Social and Behavioral Sciences Commons^™

Language Evaluation: Classical Arabic Approaches, Abdulkareem Said Ramadan

Interdisciplinary Studies Faculty Publications

This article explores the criteria and standards of literary evaluation as used by linguists in the Arabic literary tradition. Linguists did not apply such standards for instructional purposes only, but they also used them to assess poetic aesthetics. Because poetry was the primary context in which language was assessed, this linguistic evaluation appeared in various forms throughout poetry criticism. For example, giving preference to one poet over another meant the poet had reached a more superior linguistic level according to the standards that linguists followed in their judgments. These standards, which linguists in the Arabic literary tradition used, were not …

French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat

Student Scholar Symposium Abstracts and Posters

The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20^th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20^th century. I discuss pre-historical …

The Moon Festival And The Stories Behind, Haiwang Yuan

DLPS Faculty Publications

A presentation that traces the evolution of the Chinese Mid-Autumn Festival, or the Moon Festival with regard to the elements that were added to the myth of the moon fairy and other elements needed for the celebration of the festival such as the moon cake and examines the differences between the Western and Chinese view of and attitude toward the Moon in history through English and Chinese literature.

Nebraska's Wedding Crasher, Jennine Capó Crucet

Department of English: Faculty Publications

My building thinks of itself as Lincoln's premier wedding venue. I was not told this when I signed the lease. A glitch of duct work sends the sounds of every single party straight through the exhaust fan of my apartment's bathroom, so loud and clear that I can hear the names of everyone in the wedding party as they are announced -- not just in the bathroom, but from the living room. I can hear when people are clapping, can hear the claps as individual sonic events: I can almost always make out the crisp echo of the last person …

From Professor-Student To Collaborators, Jesse E. Siegel

Blogging the Library

I had not met Michael Ritterson before he visited the Conservation Lab at Special Collections, where he was having a book mended, but I had certainly heard of him. A former faculty member of the German department, Mr. Ritterson is now a German translator, taking on projects from translating the work of a 17th German woman’s study of butterflies to the poetry of a Berlin leftist written during the 1968 Movement. And, by previous contact in the mail, he had heard of me. So after Mary Wooton showed him the fully repaired book, we were formally introduced and had the …

The Cradle Of Democracy And The Longue Durée Of A Crisis: Some Thoughts From The Perspective Of Historical Sociology, Despina Lalaki

Publications and Research

The relationship between Modern Greece and the West has always been a complex and tortuous one. Greece as “the cradle of democracy” – a construct at the intersection of western modernity’s political imaginary and Greek national identity – a terribly familiar and powerful cliché which to a great extent, still today, informs our imagination and politics has been at the heart of this relationship. It is rather a truism to suggest that democracy lies at the political core of the civilization that the West insists offering to the rest of the world, yet we tend to forget that this is …

Lovecidal: Walking With The Disappeared [Table Of Contents], Trinh T. Minh-Ha

Cinema & Media Studies

“Lovecidal: Walking with the Disappeared is filled with provocation and guided by evocation. Encompassing various forms (poetry, treatise, memoir, and historiography) and capaciously conceived, Trinh T. Minh-ha’s contemplation of war, state-authorized violence, state-sanctioned ‘security,’ and international amnesia is skillfully tempered by observations of beauty, humanity, and resistance. To say that this is an important book is in many ways an understatement; rather, Lovecidal is transformative.” —Cathy Schlund-Vials, author of War, Genocide, and Justice: Cambodian American Memory Work

Arts: Fiction And Fiction Writers: The Americas, Rachel Norman

Faculty Publications

This essay by Rachel Norman, which originally appeared in the Encyclopedia of Women & Islamic Cultures, discusses contemporary Muslim fiction published in the United States with a particular focus on three novels: Mojha Kahf's The Girl in the Tangerine Scarf, Laila Halaby's Once in a Promised Land, and Randa Jarrar's A Map of Home.

Course Syllabus (W16 Online) Coli 331: "Pulp Fiction And Quentin Tarantino", Christopher Southward

Comparative Literature Faculty Scholarship

Course Objectives and Expected Learning Outcomes:

Rejecting the standpoint of the passively entertained consumer, our shared objectives in this course will be (1) to bring our selected cinematic and written texts into interaction in such ways as to produce high-quality scholarly writing. It is hoped that, by the end of the semester, each student’s active engagement with our course material should have enabled him/her, (2) to deepen and broaden his/her knowledge base concerning the social problematics we will have treated in such ways as to inform and encourage constructive social action.

We will view Quentin Tarantino's Pulp Fiction, Reservoir …

Epic And Genre: Beyond The Boundaries Of Media, Luke Arnott

FIMS Publications

Noting the resurgence of popular and academic interest in epics across disparate media, this essay proposes a theory of the epic genre that transcends particular media and cultures. It seeks to reconcile discussions of the epic in Aristotle, G.W.F. Hegel, Georg Lukács, Mikhail Bakhtin, Erich Auerbach, and Northrop Frye, arguing that traditional definitions of epic narrative are instead subsets of a greater generic structure. The epic is, following Gregory Nagy and Franco Moretti, among others, a literary “super-genre” that encompasses as many other kinds of narrative as possible. The essay explains how epic narrative, disembedded from earlier oral poetry, is …