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Articles 1 - 6 of 6
Full-Text Articles in Social and Behavioral Sciences
Elements Of Hinduism In Chandra’S Red Earth And Pouring Rain, Corinne M. Ehrfurth
Elements Of Hinduism In Chandra’S Red Earth And Pouring Rain, Corinne M. Ehrfurth
CLCWeb: Comparative Literature and Culture
In her article "Elements of Hinduism in Chandra's Red Earth and Pouring Rain" Corinne M. Ehrfurth explores how Hindu tenets in the Bhagavad-gītā continue to provide a didactic framework that inspires contemporary Indian literature. Ehrfurth highlights the similarities between characters, consumed with doubt and seeking understanding, in the ancient Indian text and Vikram Chandra's novel Red Earth and Pouring Rain where protagonists represent the diversity and complexity of Hinduism to a global audience. In examining how the novel's protagonists handle dilemmas, Ehrfurth presents Chandra's novel as illuminating how healthy and destructive actions affect one's ability of achieving the peaceful …
Africa And India In The Novels Of Dai And Emecheta, Debarshi Prasad Nath, Juri Dutta
Africa And India In The Novels Of Dai And Emecheta, Debarshi Prasad Nath, Juri Dutta
CLCWeb: Comparative Literature and Culture
In their article "Africa and India in the Novels of Dai and Emecheta" Debarshi Prasad Nath and Juri Dutta discusses the work of two writers belonging to different continents, India and Nigeria. Interestingly, the novels of the two writers Dutta is analyzing — Lummer Dai and Buchi Emecheta —never heard of each other. Both novels are based on the custom of bride price, both writers speak out against the stifling rigidity of traditional customs, and uphold aspects of modernity in languages other than their native tongues. At the same time, both writers affirm the sanctity of the traditional institutions and …
Imperialist Nostalgia In Masters's To The Coral Strand, Fikret Mehmet Arargüc
Imperialist Nostalgia In Masters's To The Coral Strand, Fikret Mehmet Arargüc
CLCWeb: Comparative Literature and Culture
In his article "Imperialist Nostalgia in Masters's To the Coral Strand" M. Fikret Arargüç discusses nostalgia as a resource of identity formation. Arargüç argues that imperialist nostalgia is no innocent emotional attachment to the past; rather, it is an adaptation to changed circumstances and its discursive practices (i.e., eulogizing) evade responsibility. In addition to practices to alleviate or absolve repressed guilt about the past, they often relate to discourses of power and regret that the past is no more. This type of nostalgia is another neo-imperialist form of exploitation by (ab)using or generating fluid, dynamic, and ever-evolving identities. Arargüç …
Commodity And Waste As National Allegory In Recent South African And Post-Soviet Fiction, Alla Ivanchikova
Commodity And Waste As National Allegory In Recent South African And Post-Soviet Fiction, Alla Ivanchikova
CLCWeb: Comparative Literature and Culture
In her article "Commodity and Waste as National Allegory in Recent South African and Post-Soviet Fiction" Alla Ivanchikova analyzes the issue of commodity in its relation to identity. The article contains a reading of two novels: The Quiet Violence of Dreams by K. Sello Duiker and Dukhless. Povest o nenastoiaschem cheloveke (Douh-Less: The Tale of an Unreal Person) by Sergey Minaev. Rapid political changes, both in South Africa and the former Soviet Bloc were accompanied both by rapid changes in the practices of consumption and also by often inconsistent cultural efforts to establish the meaning of these practices. Ivanchikova …
Fernández And Cinematic Propaganda In The U.S. And Mexico, Renae L. Mitchell
Fernández And Cinematic Propaganda In The U.S. And Mexico, Renae L. Mitchell
CLCWeb: Comparative Literature and Culture
In her article "Fernández and Cinematic Propaganda in the U.S. and Mexico" Renae L. Mitchell discusses the competing ideologies on both sides of the U.S.-Mexican border. As one of the foremost filmmakers of the Mexican Golden Age of cinema, Emilio Fernández established what would is recognized as "Mexicanness" by means of Indigenous characters in his films, most apparent in the film María Candelaria. RKO (Radio-Keith-Orpheum) Pictures, as the principal purveyor of US-American propagandist cinema, led Hollywood into the cinematic market of Mexico revealing its intentions by means of the RKO film The Falcon in Mexico. Fernández sought to …
Latino Identity In Allende's Historical Novels, Olga Ries
Latino Identity In Allende's Historical Novels, Olga Ries
CLCWeb: Comparative Literature and Culture
In her article "Latino Identity in Allende's Historical Novels" Olga Ries analyzes the concept of individual and group identity found in five historical novels by Isabel Allende. Ries argues that while Allende's protagonists come from different backgrounds and different epochs, they share a process of psychological transformation and that affects their identity formation. The result is the formation of a transnational "Hispanic" identity, group as well as individual. In Ries's reading of Allende's texts, transnational Hispanic identity is based simultaneously on the Mexican/Hispanic concept of mestizaje and on the US-American concepts of the "melting pot" and the "American Dream."