

This thesis is a rhetorical criticism of the National Japanese American Memorial to Patriotism During World War II, located in Washington, D.C. It was erected on November 9, 2000, to memorialize Japanese Americans who were forced to move to the relocation camps and Japanese American soldiers who died as members of the U.S. armed forces during WWII. Examining the intended meaning of the Memorial by its creators is not a central focus of this study. Rather, I investigate how interactions among the rhetoric of the Memorial, social contexts, and audiences create multiple meanings.

The first analytic focus is the symbolic …

Chronotope And Regional Chinese Independent Films, Jingya Liu

Theses & Dissertations

This thesis aims to re-categorize Chinese independent films from a region-based perspective as a critical response to existing literature on Chinese independent films. This thesis analyzes three independent films made in three different regions of China in order to investigate regional Chinese independent cinema as a recently rising phenomenon: respectively, Jia Zhangke’s Xiaowu (1997) made in Shanxi Province, Ying Liang’s Taking Father Home (Bei yazi de nanhai, 2006) in Sichuan Province, and Robin Weng’s Fujian Blue (Jinbi huihuang, 2007) in Fujian Province.

By using Bakhtin’s concept of chronotope (literally time-space) as the fundamental framework and exploring the many aspects of …

當代中國文化明星的製造 : 變動的文化生產場, Weizi Huang

Theses & Dissertations

本文借助並修訂了布爾迪厄（Pierre Bourdieu）的理論框架，透過對中國大陸二十世紀九十年代以來文化明星的製造進行研究來理解變動中的文化生產場 (field of cultural production)，並探討在其間知識分子作為的新可能。文化明星問題之所以值得特別研究，首先是由於它處於當代中國文化生產的中心，涉及到電視、圖書、平面媒體、互聯網等不同的文化生產次場域（sub-field），以及製作人、 出版人、文化明星本人、“粉絲” (fans) 和批評者所代表的不同力量。考察圍繞著製造文化明星的複雜的關係網絡，正可以勾勒出當代中國變動的文化生產場域的概貌。其次，文化明星的產生和生產是對九十年代以來知識分子危機的一種回應，是知識分子問題的變奏。理解了文化明星的製造機制，有助於尋找在當下的文化生產場中知識分子作為的新可能。

本文選取余秋雨、易中天、于丹和韓寒四個個案進行深入分析。余秋雨是公認的第一個最成功的文化明星，對其案例進行研究揭示了文化明星產生的歷史轉變。易中天和于丹的案例則代表著著一種可以複製的成熟的文化明星製造模式的出現。韓寒的形象及製造是一種有別于以上主流文化明星的另類模式。

本文綜合運用多種研究方法，包括對十幾名相關的文化生產者進行訪問，組織了一個針對粉絲的焦點小組（focus group），並且到電視節目錄製現場、出版 社和大型書店進行參與式觀察。此外亦有歷史檔案梳理和文本、話語分析。 最終，本文繪製出了不同的文化明星在當代中國文化生產場中的位置，反思了現有文化明星生產模式的後果，並對知識分子/文化生產者參與文化生產提出有針對性的建議。