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Social and Behavioral Sciences Commons™
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Articles 1 - 4 of 4
Full-Text Articles in Social and Behavioral Sciences
Reissue & Revivalism: Uncovering Ireland's Lost Diy, Electronic And Post-Punk Histories, Neil O'Connor
Reissue & Revivalism: Uncovering Ireland's Lost Diy, Electronic And Post-Punk Histories, Neil O'Connor
Irish Communication Review
Reissues: a rediscovery of the past. This process of rediscovery is nowhere more evident than in the current output of the Dublin record label and shop, All City Records. Recently, its owner Olan O’Brien, has been delving into the unknown with a series of reintroduced gems from Ireland’s musical past with its AllChival imprint. Whether it is Quare Grooves, a compilation of Irish-made Seventies groove and funk or the re-release of Dublin producer Stano’s debut album of experimentalist new wave from 1983, the label has been playing a rival role in the recontextualising lost DIY (Do-it-Yourself), electronic and post …
Diy Connections And Collaborations: Mid-West To North-East, Ciarán Ryan
Diy Connections And Collaborations: Mid-West To North-East, Ciarán Ryan
Irish Communication Review
Alternative music cultures can be found in various Irish cities and towns outside of the capital Dublin. These scenes may retain their own local idiosyncrasies, but those subscribing to do-it-yourself (DIY) ideals in Ireland are clearly influenced by sounds and styles from further afield. As punk mutated into different forms from the 1980s onwards, political and musical cues came from the countries to the East and West of Ireland - hardcore (Fairchild, 1995) from the United States, and anarcho-punk (Dines, 2004) from Britain. The DIY aesthetics of the early punk movements have since translated to numerous music genres and practices …
Déan É Tú Féin – Diy Music And Music Culture In Ireland: Introduction, Caroline O'Sullivan
Déan É Tú Féin – Diy Music And Music Culture In Ireland: Introduction, Caroline O'Sullivan
Irish Communication Review
No abstract provided.
The Rhetoric Of Predictability: Reclaiming The Lay Ear In Music Copyright Infringement Litigation, Austin Padgett
The Rhetoric Of Predictability: Reclaiming The Lay Ear In Music Copyright Infringement Litigation, Austin Padgett
The University of New Hampshire Law Review
[Excerpt] “Some things cannot be described. This is the theory that recent literary criticism has placed as its cornerstone. Philosopher-critic Roland Barthes identified this trend in his Mythologies, stating that critics often “suddenly decide that the true subject of criticism is ineffable, and criticism, as a consequence, unnecessary. Unfortunately, this view has become singular within the legal academy whenever an author discusses music copyright infringement analysis. It seems that scholars fear the thought of trusting a jury with such an “ineffable” subject as music and must propose alternatives, such as expert testimony, specialized courts, or mechanical analysis, that will diminish …