Social and Behavioral Sciences Commons^™

Fan-Funded Film: How Audience Participation Is Shaping The Future Of Motion Pictures, Renee E. Moody

Honors College

A look at intellectual property rights in the Internet Age. Fan-Funded Film examines the omnipresent issue of piracy and the financial strategy of crowdfunding. Both have existed in film for decades, but have increased dramatically in recent years. Through the use of several theories and real life examples, I explore the problem of piracy's popularity and how audience participation through crowdfunding could be the answer.

Cinekyd: Exploring The Origins Of Youth Media Production, Renee Hobbs, David Cooper Moore

Journal of Media Literacy Education

No abstract provided.

Bridging The Political Deficit: Loss, Morality And Agency In Films Addressing Climate Change, Philip Hammond

Philip Hammond

This article examines the emotional rhetorical strategies of three films – The Day After Tomorrow (2004), An Inconvenient Truth (2006) and The Age of Stupid (2009) – which attempt to create engagements with the “post-political” problem of climate change. In all three films the experience of personal loss, the potential for future loss, and the emotions associated with loss are fundamental to affective engagement. The emotional loading of representations of environmental problems derives partly from concerns about human political agency and subjectivity. It is not so much that emotional or moral appeals are simply added on in order to bolster …

Ouachita And Dean Film & Video Selected As Winners In 35th Annual Telly Awards, Brooke Zimny, Ouachita News Bureau

Press Releases

The Telly Awards has named Ouachita Baptist University and Dean Film & Video as a Bronze winner in 35th annual Telly Awards for their video "Discover the Ouachita Difference." The awards typically receive about 12,000 entries from all 50 states and several countries.

Efficient Control Of Assets In A Modern Production Pipeline, Timothy Curtis

All Theses

Managing large collections of assets created in today's CG productions is no easy task. This thesis examines basic production hierarchies and identifies problems that arise without proper workflow and asset control. The possibility of hundreds of assets being created in several workflows each week creates the potential for extraordinary time waste and user error without a system to track and manage the files being produced. It is becoming increasingly necessary to utilize methods during production that enforce naming and storage standards to prevent catastrophic data loss. This thesis presents an implementation of a customized database used to track all of …

The Genealogy Of Dislocated Memory: Yugoslav Cinema After The Break, Dijana Jelaca

Doctoral Dissertations

This dissertation analyzes the post-conflict cinema in the region of the former Yugoslavia, and the way that this particular form of cultural production establishes affective regimes within which bearing witness to trauma becomes variously articulated to national identity, history, politics, and memory. Using affect and trauma theories as organizing frameworks, my project looks at the way in which post-Yugoslav cinema has become a pivotal outlet for the process of working through the trauma of recent violent history in the region. I examine this process through its various iterations, from its applications to identity - be it ethnic, national, class, age, …

The Media Bias Within Outlets Of Media: Television, Radio, And Newspapers, Tiffany N. Johnson

All Capstone Projects

This project report reviews the literature of social media, news organizations, and ethics of journalism. A case study of the Chicago Teacher's Strike of 2012 is presented, and author's reflections are presented.

The author recorded a 23 minute film video of interviews with individuals regarding their perceptions of media bias. "I wanted to see how individuals felt towards news media today and the effects that it has in regards to perception of news. I wanted to know how they gather news and what they take from each broadcast. I had the opportunity to shoot a film that consists of interviews …

Entertaining Our Way To Engagement? Climate Change Films And Sustainable Development Values, Laura Lindenfeld, Bridie Mcgreavy

Publications

How we communicate about climate change shapes our response tothe most complex and challenging issue society currently faces. In this paper,we conduct a discursive analysis and ideological critique of stereotypicalrepresentations in three climate change films: The Day After Tomorrow (2004), Sizzle: A Global Warming Comedy (2008) and An Inconvenient Truth (2006).We argue that these films situate their treatment of climate change in anarrative context that reiterates troubling stereotypes about race/ethnicity,gender, and sexuality. These representations do not align with key sustainabledevelopment goals such as equity, freedom, and shared responsibility. Ouressay demonstrates how the stories we consume about climate change as weentertain …

Practicing Philosophical Pluralism With `Forrest Gump' A Speech-Act Body-Mind Analysis, Robert Lorenzo Oropeza

Open Access Theses & Dissertations

This essay looks at three different types of philosophy: Pragmatism and communication, phenomenology and Zen Buddhism. I discuss these philosophies using the film, Forrest Gump as a guide to get through the convoluted ideas and make the concepts easier to understand. We first wade through the waters of analytical philosophy and the language game in communication. We discuss speaker's intention in meaning according to Paul Grice and Forrest's problems with the implicatures of language. In the second chapter I focus on the phenomenology of the characters as well as the perspective of the person viewing the film. How do we …